• Spring 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
Menu

Avant-Guardian Musings

  • Spring 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
large monogram_2018-02-01_22-31-07.v1 (1).png
“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

Blog RSS

Screenshot 2018-02-05 20.56.45.png
Blog
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 8 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
about 2 years ago

Screenshot 2018-02-05 20.56.51.png
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to C
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to Central Paris 👀✨💙 . . . #paris #streetart #urbanart #arthistory #graffiti
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the T
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the Tuileries, and explore the street art in Belleville. And tonight, we will dine and celebrate at your favourite restaurant. You know there is no one else with whom I would rather spend a day chilling, wandering the streets, and laughing. “You and me and five bucks.” I love you forever, and I hope this next year brings you more of what you’ve been dreaming about❤️
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its mos
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its most rebellious women, the gown is designed with partial armour and creates this beautiful tension, movement, and awe that is hard to express. Simply put, Galliano is a true artist and this dress is a masterpiece. . . . #louvre #paris #louvrecouture #johngalliano #hautecouture #fashion #arthistory
There are exhibitions that catch you by surprise and completely take your breath away. “Louvre Couture: Objects of Art” is beyond any description. It is easily the best fashion exhibition I’ve ever seen (even better than some of the
There are exhibitions that catch you by surprise and completely take your breath away. “Louvre Couture: Objects of Art” is beyond any description. It is easily the best fashion exhibition I’ve ever seen (even better than some of the V&A shows in London and the Met in New York), and while these photographs show some level of the pure beauty and vision of these masterpieces (pieces covering every major designer you can think of, from Chanel, Dior, Versace, Schiaparelli, Givenchy, Prada, McQueen, Yves Saint Laurent, to name a few) what’s harder to capture is the exceptional curation of the show— the way each object is in multiple conversations with other objects of art in the Louvre rooms. This is clearly a show for art lovers who also love fashion, and I cannot wait to teach this show in my Art and Fashion art history course. I photographed all 99 pieces in the show but could only choose 20 for this post, but this truly is one of those once in a lifetime exhibitions for fashion lovers that I highly recommend is worth a trip to Paris between now and the end of July. . . . #louvre #paris #louvrecouture #fashion #couture #arthistory
As my favourite architecture professor used to say, “look up” when you visit a city 💙✨👀
.
.
.
#paris #haussmann #architecture #urbanspaces #arthistorianlife
As my favourite architecture professor used to say, “look up” when you visit a city 💙✨👀 . . . #paris #haussmann #architecture #urbanspaces #arthistorianlife

Screenshot 2018-02-05 20.57.02.png
  • September 2024 (1)
  • February 2023 (1)
  • January 2023 (3)
  • August 2022 (1)
  • March 2022 (1)
  • February 2022 (3)
  • January 2022 (4)
  • November 2021 (2)
  • October 2021 (3)
  • September 2021 (3)
  • July 2021 (2)
  • June 2021 (1)
  • May 2021 (3)
  • April 2021 (3)
  • March 2021 (3)
  • February 2021 (4)
  • January 2021 (5)
  • December 2020 (3)
  • November 2020 (6)
  • October 2020 (4)
  • September 2020 (1)
  • July 2020 (1)
  • June 2020 (4)
  • May 2020 (9)
  • April 2020 (5)
  • December 2019 (2)
  • November 2019 (5)
  • October 2019 (3)
  • September 2019 (1)
  • July 2019 (6)
  • June 2019 (19)
  • April 2019 (2)
  • March 2019 (5)
  • September 2018 (2)
  • July 2018 (1)
  • June 2018 (4)
  • May 2018 (2)
  • April 2018 (5)
  • March 2018 (5)
  • February 2018 (8)
  • January 2018 (3)
  • December 2017 (4)
  • November 2017 (5)
  • October 2017 (7)
  • September 2017 (3)
  • July 2017 (6)
  • June 2017 (15)
  • April 2017 (2)
  • March 2017 (3)
  • February 2017 (1)
  • January 2017 (2)
  • November 2016 (2)
  • October 2016 (1)
  • September 2016 (3)
  • August 2016 (1)
  • June 2016 (2)
  • May 2016 (3)
  • April 2016 (2)
  • March 2016 (5)
  • February 2016 (7)
  • January 2016 (9)
  • November 2015 (1)
  • October 2015 (2)
  • September 2015 (3)
  • August 2015 (3)
  • July 2015 (1)
  • June 2015 (20)
  • May 2015 (4)
  • March 2015 (2)
  • January 2015 (1)
  • November 2014 (1)
  • October 2014 (2)
  • June 2014 (1)
  • May 2014 (4)
  • April 2014 (6)
  • February 2014 (1)
  • January 2014 (2)
  • November 2013 (1)
  • September 2013 (1)
  • July 2013 (3)
  • June 2013 (10)
  • December 2012 (1)
  • November 2012 (3)
  • October 2012 (6)
  • September 2012 (3)
  • August 2012 (1)
  • July 2012 (1)
  • June 2012 (25)
  • May 2012 (5)
  • April 2012 (4)
  • March 2012 (7)
  • February 2012 (11)
  • January 2012 (6)
  • December 2011 (5)
  • November 2011 (11)
  • October 2011 (11)
  • September 2011 (8)
  • June 2011 (9)
  • May 2011 (15)
  • April 2011 (9)
  • March 2011 (14)
  • February 2011 (17)
  • January 2011 (16)
  • December 2010 (11)
  • November 2010 (18)
  • October 2010 (24)
  • September 2010 (30)

