Weekly Twitter Round Up

Cool collection of NYC street posters from the 1980's-- check out first tweet below

The countdown to end of term marking completion begins. Until then, piles of papers, exams, projects, journals sitting on my desk, on my computer, in my email, under my office door-- you get the picture. For those who are done: Congratulations! To those still slogging along: we are almost at the finish line! In the meantime, grab a cup of coffee and check out some of my favourite tweets from the past week.

Crazy DIY Street Posters from New York City



Careers: How to finish your dissertation and maintain your sanity



Anyone who is sanguine about China's attitude toward academic freedom hasn't been paying attention



YOU CAN OWN A $15,000, SIGNED BANKSY! The catch, you must "steal" it without getting caught



Naomi Klein on our addiction to risk -- and its consequences



The Artist: Mostly mute, it speaks volumes about silent film




RIP John Lennon who died today in 1980, taken from the world far too soon

End of Semester Advice? Simple. Don't Cheat.

Oh, you thought we didn't know about this......remember, we were students once as well.
The unspoken reality of university life is that cheating and plagiarism are everpresent. It is something that professors rarely want to admit, but it is part of an escalating problem within most academic settings. With all of the access to digital materials and increasing capabilities to find new technological avenues for cheating, there is little doubt that students have been faced with the temptation to pass off other ideas as their own and/or find ways to smuggle information into examination rooms. Keep in mind however that most professors have become incredibly savvy in spotting the signs of cheating. I won't reveal all of our tricks (let's just say we have as many new and technological ways to do it) but sometimes it doesn't take much to find it. This week in fact I found the tell-tale signs of a rookie plagiarist's classic mistake-- not changing fonts on a badly executed cut and paste in an essay. This is about as bad as the thief who leaves his cell phone behind at a bank robbery. Lame indeed.

What prompted my post in particular was Claire Potter's advice column (AKA Tenured Radical) I came across yesterday on The Chronicle of Higher Education. It was a very useful, entertaining, and highly pragmatic tongue-in-cheek interview discussing the pitfalls of cheating. Part of what may surprise students is that a professor will more often respect a student who attempts and fails or does poorly on a class assignment versus cheating and/or plagiarizing (however unknowingly) to earn a higher mark. And over time, cheaters will find that the short term payoffs are never worth the long term damage to your university experience. Another wonderful part of this interview deals with the moment of confrontation with a suspected cheater-- this is a scenario that I can completely relate to, having successfully caught both plagiarizers and cheaters in the relatively short span of my teaching career. 

Here is the interview for you to enjoy below (cut and paste I might add, but clearly cited!). It is also worth visiting the original post to read the response of other academics in the comments section. It should prove eye-opening to many students:

If I Had College-Age Children, I Would Give Them This Advice for the Final Weeks of School: Don’t Cheat

I imagine this conversation would occur sometime during Thanksgiving, perhaps as we were washing up the endless number of dinner dishes and de-greasing the kitchen.  No, no: let’s put it in a neutral location, as Tenured Radical and the returning college student are having a final cup of coffee at the airport while waiting out a flight delay.  This is how it would go:

Spawn of the Radical: Esteemed Parental Unit, you have taught at a selective liberal arts college for two decades. What advice do you give for the hellish, final weeks of school?

Tenured Radical: I am so glad you asked, Spawn.  (Ruminates briefly.) OK, here goes.  First piece of advice? Don’t plagiarize, buy a paper off the internet, pay someone else to write for you, or retype an ancient term paper secreted away in the files of your Greek organization.  I will be far more sympathetic if you simply fail the class, or get a bad grade, than I will be if you are hauled up before a disciplinary board and hung out to dry for preventable a$$hattery.

Spawn: Why?  It seems like such an easy and obvious solution to not having done the work for the course. Besides, so many of my friends get away with it.

