Weekly YouTube Round Up


A sampling of some great videos from YouTube land this past week-- from an insider's view of the opening of the Frieze Art Fair in London's Regent Park, to a Ted Talk on beauty and a history lesson concerning the New York City park housing Occupy Wall Street, to an archived interview with artist Matthew Barney and a public discussion about protest movements at Harvard this past week. Enjoy, share, and most importantly, reflect and discuss.

Vernissage TV: Frieze Art Fair 2011



Ted Talks Director: Richard Seymour: How Beauty Feels





The Young Turks Network: NYC Zuccotti Park's History




SFMOMA: Matthew Barney Discusses His Influences 





Harvard: "We are the 99 Percent" From Frustration to Occupation - Institute of Politics"

Slavoj Žižek: One Philosopher's View on the Occupy Wall Street Movement

The philosopher Salvoj Zizek at Occupy Wall Street this past week (image courtesy: roarmag.org)
I spent much of today reading, reflecting, listening, and taking time to think about what the recent events of the Occupy Wall Street movement is signalling in the global collective. To date, there have been dozens of protests planned here in North America, and this weekend many more are planned around the world. Because so many of the ideas I discuss with students on a day to day basis revolve around notions of power and the construction of knowledge, I was especially interested to see if I could find something spoken by a figure from within academia and more specifically, from within a critical theory framework, to help spark some meaningful reflection. I was not disappointed.

Zizek in the classroom (image courtesy: Village Voice)
This past week Slavoj Zizek, arguably one of the world's most respected and dynamic philosophers, visited the OccupyWall Street protests in NYC and delivered a stirring and truly inspiring address to the crowd. As a Slovenian national and specialist in Hegelian, Marxist, and Lacanian theory, Zizek is most interested in ideas concerning subject formation and theorizing about how individuals come to identify within the context of the shifting world around them. Who better to comment on what is transpiring at this very moment? I have reprinted the original text from his speech here, taken from Verso Books website. And whether you agree or disagree with the aims of the movement, Zizek's arguments-- about why this moment is pivotal in our human history and what the stakes are if we ignore such a deeply abstracted power structure as the one we face globally today-- are worthy of our collective attention and consideration:

"Don't fall in love with yourselves, with the nice time we are having here. Carnivals come cheap—the true test of their worth is what remains the day after, how our normal daily life will be changed. Fall in love with hard and patient work—we are the beginning, not the end. Our basic message is: the taboo is broken, we do not live in the best possible world, we are allowed and obliged even to think about alternatives. There is a long road ahead, and soon we will have to address the truly difficult questions—questions not about what we do not want, but about what we DO want. What social organization can replace the existing capitalism? What type of new leaders we need? The XXth century alternatives obviously did not work.

So do not blame people and their attitudes: the problem is not corruption or greed, the problem is the system that pushes you to be corrupt. The solution is not “Main street, not Wall street,” but to change the system where main street cannot function without Wall street. Beware not only of enemies, but also of false friends who pretend to support us, but are already working hard to dilute our protest. In the same way we get coffee without caffeine, beer without alcohol, ice-cream without fat, they will try to make us into a harmless moral protest. But the reason we are here is that we had enough of the world where to recycle your Coke cans, to give a couple of dollars for charity, or to buy Starbucks cappuccino where 1% goes for the Third World troubles is enough to make us feel good. After outsourcing work and torture, after the marriage agencies started to outsource even our dating, we see that for a long time we were allowing our political engagements also to be outsourced—we want them back.

They will tell us we are un-American. But when conservative fundamentalists tell you that America is a Christian nation, remember what Christianity is: the Holy Spirit, the free egalitarian community of believers united by love. We here are the Holy Spirit, while on Wall Street they are pagans worshipping false idols.


They will tell us we are violent, that our very language is violent: occupation, and so on. Yes we are violent, but only in the sense in which Mahathma Gandhi was violent. We are violent because we want to put a stop on the way things go—but what is this purely symbolic violence compared to the violence needed to sustain the smooth functioning of the global capitalist system?

We were called losers—but are the true losers not there on the Wall Street, and were they not bailed out by hundreds of billions of your money? You are called socialists—but in the US, there already is socialism for the rich. They will tell you that you don't respect private property—but the Wall Street speculations that led to the crash of 2008 erased more hard-earned private property than if we were to be destroying it here night and day—just think of thousands of homes foreclosed...

We are not Communists, if Communism means the system which deservedly collapsed in 1990—and remember that Communists who are still in power run today the most ruthless capitalism (in China). The success of Chinese Communist-run capitalism is an ominous sign that the marriage between capitalism and democracy is approaching a divorce. The only sense in which we are Communists is that we care for the commons—the commons of nature, of knowledge—which are threatened by the system.