Screenshot 2018-02-05 20.57.07.png

© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Detail from Salvador Dali, The Persistence of Memory (1931). 

Detail from Salvador Dali, The Persistence of Memory (1931). 

Focus on Life Hacks: Interval Training For Productivity (and Sanity)

February 01, 2018

One of life’s common denominators is limited time. While you can work to achieve more wealth, a better education, or improved health, we all have to figure out how to budget the same twenty-four hours each day. There is actually something quite comforting in this, and I enjoy learning and reading about how successful and creative people use their allotted hours each day. Last year I read Chris Bailey’s lauded The Productivity Project: Accomplishing More By Managing Your Time, Attention, and Energy—a book that tracks Bailey’s attempt over one year to research and test out an entire range of productivity tools and approaches—and the biggest take away for me was his emphasis on scheduling less time for important events, but bringing a renewed focus and intensity to that scheduled time.

Bailey's book was an eye-opening read. Work with focused intensity over shorter periods of time. Interval training for the brain.

Bailey's book was an eye-opening read. Work with focused intensity over shorter periods of time. Interval training for the brain.

One month into a new year and with more time than usual to spend thinking about productivity, I decided that I too needed to re-evaluate how I was spending my time on tasks that tend to lead towards procrastination (writing new material and grading tops my list here, but I could easily add house cleaning and responding to email into the mix… you get the idea). Interestingly, I was able to overcome my dread of steady state cardio at the gym last year by embracing interval training. Simple in concept but powerful in results, interval training involves alternating high-intensity and speed in exercise followed by a short period of recovery at a slower and reduced pace. For example, two minutes of sprinting followed by two minutes of walking. If done properly, the benefits of HIIT (high intensity interval training) include more efficient fat burning and improved cardiovascular conditioning over steady state cardio (done at one speed, ie. jogging or slow running). But best of all, you can cut your workouts in half if you are willing to work harder for a shorter period of time. No more churning out an hour of cardio. I can get the same results in a focused 20-25 minute session (and my running times have improved tenfold). 

The equivalent to interval training at the gym in the world of the mind is something called the Pomodoro technique—using intervals of time to cycle between activity and recovery when performing desk-related tasks. I first blogged about this method in passing when writing about digital distraction and how the Pomodoro technique got me through writing my doctoral dissertation, and I have once again reintroduced Pomodoro into my everyday routine with some great results.

The steps of the technique are dead simple:

  1. Decide on the task you want to tackle
  2. Set a timer for the work interval you choose (25-45 minutes is the norm)
  3. Work on the task without any distractions during that time (i.e. turn off all external stimuli)
  4. End work when the timer goes off
  5. Take a break away from your desk for the time you choose (5-15 minutes). Congratulations, you have completed one Pomodoro
  6. Repeat, and after 3-4 Pomodoros, finish for the day, or take a break equivalent to one Pomodoro (25-45 minutes) before returning to work

The technique is designed to create some very powerful habits. First and foremost you are forcing yourself to start a task (usually the toughest part) and if you are especially bad at procrastinating, I recommend beginning with 25 minute Pomodoros. Dedicating yourself to 25 minutes is not that tough, and before you know it you will find yourself engrossed in your work when the timer goes off. Over time you can increase the time interval (I like 45 minutes). Another important element to the interval is eliminating all distractions. No email or social media notifications, turn off your phone, and close your office door.

