Weekly Twitter|YouTube Round Up

Ai Weiwei goes Gangnam style to the delight of audiences worldwide
(see tweet and YouTube video below)
Another week done and we find ourselves over the midterm hump and ready to dive into the meaty part of the fall semester. I have been doing a lot of marking and evaluating this weekend along with enjoying the best of the Halloween season (i.e. scary movies and treats). Take a quick break and enjoy some of my picks from around the Twitterverse. As a new feature, I've also decided to add some of my favourites from around YouTube land into the weekly mix-- now that there are so many more art-related videos popping up on my subscription feeds, I want to pass along some worthy picks to compliment the Twitter links. Enjoy and have a safe and Happy Halloween this week! 


Garage (Art) Sale: Martha Rosler to fill the @MuseumModernArt with 12,000 donated objects to sell for charity

New film technology may be the death of Vancouver theatres


Art exhibit in Seattle replaced all work by male artists with work solely by female artists for new exhibition 

100 ideas that changed art 


I would just like to point out that @metmuseum has put hundreds of PDFs of out of print art books online. #gratis

UbuWeb has just added over 150 films

Ai Weiwei goes 'Gangnam Style' in video tribute to Psy












Focus on Research | How to Write A Lot.... (or Enough to Meet Deadlines)

All good writing begins as a draft. Start creating more of them with some useful tips.
Writing, like almost any other activity that is worth doing well, takes practice over time. That is as cold a reality for the first year university student as it is for the seasoned graduate or professor.  Here are ten tips and bits of advice that can help ward off procrastination and get you on the path to writing lots and writing well.

P.S. Not surprisingly, most of these tips can be applied to making lots of any other kind of creative output (art, music, dance, film) etc... 

1. Write a little bit every day: This is my most often repeated advice regarding writing. Think of it this way. If you are working out, does it make sense to go to the gym 2-3 times a week for an hour or once a week for 6-9 hours? Which approach is manageable and realistic, and which approach guarantees burnout and failure?  Too many people look at their calendars and try to set aside multiple hours and even entire days to produce writing, especially on a deadline. This is a recipe for procrastination and failure since it sets up tremendous pressure and an unrealistic expectation that you will be able to write vast amounts of words consistently over that shortened time frame.  Instead, set aside a reasonable and achievable amount of time several times per week to get your written assignments started and/or completed. Remember, good writing takes practice and works on day-to-day momentum.  It is simply not a weekend warrior kind of sport.

2. Set a timer: Following up on the previous tip, get yourself a simple egg timer and/or download an app for your smart phone or computer to set a limit on your writing for the day (I use this old school app for the computer). Returning to my workout analogy, setting a limited time to write produces the expectation that you will in fact begin writing (the biggest hurdle to writing itself) and that the activity will have a firm endpoint. When I write blog posts, for example, I schedule a certain set amount of time to produce my text. If I don’t, I probably won’t actually get to writing, or I could be sitting and writing for far too long and unnecessarily over-editing and overthinking the process. Case in point, the failure to establish a time to write my blog posts resulted in far fewer posts this past month. Once I set the time in my schedule--voila!--posts begin to appear as if by magic. For more focused days that I schedule writing, I write in 40 minute sessions and for no more than 2-3 sessions a day max. This was true even when I was working on my dissertation. You see, the secret to understanding this tip is to know that a bolt of inspiration will seldom spur you into writing on a regular basis and for a protracted period of time. Bolts of inspiration do come (see Tip #9 to be prepared for this), but if you actually want to complete a writing goal or assignment, you have to plan time for and not overdo it.

3. Don’t edit…yet: This bit of advice is important if you are writing for a larger assignment or project and want to be able to have something good to work with. Students especially seem to believe that they have to create perfectly edited sentences or well thought out ideas when they sit down to write. The reality is that a good piece of writing comes out of rough drafts of writing, which requires the ability to get ideas down on paper quickly and without too much overthinking. Bottom line, start writing and start writing without the expectation that it will pour out of you in perfectly constructed sentences and paragraphs. You can then dedicate every second or third writing session to editing what you have produced (or split your writing session into two parts: part one, write without editing; and part two, edit what you have written).  