They will tell you that you are dreaming, but the true dreamers are those who think that things can go on indefinitely they way they are, just with some cosmetic changes. We are not dreamers, we are the awakening from a dream which is turning into a nightmare. We are not destroying anything, we are merely witness how the system is gradually destroying itself. We all know the classic scene from cartoons: the cat reaches a precipice, but it goes on walking, ignoring the fact that there is no ground under its feet; it starts to fall only when it looks down and notices the abyss. What we are doing is just reminding those in power to look down...

So is the change really possible? Today, the possible and the impossible are distributed in a strange way. In the domains of personal freedoms and scientific technology, the impossible is becoming increasingly possible (or so we are told): “nothing is impossible,” we can enjoy sex in all its perverse versions; entire archives of music, films, and TV series are available for downloading; space travel is available to everyone (with the money...); we can enhance our physical and psychic abilities through interventions into the genome, right up to the techno-gnostic dream of achieving immortality by transforming our identity into a software program. 

On the other hand, in the domain of social and economic relations, we are bombarded all the time by a You cannot ... engage in collective political acts (which necessarily end in totalitarian terror), or cling to the old Welfare State (it makes you non-competitive and leads to economic crisis), or isolate yourself from the global market, and so on. When austerity measures are imposed, we are repeatedly told that this is simply what has to be done. Maybe, the time has come to turn around these coordinates of what is possible and what is impossible; maybe, we cannot become immortal, but we can have more solidarity and healthcare?

In mid-April 2011, the media reported that Chinese government has prohibited showing on TV and in theatres films which deal with time travel and alternate history, with the argument that such stories introduce frivolity into serious historical matters—even the fictional escape into alternate reality is considered too dangerous. We in the liberal West do not need such an explicit prohibition: ideology exerts enough material power to prevent alternate history narratives being taken with a minimum of seriousness. It is easy for us to imagine the end of the world—see numerous apocalyptic films -, but not end of capitalism.

In an old joke from the defunct German Democratic Republic, a German worker gets a job in Siberia; aware of how all mail will be read by censors, he tells his friends: “Let's establish a code: if a letter you will get from me is written in ordinary blue ink, it is true; if it is written in red ink, it is false.” After a month, his friends get the first letter written in blue ink: “Everything is wonderful here: stores are full, food is abundant, apartments are large and properly heated, movie theatres show films from the West, there are many beautiful girls ready for an affair—the only thing unavailable is red ink.” And is this not our situation till now? We have all the freedoms one wants—the only thing missing is the red ink: we feel free because we lack the very language to articulate our unfreedom. What this lack of red ink means is that, today, all the main terms we use to designate the present conflict—'war on terror,' "democracy and freedom,' 'human rights,' etc—are FALSE terms, mystifying our perception of the situation instead of allowing us to think it. You, here, you are giving to all of us red ink."

Further Reading:

Sarak Kay, Zizek, A Critical Introduction Cambridge UK: Polity (2003)

Shai Ginsburg, "Taking Slavoj Zizek Seriously." Tikkun 21.1 (2006): 76-77.

Weekly Twitter Round Up



A long weekend, the Vancouver Film Festival, Thanksgiving day family activities, and some much needed R&R pushed back my Twitter round-up a few days, but better late than never. Tweets concerning Steve Jobs topped the Twitterverse this past week and broke the record for tweets per second—10,000 to be exact! The Occupy Wall Street movement is also gaining steam and Twitter is playing a key role in helping to circulate information and organize new gatherings around North America (including Vancouver this Saturday). All in all, a very hectic and fast-moving week. Here are some of my favourites:

Beautiful print posters from the 1968 Paris student protests




Is the world too big to fail? By Noam Chomsky




11 best Steve Jobs quotes




Living in a Material World: Read Barbara Pollack's feature on what China's young artists are thinking, making hoping



Pregnant performance artist plans to give birth in an art gallery in front of an audience




Archive Watch: Steve Jobs and Apple’s Early Days




Collection of #OCCUPYWALLSTREET posters 

Weekly YouTube Round Up

When I chat with students about my blog, one of the features they seem to enjoy the most is my weekly Twitter round up, sharing a cross-section of my favourite art-related tweets and user profiles from the previous week. I have decided to start a similar weekly round up for my favourite YouTube videos that I come across via channel subscriptions from my blog's YouTube page. I hope you enjoy the variety, humour, and thought-provoking content of these and other videos I look forward to sharing. If you like what you see, you can always follow the link from the YouTube channel listed above each selection and begin subscribing to their content. Happy viewing!