Working for a concentrated, distraction-free, interval of time, followed by a break, is the Pomodoro technique in a nutshell. 

Working for a concentrated, distraction-free, interval of time, followed by a break, is the Pomodoro technique in a nutshell. 

Second, you are required to rest. This can be tough at first if you simply cannot pull yourself away from the task, but trust me that the break is essential for both recovery and clearing the brain for another burst of activity—just like at the gym when you walk after sprinting to catch your breath. Many people try to pull off a multiple hour work marathon without breaks, and while this can work from time to time when needed, it is not a sustainable habit over the long term and does not form the habit of daily productivity. Remember the longer the work interval, the longer the break (25 minutes followed by 5 minute break, or 45 minutes followed by 15 minute break). During your break, you can get a drink, check your social media feeds, or watch a few minutes of a show. But whatever happens, you must return to your task when the timer goes off. Easier said than done, but this is where you build your discipline, and to be honest, I am usually eager to get back and pick up my last train of thought. 

Finally, the concept of Pomodoro holds to the idea, also put forth by Bailey in his book, that we must strive to work in shorter spans of time without distraction. Better to set aside 3-4 hours a day of concentrated time to accomplish a set task then to block out 8 hours without many parameters or guards against distraction, exhaustion, or simple procrastination. Efficiency, self-control, and grit build over time using the Pomodoro technique—a skill set that allows you to build confidence in overcoming procrastination—along with earning back wasted hours that you can spend on leisure activities.

All you need to get started is a simple timer. But if you want to get fancy or technical, there are several useful Pomodoro apps available for desktops and phones (search term Pomodoro). My favourite one is a very minimal and modern app for the Mac, or you can get started right away with a desk tool by visiting tomato-timer.com.

Comment
Pop sculpture and installation artist Claes Oldenburg celebrates his 89th birthday today. This poster is connected to Oldenburg's infamous The Store project (1961) when he decided to subvert the practice of selling art in the the traditional sp…

Pop sculpture and installation artist Claes Oldenburg celebrates his 89th birthday today. This poster is connected to Oldenburg's infamous The Store project (1961) when he decided to subvert the practice of selling art in the the traditional spaces of the art gallery, and instead opened his own temporary storefront on the Lower East Side of New York to sell his work. We could call him the father of the pop-art store! Archival image courtesy of MOMA

Weekly Flipboard Links and Media Round Up

January 28, 2018

I have been in the mode of spring cleaning my office all week (I know, too early), and throwing away old paperwork, cleaning out digital files, prioritizing projects, and rediscovering many books, articles, and student work filed away for later reading. It has been both cathartic to let go of that which no longer serves me, and frustrating to realize I will never have the time to pursue all of the worthy research ideas that I would like to. In many ways, this blog was started eight years ago to test out and "muse" on precisely these kinds of topics. Back then, I certainly had more time to do this sort of thing, but I see now the benefit of going back to the practice of sparking and trying on some of these ideas in short posts meant to trigger and perhaps inspire others to pursue them. I hope to do more of this as I move into this year as I have enjoyed hearing back from readers (sometimes finding a post from many years ago) that they found useful. Sharing concepts in a free exchange of information is both radical and necessary in today's world. Enjoy the links and look for ways to share and spark ideas that will serve others. 