4. Disable the Internet…no, seriously: In our present culture of perpetual distraction, this is a critical tip that many people instinctively know but seldom put into good practice. You must disable your Internet to get any decent (and non-plagiarized) writing done. If you need to have some wonderful article to refer to, download it and have it on your desktop. Need some reference to a great website or image? Take a screen shot and do your best to paraphrase what it is you are referring to. There are countless ways that disabling the Internet leads you to better writing, but the simplest one is that you will remain writing and not be tempted to engage in web-surfing, email or social media with the access cut off. There are many great applications out there to shut down your Internet access when you get down to some serious writing, but I think the easiest one is to simply TURN IT OFF.

5. Create carrots and a few sticks: Like all of you, I enjoy the pleasures of life and cannot imagine balancing my writing without a reward system. For example, I try to schedule my writing session ahead of some pleasurable downtime activity, like going out for a walk, watching a great TV show, catching up with friends on social media, or any other task I am looking forward to. When writing in more intense sessions (more than once a day), I make sure to create breaks between writing to relax my mind and recharge my mental battery through some form of play.  On the other hand, you may also have to build in a few “sticks” to stay on task. If I am facing an especially strong bout of procrastination, I will simply not allow myself to check email/social media/my phone until I complete the session. I have even gone as far as telling myself that I cannot go out or take a shower/put on makeup until I am done my writing session. That is very strong motivation, no?

6. Park your ideas on a downhill slope: This is a bit of advice I picked up from a professor mentor some years ago. The idea here is that you have a much better shot at getting into the momentum of your next writing session if you leave off your last session with either a partially completed sentence/idea that you can pick back up when you open up your document, or if you give yourself some bullet points or notes on where to get going next in your assignment. Once again, this is simple physics in action—an object in motion tends to stay in motion, while the energy required to get a stalled object moving is much more daunting. Help your future self out and park your writing on a downhill slope at the end of each session.

7. Establish soft deadlines to make firm ones possible: This is another of those tips calculated to avoid the dreaded specter of procrastination that will inevitably hit if you see days of non-stop writing in your future to make a looming deadline. Simply break down your writing task to manageable chunks. For research papers and bigger projects, you can use a calculator like this one, or you can make your own system of getting parts of the whole completed over a reasonable amount of time. Students often balk at the idea of completing a paper over 4-6 weeks, but this is really the secret to becoming an effective student (especially if that student plans to succeed at the upper undergraduate level and beyond). I also schedule in the writing of outlines and other bits of descriptive writing (like describing images, preparing bibliographies and footnotes) into this system so that my writing moves between different types and different levels of difficulty over the life of the project.

8. Create an elevator pitch for your project: This was an idea I developed over the course of my graduate student days when people would inevitably ask me what my dissertation was about. The “elevator pitch” is an idea that actually comes out of the world of screenwriters who often get less than 1-3 minutes to sell an idea to a producer in passing (usually on an elevator during a brief encounter—it seems to happen a lot in the movies). The basis of the elevator pitch is that it reduces to understandable and plain language what it is that you are actually writing about and arguing in your written projects. The best way to know what you are writing about is to speak it aloud, and preferably to someone who knows nothing about your topic. This guarantees the level of clarity and plain language you will be seeking in defining and writing the thesis/main idea/main argument of your project. Another tip is to record yourself when you are describing what you are writing about to someone else. Silly as it seems, I started doing this when I stopped myself during many conversations with the thought, “So THAT is what I am arguing—wait, I have to WRITE THIS DOWN.”

9. Carry a journal and prepare for ideas to “hit” you: This is a tip that I often share with students who are attending especially engaging lectures and classes with many “big ideas” and theories as part of the curriculum. But also, you have to have to think of how many times you have been riding a bus, driving home, watching a TV show, or simply talking to a friend or catching something on-line when you make some major connection to your work. Bottom line, we are self-absorbed beings and when you are actively working on a written project, it seems everything is related to your topic. This is truly when inspiration can hit and you must be prepared by carrying a little notebook and pen with you wherever you go. Bring it to class, tuck it in your purse or backpack, have it beside you when you casually Internet browse and even when you sleep. You just never know when a good idea is going to hit you!