Hennesy Youngman: Art Thoughtz (To Catch A Millennial)



Stanford University: Steve Jobs Offers Last Words, 2005 Stanford Commencement Address



Ted Talks Director: Graham Hill, Less Stuff More Happiness



Jameskalmroughcut: Occupy Wall Street "This Is What Democracy Looks "Like?"



The New School NYC: Artistry and Agency in a World of Vibrant Matter

Wall Street Occupennial: Open Call to Artists #OCCUPYWALLSTREET


Image from this past weekend of the growing Occupy Wall Street movement in NYC
(image courtesy: NY Times)
As many of you may have heard, a small group of protesters began occupying Wall Street in NYC several weeks ago in a bid to draw global attention to a growing resistance movement criticizing corporate America and the growing economic crisis worldwide. What started out as a small group of activists in New York has now spread to other U.S. cities and grown to a much larger and more organized cross-section of participants, drawing attention from the mainstream press and other labour groups across North America.

Adbusters creative contribution to the movement
What specifically caught my attention this weekend was the call for artist participation in what is officially being called the Occupy Wall Street liberation movement. Modelled on the tactics employed in the Arab spring resistance movements of Tunisia and Egypt, the organizers are seeking artists to participate in an “Occupennial.” A full text of the call for participation follows along with a YouTube video describing the aims of the movement. The Vancouver-based anti-consumer magazine Ad Busters has already contributed to the call by organizing a Wall Street zombie walk this past Monday and using Twitter to circulate information using the #OCCUPYWALLSTREET hash tag. For now, I look forward to tracking art-related developments of this growing movement.

An Open Call to Artists in Alliance with Occupy Wall Street and Beyond

The Wall Street Occupennial is an urgent call for artists to contribute to the ongoing Occupy Wall Street (OWS) movement currently centered at Liberty Plaza in the Financial District of New York City. The Occupennial is founded on the belief that artists have a crucial role to play in helping to elaborate and sustain the democratic public space that is currently being created by the occupation of Liberty Plaza.
OWS is one in a chain of protest movements unfolding across the world over the past several years concerned with democratic empowerment and economic justice in the face of untrammelled corporate domination of political institutions and social life more generally. This domination has involved the legal enshrinement of “corporate personhood” at the expense of representative government,  punitive austerity measures, rising unemployment, massive income inequality, ecological destruction, assaults on collective bargaining rights, the dismantling of the social safety net, and the scapegoating of public employees, working families, people of color, and immigrants. 

The Occupennial embraces the fact that the OWS movement is not reducible to a single “message” or even a particular set of policy prescriptions; in the most general sense, OWS and its affiliated movements around the world are about democratization, the first manifestation of which has often been the unauthorized occupation of nominally public streets, buildings, and plazas ranging from Tahrir Square to the Wisconsin State House.

While it echoes the familiar art-world term “biennial,” the Occupennial is unencumbered by any predetermined curatorial program or institutional apparatus. It exists instead as an imaginative umbrella-concept and pragmatic media platform (wallstreetoccupennial.tumblr.com/) through which diverse activities might be brought into alliance around both the specific site of Liberty Plaza and other occupation-sites throughout the United States and the rest of the world.

While OWS has gathered political strength and sympathetic media coverage in recent days, the occupation of Liberty Plaza remains an inherently precarious process due in part to the ambiguous legal status of the site: it is a privately-owned public park mandated to remain open twenty-four hours a day; however, the immense police presence is a constant reminder that events on the ground can change very quickly. For now at least, a major priority is sustaining the presence of as many bodies and cameras at the plaza as possible. The Occupennial thus encourages contributions that engage the physical site of Liberty plaza and its occupants, and that can unfold in as timely a manner as possible. For those contributors unable to be physically present at the site itself, we encourage projects that are digitally-based (photos, videos, texts, graphics), but also long-distance ideas capable of on-site realization by interested collaborators. These might encompass sign-making, performative gestures, tours, choreographic scores, acoustic experiments, historical reenactments, or ephemeral architectures. In conceiving of such projects, it is important to keep in mind that various park regulations already constrain OWS occupation activities in terms of the marking of surfaces, the amplification of voices, and the erection of structures found to be “blocking the sightline of the park.” Such constraints are unfortunate, but they might also become opportunities for artistic inspiration, response, and critique.

Finally, it is crucial to note that in recent days, important new linkages have begun to develop between OWS and already-existing labor unions, non-governmental organizations, community groups, public intellectuals, and media outlets. Art projects working to cultivate and facilitate cultivate such linkages are especially welcome under the umbrella of the Occupennial.

We look forward to your contributions to this initiative…Time is of the essence!

Wall Street Occupennial