"Agnes Martin, Richard Tuttle, and the Line Between"
"Agnes Martin, Richard Tuttle, and the Line Between"

nybooks.com

"In Puerto Rico, Artists Rebuild and Reach Out"
"In Puerto Rico, Artists Rebuild and Reach Out"

nytimes.com

"French Art Luminaries Reject Jeff Koons’s Flashy Gift to Paris as a ‘Cynical’ Act of ‘Product Placement’"
"French Art Luminaries Reject Jeff Koons’s Flashy Gift to Paris as a ‘Cynical’ Act of ‘Product Placement’"

artnet.com

"A Documentary Lays Bare the Absurdity of the Art Market"
"A Documentary Lays Bare the Absurdity of the Art Market"

hyperallergic.com

"CEOs Are Going to Art School to Think More Creatively"
"CEOs Are Going to Art School to Think More Creatively"

artsy.net

"Ancient Rome’s System of Roads Visualized in the Style of Modern Subway Maps"
"Ancient Rome’s System of Roads Visualized in the Style of Modern Subway Maps"

openculture.co

"If Liberalism Is Dead, What Comes Next?"
"If Liberalism Is Dead, What Comes Next?"

nytimes.com

"Seeing Beyond Basquiat’s Market Value"
"Seeing Beyond Basquiat’s Market Value"

hyperallergic.com

"Barbara Kruger: Part of the Discourse | Art21 "Extended Play" (VIDEO)"
"Barbara Kruger: Part of the Discourse | Art21 "Extended Play" (VIDEO)"

art21

"The outsider art fair New York 2018 (VIDEO)"
"The outsider art fair New York 2018 (VIDEO)"

jameskalmroughcuts

"Agnes Martin, Richard Tuttle, and the Line Between" "In Puerto Rico, Artists Rebuild and Reach Out" "French Art Luminaries Reject Jeff Koons’s Flashy Gift to Paris as a ‘Cynical’ Act of ‘Product Placement’" "A Documentary Lays Bare the Absurdity of the Art Market" "CEOs Are Going to Art School to Think More Creatively" "Ancient Rome’s System of Roads Visualized in the Style of Modern Subway Maps" "If Liberalism Is Dead, What Comes Next?" "Seeing Beyond Basquiat’s Market Value" "Barbara Kruger: Part of the Discourse | Art21 "Extended Play" (VIDEO)" "The outsider art fair New York 2018 (VIDEO)"
  • Agnes Martin, Richard Tuttle, and the Line Between
  • In Puerto Rico, Artists Rebuild and Reach Out
  • French Art Luminaries Reject Jeff Koons’s Flashy Gift to Paris as a ‘Cynical’ Act of ‘Product Placement’
  • A Documentary Lays Bare the Absurdity of the Art Market
  • CEOs Are Going to Art School to Think More Creatively
  • Ancient Rome’s System of Roads Visualized in the Style of Modern Subway Maps
  • If Liberalism Is Dead, What Comes Next?
  • Seeing Beyond Basquiat’s Market Value
  • Barbara Kruger: Part of the Discourse | Art21 "Extended Play" (VIDEO)
  • The outsider art fair New York 2018 (VIDEO)
Comment
Google's new app has quickly topped the charts, and no one is surprised? Everybody would love to see if they have a painted doppelganger in the world's art museums.  

Google's new app has quickly topped the charts, and no one is surprised? Everybody would love to see if they have a painted doppelganger in the world's art museums.  

Focus on Tech: Some Initial Thoughts on Google's Arts and Culture Portrait App

January 25, 2018

I am one of those people who have never especially liked having their photograph taken. Maybe it’s the perceived lack of control, or being a child of the analog era when photos were mostly snapshots and amateur photographers lacked access to the technology and skill set necessary to create many multiple images that could be carefully edited and touched up with nifty post-production tools. Imagine a world without visual choice, where the first image taken was the only one that would be circulated or, worse, published and archived for posterity. Wouldn’t you love to see an Instagram feed of unedited selfies taken on the first try and published without the subject’s approval?

In many ways, that is the difference between the selfie culture we see today versus the portrait culture of the past. The element of agency and being both the subject and object of an image is a very new dynamic in the world of visual culture. Admittedly, even I have warmed to taking and posting the occasional selfie. Watching how people have engaged with the new Google Arts and Culture App has been eye-opening to me in this regard. Simple in its premise, but powerful in its outcome, the app instructs users to take a selfie and then be matched (using careful algorithms matching facial dimensions, colour, and composition using a highest degree system) to painted portraits in art collections part of the Google Arts Project.

Image grab from Slate's "Your A Work of Art: Not Necessarily a Beautiful One" making the point that "This may be the app’s secret: It charms because it simultaneously appeals to and deflates our narcissism." 

Image grab from Slate's "Your A Work of Art: Not Necessarily a Beautiful One" making the point that "This may be the app’s secret: It charms because it simultaneously appeals to and deflates our narcissism." 