10. Establish a writing group: This is a final tip that can go a long way to helping reinforce and establish the first nine tips outlined above. Make it a point to work with like-minded students, friends, or colleagues to achieve your mutual writing goals. Sometimes the simple idea that someone else is working on a writing goal and will hold you accountable the next time you meet is enough to motivate you into action. I have worked with both real life and online writing groups to get my writing done, and I have also acted as the “coach” to friends who have enlisted me to hold them accountable and check in with them. The benefits of working in groups are many, but the best part is that you get to share and receive feedback on your writing while learning from others about their techniques and approach. You also get to feel a lot less isolated in the task of writing, which can be one of the loneliest activities that we do. 

Newton's first law of motion is critical to writing success.

Further Reading:

Belcher, Wendy Laura. Writing Your Journal Article in 12 Weeks. Sage Publications, 2009.

Bolker, Joan. Writing Your Dissertation in 15 Minutes A Day. Owl Books, 1998

Silvia, Paul J. How To Write A Lot. American Psychological Association, 2007. 

Focus on Tech | iAnnotate and Why I Finally Bought an iPad

iAnnote is changing how I grade and comment on papers-- also making
the whole process a lot less painful (screen shot from my iPad)
I know, I know, to call a software application a revolution is a bit sensational, but I seldom get excited by technology like back in the good old days when these sorts of things were a lot fewer and farther in between. Flashback to the early 2000’s when I first got my hands on the bibliographic software EndNote and completely transformed the way I tracked and did my research. iAnnotate is right up there in that category and is essentially moving me to a near 100% paperless relationship with my students while enabling me to mark up and interact with my drafts, research documents, and other essential paperwork in more dynamic and intuitive ways.

What is iAnnotate exactly? Well, according to their own website description, “iAnnotate's intuitive interface and comprehensive, customizable set of features let you annotate, manage, and share documents from your iPad. People use iAnnotate as their "go-to app" for taking notes on lecture slides, annotating important business documents, revising screenplays, grading papers, and much more.” In short, the application allows you to do with a tablet computer what you would normally do with a pen and paper, only you can manage the task more efficiently, back up all your edits, and keep all of your documents in one virtual place.

iAnnotate was also the reason I purchased an iPad. For all of my railing against Steve Jobs and his closed Apple ecosystem, I was unable to resist the lure of the device and this app when I first encountered a grad student at a conference at NYU earlier this year marking up a document on his iPad while he sat next to me. What immediately caught my attention was how quickly he was adding comments and circling material while scrolling through a long document with very little effort. At the break, he gave me a demonstration and revealed to me that he was in fact marking an undergrad paper (yes during a conference, it happens) and that he was carrying 20+ more on his device to turn around by the end of the weekend.  From my perspective, I was immediately intrigued. I cannot tell you how many times I have lugged student papers and other assorted documents for review on and off airplanes and back and forth to university campuses over the years. Once I came back home, I decided to make the transition over to the paperless system for the fall semester.

Hundreds of papers all at my fingertips. That cool
stylus is also magnetic and sticks to your iPad cover.
Flash forward to three weeks ago, when I finally made my peace with RIM and gave up my Blackberry Torch and Playbook tablet for an iPhone 5 and iPad (that is a whole other long story—if you know me, you know that this was a very difficult decision to make). The very first application I purchased was iAnnotate, and I have now spent the past several weeks marking up my first batch of student assignments. One of the first things I did to figure out a quick workflow for the app was to consult a post that another professor using iAnnotate had created, linking the capabilities of the app with the cloud based storage system Dropbox. In that tutorial, I learned how to back up the files and manage a virtual archive of student work for quick access in the future (this is also a very useful thing to have on hand when students come asking for references and you need to be reminded of their written work for the best possible letter on their behalf).   

