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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Roger Hilton. February 1954 (1954) in the collection of Tate Modern

Weekly Musings + Round Up... And A Few More Things

February 05, 2023

After an intensive week of grading the first wave of assignments for the semester, I took some time to reflect on how much my pedagogical approach has moved in recent years, and especially since the beginning of the pandemic. In the early stressful months of 2020, when everything suddenly moved out of the experiential classroom and into the disembodied online world, I decided I would value curiosity, effort, and engagement over other traditional values of mastery, memorization, or recall when assessing student success. Using reflective journaling, for example, and asking students to apply concepts encountered actively and pragmatically in their everyday lives helps prove that abstract ideas about art and visuality could be made practical and relevant. Along with encouraging students to use their first-person voice (“I see…” “I think…” “I believe…”), recording or videotaping their responses, and/or producing visual arrangements or engaging their own creative talents to support their assignments, I wanted to find ways for students to focus on close analysis and observation that engages more of their intuitive and free-thinking right brain.

Awe: The New Science of Everyday Wonder and How It Can Transform Your Life by Dacher Keltner (2023)

More and more, I am also finding myself compelled to pursue this approach to teaching as the crisis around mental health and increased anxiety unfolds in the wake of the pandemic. Providing students an opportunity to check in with how they feel and relate to ideas encourages ownership and can even spark that moment of discovery that all of us as educators live for.

In his new book, Awe: The New Science of Everyday Wonder, researcher and psychology professor Dacher Keltner explores both the physical and emotional manifestation of experiencing awe as one of the keys to a happy and fulfilling life. I cannot recommend this book highly enough, and especially to those who teach in the arts. Not only are Keltner’s observations and findings incredibly reassuring to those of us who make time for well-being, pleasure, play, hobbies, and a life lived in balance with work, but they also hold the key to a pedagogical approach that can combat fears around the incursion of artificial intelligence apps in higher education.

I have linked an excellent recent episode from the Ten Percent Happier podcast featuring Keltner discussing his new book in my weekly links below, and I also recommend this Feelings Lab podcast from last summer that speaks to the question of AI and Gen Z students more directly.

Click on text links below or explore the same links visually in the accompanying image grid. For more weekly picks, you can also visit my curated FEEDLY 📌


  • "Andre Walker on Vivienne Westwood"

  • "How Wikipedia Erases Indigenous History"

  • "Did Air Pollution Inspire Impressionism?"

  • "From a marble toilet roll to a giant Lego structure: Ai Weiwei's new London show looks at the value of objects"

  • "‘Gmail Art Advisors’ Are a Pestilence on the Market"

  • "Tiktok's enshittification"

  • "Artists must be protected from piracy in the new world of AI"

  • "Technology Makes Us More Human"

  • "Special investigation: Serious concerns over fate of Ukraine’s museum works taken by Russians"

  • "This Scientist Says One Emotion Might Be the Key to Happiness. Can You Guess What It Is? | Dacher Keltner (PODCAST)"


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Winter 2019
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© Dorothy Barenscott, 2010-2025