TR: True dat.  And yet, if your friends jumped off the Brooklyn Bridge and managed to live, would you do it too?  My point is this: because cheating is evidence of rank stupidity, many people do not get away with it.  In fact, many people are no better at cheating than they are at doing the work for the course.  Others spend time that might have gone into conventional studying devising elaborate systems for cheating (Profs, follow these links and track what your students already know.) It would be far better to fail a course, take an incomplete, or throw yourself on the mercy of the professor than to be expelled from college.  As my dear friend Flavia Fescue points out, even though it “breaks her heart” she catches one or two plagiarists every semester and she takes them down.  It is part of our job to take you down (think, selling crack on the steps of a police station, ok?)  Historiann concurs. “Message to students,” she writes. “We care. Please don’t f^(k up. But know this: we will work you over if you f^)k up, and it will hurt you more than it hurts us, for realz. In my experience, it never pays to give a plagiarist a break. Hang’em high, regretfully if you must, but hang’em high, friends.”

Spawn: Parental unit, have you ever caught a plagiarist?

TR: Indeed, and those who cheat on exams. Even though there are some who slip through my net, even before Turnitin.com I have always known when I have snagged a plagiarist that I was right, even prior to being able to prove it. And I can always prove it because I am a far better at research than an undergraduate is at covering up plagiarism.

Spawn: How do you know before you can prove it?

TR: It’s all in the confrontation. The almost uniform response of a guilty plagiarist is to deny the offense with a kind of astonishment and disbelief that is meant to simulate innocence.  Students who are actually innocent (and this was certainly the case when one student had copied from another on an exam, and the challenge was discovering which one had copied and whether the other had permitted it) get genuinely angry.

Spawn: (taking notes furiously) Wow.  So, if accused of cheating and innocent, do not defer — let it rip?

TR: I would advise so.  You will end up in a disciplinary procedure anyway, so you really have nothing to lose.  And here are some precautions worth taking, from my perspective. Sit away from other students in exams, and don’t leave drafts of your papers and notes for papers on campus computers for anyone to find.  There are a fair number of students who cruise around looking for digital work that has been abandoned in computer labs. Even if you are unaware that this has happened, you will be implicated.  And if you are aware of it?  Most honor codes require you to notify someone, and if you don’t, you could be disciplined anyway. Read over your college’s policies about plagiarism, so that you are clear about which of the things that your high school teachers turned a blind eye to, and might have even encouraged you to do, constitute plagiarism.  Using commercially available outlines rather than reading and using the books for the course is cheating. Having someone help you with your paper (for example, the fact that you send your papers to your mother for a final edit just like you did in high school) is acceptable: not acknowledging that you had help is cheating. Using research that you found on your roommate’s desk is cheating. Copying things off the Interwebz or directly out of books is cheating.  Make sure you know how to write a good citation and use more of them rather than fewer. As Flavia points out in her post, when in doubt, cite, cite, cite.

Spawn: Is there anything I might not recognize as cheating that actually is?

TR: Glad you asked that question clever Spawn.  What few undergraduates grasp, given that dollars are paid in exchange for their heads being cracked open and education poured in, is that you don’t purchase ideas with tuition.  The people you read actually own their ideas, and deserve credit for them.  Think of it as idea rental:  you are free to use any ideas you want, but you must distinguish between an idea, or point of analysis, that is actually yours and one that has been offered up by someone else whose book you have read.  For example, to announce in your opening paragraph that the workers have nothing to lose but their chains may seem like common knowledge to you, particularly given the Radical home where you have been raised.  But actually, we must credit this phrase to Karl Marx, even though he never made a nickel off of it and never will. As another example, you might note that I credited two of my colleagues in the blogosphere for inspiring this post in the first place by linking them.  This is not only respectful, it allows someone to follow up an idea to its point of origin, evaluate the idea and address how you made use of it. They are calling your delayed flight, Spawn.

Spawn: (Gathering bags and an extraordinarily expensive airport snack.) Is there anything else I absolutely need to do during exam period?

TR: Yes, Spawn. Don’t stop bathing.  I know it will be tempting, but have mercy on the faculty and wash diligently.