I first took notice of the app when my Twitter feed began to be populated with comments about how the new Google app was making users feel very humble and reflective about their appearance. Most people reluctantly accepted their first matches without much reservation. Some women were amused at how their selfie morphed into a male match, others noted a best match that focused on one over-emphasized facial feature, or worse, matched them to someone much older and/or less attractive. Over the next few days, however, I noticed an uptick in experimentation as users realized that they could generate multiple matches by manipulating the algorithm with different poses, lighting, colours in the background, or even photographing old selfies versus “live” selfies. In other words, control and agency had entered back into the equation, along with the potential for gender fluidity and cross-cultural play. This I found especially telling with younger users who simply rejected anything less than a portrait match they found pleasing.

Graham Sutherland's portrait of Winston Churchill (1954) was cause for controversy and a very disapproving Churchill. 

Graham Sutherland's portrait of Winston Churchill (1954) was cause for controversy and a very disapproving Churchill. 

Looking back at art history, portraiture has long been utilized by artists to capture something beyond the sitter’s capacity to see with their own eyes. Because portraits were mostly reserved for the wealthy and elite (who could afford or have the status necessary to be painted), the images were mostly made to flatter and immortalize the subject, but they could also be met with surprise or outright disapproval when the artist took license or dared to tell the truth about the sitter. I am reminded here of a fantastic historical reenactment, on a recent episode of The Crown, of Winston Churchill having his portrait painted late in life.  The English artist Graham Sutherland was commissioned by both houses of the British government to paint a portrait commemorating Churchill’s 80th birthday. Sutherland, a modern artist, took greater liberties with the task than had been expected and ended up creating a representation that many declared made the great statesman look “dim-witted” and “weak.” The Crown episode focuses squarely on Churchill’s anxiety over the young painter making the portrait, further amplified in both real and metaphorical ways through the storyline of Churchill’s suspicion of modernism and fear of losing control of his health and the Britain he loved. In the end, Churchill’s wife quietly burns the portrait in a private act of disapproval after its public presentation.

The dramatization of Churchill being painted by Sutherland was beautifully executed on a recent episode of The Crown. 

The dramatization of Churchill being painted by Sutherland was beautifully executed on a recent episode of The Crown. 

So the intersection of selfie culture with portrait culture is indeed an intriguing and potentially critical moment, and one that I am still thinking over. To be sure, the biggest criticism of the app to date has to do with its perceived diversity problem. Articles ranging from Mashable’s “The Google Arts and Culture app has a race problem” to TechCrunch’s “Why inclusion in the Google Arts and Culture selfie feature matters” and Digg’s “Is Google’s Arts and Culture App Racist?” raise important questions. The problem, however, with much of the discourse has to do with a failure to understand the role and purpose of portraiture across art history. The painted portrait was not meant to reflect a diversity of peoples, and the very nature of European art history (the largest representative source in the Google Art Project) has been one of a history of erasures and exclusions, especially an underrepresentation of people of colour and other ethnicities. This of course is the burden and difficult legacy of art history that art historians unpack and use to promote critical and engaged visual literacy in the classroom. Unlike the selfie culture of today, which is rooted in the democratization of images and image circulation, the portrait culture of the past was limited and rife with cultural, social, and political stereotypes.

My very first try (using a recent bio picture) yielded an intriguing match-- one that had me going down a rabbit hole of research into an artist I had never hear of. 

My very first try (using a recent bio picture) yielded an intriguing match-- one that had me going down a rabbit hole of research into an artist I had never hear of. 

So what can be gained by this trendy new app? Is it simply appealing to our vanity, or can it be a tool of discovery and engagement? In my own initial match, I was pleasantly surprised to see something in the portrait chosen for me (interestingly, a contemporary self-portrait by a Russian artist named Yulia Sopina close to me in age) that captured far more than a mimetic copy. As one friend commented, “she has your ‘tude. It’s perfect!” I am hoping to find a way to use the tool in future courses and would love to hear from others about how they have interacted with it. If nothing else, we will be reminded once again how much easier it is to manipulate our own image today while discovering a whole new world of painted portraiture from the past.