Focus on Tech| Organize Your Ideas with Evernote

Take notes via text, photo, audio, file upload with Evernote-- sync and save on all of your devices.
While I love Moleskine journals, I have too many of them
strewn about my desk, bags, and workspace to make them productive.
At some point over the last semester, the inevitable finally happened—I gave up my dependence on paper. I think it had a lot to do with my recent travels and realizing that all of those little pieces of paper on which I had been jotting down notes, not to mention the collection of Moleskine journals I had strewn about my desk, car, and at the bottom of my various bags, were not effective in reminding me or prioritizing all of the information and ideas I tend to collect and organize. Add to that the million times I photographed, bookmarked, or emailed something, or took some random idea down on my desktop sticky tabs and wanted to find a way to integrate that into my idea or to-do pile. 

I have Evernote loaded on my Playbook, Blackberry Torch,
laptop and home/work computers. Evernote supports a variety
of platforms including Mac, PC, the iPad, iPhone,
and Android devices too.
Enter Evernote. Evernote is a super basic, but highly effective and powerful note-taking and gathering application that I discovered when I began playing around with my recently acquired Blackberry Playbook tablet (which by the way I adore!). It is an application that came highly recommended on a number of tablet forums, and to my surprise and delight I soon discovered the elegant simplicity of how it works. Once an account is created, Evernote allows you to gather notes through snapshot photographs, voice recordings, file uploads, or the old-fashioned text note through a cross-platform integration and syncing system that connects your  phone, home and work computers, laptop, and tablet. In other words, any note that you take on your phone, for example, will immediately become accessible on your home computer, laptop, or tablet. Even better, the application collects these files through a cloud system that allows you to access any notes you take via the web, allowing you to look at your notes on any computer with an Internet access at any time (like say on a university library computer). You are also provided with further options to tag, categorize, and search your notes. For example, I have a virtual notebook for academic project ideas, and another one for personal notes such as books I want to read (I now routinely take photo notes when I visit bookstores). See a tutorial on how to get started with Evernote here.

Evernote's web clipper is top notch
There is also a fantastic web clipper application that you can download on your desktop that allows you to save interesting things you find on the web without the hassle of bookmarks or tabbing. Simply click on the clipper icon in your web browser and the clipper takes a screen shot and attaches a link to the page as a note to your account. This allows you to clip and collect materials from the web in a far more intuitive way—no more need to search for that interesting article or idea through a long bookmark list or web history.

There really is an infinite range of possibilities for how you can utilize a tool like this. I noted on their website that Evernote is featuring a student-oriented application called StudyBlue which allows you to transform study materials gathered on Evernote into digital flashcards—a great idea for art history students studying a list of images for exams. You can check out all the additional downloads for the application here. In the end, the best feature of Evernote for me was the ability to access, organize, and categorize all of my notes in one place-- oh, and did I mention it is free?

In the coming months, I will be reviewing some other great time saving applications and techniques I have been incorporating into my digital world—I must say that I have a lot more space on my desk these days!

Weekly Twitter Round Up (and my 1000th Tweet)

Modern Christmas Tree = want! Check out tweet below for more inspired looks.
Another hectic week as we march towards the final classes of the semester. Sadly, my blogging has suffered the past month or so, but something had to give with all of the various events and obligations this time of the year brings. Even so, I was glad that many of you noticed the Paris/Documenta 2012 trip information I posted earlier this week-- I am thrilled to see a number of you signing up already and very excited with all of the potential for critical engagement and hands-on learning a trip like this can offer all the way around. As for Twitter, tonight's tweet of this blog post will mark my 1000th since joining Twitter last year (!). I don't know what can be made of this number, but I do know that my time gathering and sharing info on this social network has flown by! Enjoy a taste of this week's offerings:

In the Arab Spring’s wake, Twitter trolls and Facebook spies




The year-long performance piece we promise will blow your mind




David Cronenberg on "A Dangerous Method," "falling off" body parts, and why you should never say "Cronenbergian"
Steve McQueen: A director skilled in the silent treatment




Francesca Woodman Retrospective



The $25 handheld computer that could transform technology education
Looking for a modern Christmas tree? Look no further