Comment
From one of my favourite new Instagram accounts, TabloidArtHistory: Kim Kardashian, North, & Kanye in their 2014 Vogue spread, and Detail of Velasquez painting Margarita Teresa, daughter of Philip IV and Mariana of Austria (who can be seen …

From one of my favourite new Instagram accounts, TabloidArtHistory: Kim Kardashian, North, & Kanye in their 2014 Vogue spread, and Detail of Velasquez painting Margarita Teresa, daughter of Philip IV and Mariana of Austria (who can be seen reflected in the mirror) in Las Meninas (1656).

Weekly Flipboard Links and Media Round Up

January 21, 2018

Happy (late) 2018! How is it already three weeks into the new year? Like many of you, I took a much needed hiatus over the holidays and had quite an adventure on what should have been a relaxing vacation to New York and the Bahamas. As some of you know through my social media feeds, my husband and I ended up on the ill-fated Norwegian Breakaway cruise that sailed directly through a treacherous bomb cyclone winter storm on the US East coast the first week of January. For over 48 hours on our way back to NYC, we were tossed around by 25-30 foot waves and terrified that our room would take on water (as many other parts of the ship had) as the boat began to tilt wildly from side to side and people genuinely feared for their lives. Here is a video link that assembled a lot of the shared footage. Having survived that ordeal shortly after ringing in the New Year (and thank you to all of the friends and colleagues who reached out to us), I am grateful that we made it back home and determined that 2018 be one of our most memorable years ever. I have many exciting creative projects, travels, and some surprises planned on the horizon, but most importantly I do not want to take even one day on this planet for granted. Life is just too precious and unpredictable. Peace and best wishes as we start the new year! Make it the best one yet. 

"Meme Your Monet"
"Meme Your Monet"

slate.com

"The Case for Spending an Hour with One Work of Art"
"The Case for Spending an Hour with One Work of Art"

artsy.net

"Hashtag Art: In Conversation with Tabloid Art History"
"Hashtag Art: In Conversation with Tabloid Art History"

culturised.co.uk

"I Love the New Artforum"
"I Love the New Artforum"

vulture.com

"Visually speaking: 14 podcasts that draw out the history of art"
"Visually speaking: 14 podcasts that draw out the history of art"

slate.com

Smarthistory-- Conceptual Art: An Introduction
Smarthistory-- Conceptual Art: An Introduction

smarthistory

"The Cosmic Utopianism of Two Fin-de-Siècle Collectives"
"The Cosmic Utopianism of Two Fin-de-Siècle Collectives"

hyperallergic.com

"The Outsider Fair Once More Confirms That Art Is Everywhere"
"The Outsider Fair Once More Confirms That Art Is Everywhere"

nytimes.com

"Art Explainer 1: The Power to Look (VIDEO"
"Art Explainer 1: The Power to Look (VIDEO"

Chicagoartinstitute

"Whitney Stories: Dread Scott on Badlands Unlimited (VIDEO)"
"Whitney Stories: Dread Scott on Badlands Unlimited (VIDEO)"

whitneymuseum

"Meme Your Monet" "The Case for Spending an Hour with One Work of Art" "Hashtag Art: In Conversation with Tabloid Art History" "I Love the New Artforum" "Visually speaking: 14 podcasts that draw out the history of art" Smarthistory-- Conceptual Art: An Introduction "The Cosmic Utopianism of Two Fin-de-Siècle Collectives" "The Outsider Fair Once More Confirms That Art Is Everywhere" "Art Explainer 1: The Power to Look (VIDEO" "Whitney Stories: Dread Scott on Badlands Unlimited (VIDEO)"
  • Meme Your Monet
  • The Case for Spending an Hour with One Work of Art
  • Hashtag Art: In Conversation with Tabloid Art History
  • I Love the New Artforum
  • Visually speaking: 14 podcasts that draw out the history of art
  • Smarthistory-- Conceptual Art: An Introduction
  • The Cosmic Utopianism of Two Fin-de-Siècle Collectives
  • The Outsider Fair Once More Confirms That Art Is Everywhere
  • Art Explainer 1: The Power to Look (VIDEO)
  • Whitney Stories: Dread Scott on Badlands Unlimited (VIDEO)
Comment
Unknown photographer, Andy Warhol and his Christmas tree in the Factory (1964).