Paris and Documenta Field School 2012: Details and Information

Postcards describing the Kwantlen Fine Arts Field School
to Paris/Documenta are now hot off the presses. 
After a great deal of planning, consulting, and coordination, I am pleased to announce that I will be participating in and helping lead a field school to Paris and Documenta XIII next spring/summer 2012. Some of you have known for a while about this trip and my desire to travel with students and visit the art works, monuments, museums, and urban sites that we discuss and explore in art history classes and seminars. That desire, together with the once-every-five years opportunity to attend Documenta-- arguably one of the most important international contemporary art exhibitions on the planet-- culminated in talks with Kwantlen Polytechnic University's International Programming people to help put together an overseas trip and accompanying courses that students could take advantage of. For this field school, I will be working with artist and Kwantlen Studio Faculty member Nancy Duff, who will be coordinating with me to offer an integrated approach to the art history and studio courses offered on the trip.

Two three-credit upper level art history and fine arts studio
classes are being offered as part of the trip.
The field school itself consists of two courses that students can choose to enrol in (one or both):  my art history class ARTH 3100: Paris, The Art and Spectacle of Modern Life and Nancy Duff's FINA 3202: Contemporaty Studio Based on Modernist Themes. Both classes earn students third year credits towards the BFA degree offered at Kwantlen and/or are potentially transferable to other institutions. The courses will run initially at Kwantlen's main campus from May 1-19th as twice weekly 3 hour courses. During this time, important core material will be covered in both courses to prepare students for the trip and time spent on the ground in Europe.

The Vancouver-based coursework will be followed by a two week break and then the trip to Paris will depart Vancouver for two weeks, leaving June 2nd and returning June 17th. A full itinerary of visits and activities are planned in Paris including trips to the Orsay, Louvre, L'Orangerie, Jeu de Paume, Arc de Triomphe, Montmarte at Night, Versailles, Cinema Museum, Museum of French Monuments, Tuileries Garden, European House of Photography, Eiffel Tower, Opera, the Paris Cemetery and much much more. For those students who decide to stay on and visit Documenta XIII with Nancy and I, there will be a small additional cost for travel and hotel, extending the trip by another 3-5 days.

Details about the trip include a whole host of
visits to local museums and attractions in Paris,
with the optional visit to Documenta XIII.
The program fee is $1800 and includes accommodations in Paris, all city transportation, museum/site admissions, and 3 group meals. Flight, personal expenses, most meals and tuition are not included in the program fee. This allows students a shot at booking their own flight on points or through other special arrangements (leaving open the option to continue travels in Europe) and making individual decisions around the many food options in Paris. There will however be a group flight option that students can book early next year. At this time, the Documenta trip to Kassel, Germany (a short distance by train) is not mandatory and will be part of an optional addition to the trip which we anticipate to come in under $400. We are also accepting limited applications from students who wish to take the trip to Paris without taking the courses.

If you are a student at a university other than Kwantlen Polytechnic and are interested in taking the classes for credit (ideally, we would like to see 6 credits of art history-type courses completed before we consider you for registration), we can assist you in the quick and easy process of temporarily applying for the summer semester. If you are interested in taking the trip and paying the program fee but not taking the classes, we will be accepting a limited number of students to join the group based on their willingness to participate as engaged observers. Students participating in the field school can also choose to participate in the Paris Language Field School that will run classes the same time as our school and be in Paris during the two weeks prior to our arrival. This allows students a chance to be in Paris for a full month, taking French language courses for credit, and then joining our group for the art history and/or studio classes-- a wonderful bonus!

Seating is limited and we will be accepting applications on a first-come, first-served basis
until January 31, 2012.
Application Instructions: very shortly, you will be able to upload an application form at kwantlen.ca/exchange/field_schools.html. I will also continue to update this post with any additional information as it becomes available. For now, please contact me directly if you have any specific questions and/or are interested and know you will be applying to the program so that I can secure your name on our list. **edited to add: see this new Prezi Presentation for even more details

Spaces in the field school are limited and we will be accepting applications on a first-come, first-served basis until January 31, 2012 with a $500 non-refundable deposit (which will go towards your program fee). Student loans can also be applied to this trip as long as you take 9 credits during the summer semester.

We look forward to a dynamic and wonderful trip and would love to have you join us in Europe next year!