Unknown photographer, Andy Warhol and his Christmas tree in the Factory (1964).

Weekly Flipboard Links and Media Round Up

December 24, 2017

Wishing everyone a peaceful and very Merry Christmas and Happy Holidays! We will be spending the next couple of days eating, drinking, and being merry (while binge watching The Wire—it is time once again—and catching several new films: The Disaster Artist, Molly’s Game, All the Money In the World and I, Tonya are at the top of my list), and then traveling to New York to take in the sights, sounds, and many art exhibitions that the season has to offer before cruising down to the Bahamas to ring in 2018. Enjoy the links and the make sure to leave some room in your holiday schedule for some art-going and creative pursuits! 

"An Illustrated Guide to Arthur Danto’s “The End of Art”"
"An Illustrated Guide to Arthur Danto’s “The End of Art”"

hyperallergic.com

"13 Artists Give Advice to Their Younger Selves"
"13 Artists Give Advice to Their Younger Selves"

artsy.net

"‘Like’ Art: 7 Masterpieces of Social Media Art That Will Make It Into the History Books"
"‘Like’ Art: 7 Masterpieces of Social Media Art That Will Make It Into the History Books"

artnet.com

"Showing Balthus at the Met Isn’t About Voyeurism, It’s About the Right to Unsettle"
"Showing Balthus at the Met Isn’t About Voyeurism, It’s About the Right to Unsettle"

frieze.com

"J. Paul Getty is a monster beyond belief in Ridley Scott’s All the Money in the World"
"J. Paul Getty is a monster beyond belief in Ridley Scott’s All the Money in the World"

artnewspaper.com

"7 Books That Might Become Your Next Favorite Movie"
"7 Books That Might Become Your Next Favorite Movie"

vanityfair.com

"A Woman Now Leads the Vatican Museums. And She’s Shaking Things Up"
"A Woman Now Leads the Vatican Museums. And She’s Shaking Things Up"

nytimes.com

"The 50 Best Podcasts of 2017"
"The 50 Best Podcasts of 2017"

theatlantic.com

"Club 57 | HOW TO SEE the 1970s countercultural art scene with Frank Holliday (VIDEO)"
"Club 57 | HOW TO SEE the 1970s countercultural art scene with Frank Holliday (VIDEO)"

moma

"Brooklyn Museum Artist Talk: Robert Longo and Hal Foster (VIDEO)"
"Brooklyn Museum Artist Talk: Robert Longo and Hal Foster (VIDEO)"

brooklynmuseum

"An Illustrated Guide to Arthur Danto’s “The End of Art”" "13 Artists Give Advice to Their Younger Selves" "‘Like’ Art: 7 Masterpieces of Social Media Art That Will Make It Into the History Books" "Showing Balthus at the Met Isn’t About Voyeurism, It’s About the Right to Unsettle" "J. Paul Getty is a monster beyond belief in Ridley Scott’s All the Money in the World" "7 Books That Might Become Your Next Favorite Movie" "A Woman Now Leads the Vatican Museums. And She’s Shaking Things Up" "The 50 Best Podcasts of 2017" "Club 57 | HOW TO SEE the 1970s countercultural art scene with Frank Holliday (VIDEO)" "Brooklyn Museum Artist Talk: Robert Longo and Hal Foster (VIDEO)"
  • An Illustrated Guide to Arthur Danto’s “The End of Art”
  • 13 Artists Give Advice to Their Younger Selves
  • Showing Balthus at the Met Isn’t About Voyeurism, It’s About the Right to Unsettle
  • ‘Like’ Art: 7 Masterpieces of Social Media Art That Will Make It Into the History Books
  • J. Paul Getty is a monster beyond belief in Ridley Scott’s All the Money in the World
  • 7 Books That Might Become Your Next Favorite Movie
  • A Woman Now Leads the Vatican Museums. And She’s Shaking Things Up
  • The 50 Best Podcasts of 2017
  • Club 57 | HOW TO SEE the 1970s countercultural art scene with Frank Holliday (VIDEO)
  • Brooklyn Museum Artist Talk: Robert Longo and Hal Foster (VIDEO)
Comment
Newer / Older
Back to Top
Screenshot 2018-02-05 20.48.17.png

© Dorothy Barenscott, 2010-2025