I have produced here as well a few screen shots from my iPad to show just how I use the tools on a sample document. Notice that you can mark up using both hand written notations (I recently purchased this stylus to do this more precisely, but you can use your finger as well); highlight and add more extensive comments via virtual sticky pads; scroll through the document quickly with the touch of a tab; add stamp annotations of a letter grade or your own personally created annotations; and (here is my very favourite feature) voice record comments! This last feature has literally saved me hours in terms of writing out comments by hand and also allowing me to offer far more detailed and specific feedback to students. Now, each of the papers I grade has a small speaker icon next to it which directs students to a personal voice message from me. Research shows that students nearly always ignore the handwritten corrections on papers and value the professor’s comments at the conclusion of the assignment. Now, I can actually offer far more in that respect than ever before.

Notice all the ways you can mark up, comment, and grade a paper.
I am also using voice recorded comments to enrich and personalize further the final feedback.

For students and others looking to use this app, I have found that the editing and annotating functions work beautifully for marking up assigned readings, distributed notes, and drafts of documents (both your own and others). I am also finding ways to use iAnnotate in meetings where I add in comments and reminders while working through an agenda. The uses are quite limitless really (it could also work well to edit docs in groups for example), and I will be curious to hear back over time from others how they are utilizing this kind of software tool.

iAnnotate is available for both the iPad and Android tablets and costs $9.99. For me, the iPad’s size (roughly that of an actual piece of standard letter paper) makes it ideal for the purposes of marking. Hopefully the novelty effect of this will not wear off any time soon!

P.S. As of October 24th, iAnnotate has updated the software to a new version supporting WordDocs and PowerPoint (to date, I just convert mine to PDFS): “Version 2.3 introduces several new features including the highest-quality reading and annotating experience for Microsoft Word and PowerPoint documents on an iPad. Just tap on a document and Branchfire’s new cloud-based processing ensures the document is presented exactly as it was meant to be seen. In order to take advantage of this exclusive feature, you’ll need to register for a FREE Branchfire account at www.branchfire.com/account. “

Unpacking the Fashion/Art Divide: Some Reflections

One of many photos circulating this past summer showing Christina Eastwood
destroying an Hermes Birkin bag (at least we were lead to believe it was a real Birkin).
Is burning a Birkin a work of performance art? This was a question posed to me by a student over the summer when news and photos leaked onto the internet implicating Christina Eastwood (daughter of Clint Eastwood) as the perpetrator of what many thought was a criminal act—deliberately destroying one of the most prized objects of consumer desire, some say a work of art itself, the much coveted Hermes Birkin handbag. Upon closer inspection, it turned out that Eastwood’s boyfriend, photographer Tyler Shields, had created the project as a kind of working commentary on the consumer obsessed culture around elite designer handbags as art object commodities. On the one hand, I was indeed impressed and thought that this would certainly fall under the category of engaged art. But later, when further news leaked about Eastwood’s upcoming reality show, I became more skeptical about the motivations behind the project.

NARS released a special collection of Andy Warhol
eyeshadows and accompanying cosmetics with the consent
and support of the Andy Warhol Foundation
(photo courtesy: tmagazine)

A few months later, another question emerged about the collaboration between the Andy Warhol Foundation and cosmetics giant NARS set to coincide with the opening of a huge Warhol show at the Metropolitan Museum in New York. What can we make of Warhol’s artworks superimposed in pigment for sale as cosmetics? Indeed, the project seems perfectly suited to Warhol’s legacy as the master of the multiple. As one news release explained further “"For Warhol, makeup was an arrow in the quiver one could use to embody his democratic approach to beauty best embodied in his own words when he said, 'If everybody's not a beauty, then nobody is,'" Still, there is clearly a disconnect between the world of contemporary art with its precious and unique art objects and the world of fashion merchandising with its notions of the infinite copy. In this sense, the massive block sculpture of red Yves Saint Laurent lipstick by artist Fabrice Hyber, currently on exhibition at the Palais de Tokyo in Paris, perhaps comes closer to a traditional notion of art.


Fabrice Hyber, Rouge Pur Couture No 1 (2012)
(photo courtesy: styleblazer.com)
It is all so very confusing, perplexing, and fascinating, and leads me to the following question: At what point does a cosmetic or fashion item become legitimized as art, and through what means do we unpack the uneasy connections between the worlds of art and fashion? Are we in fact looking at active examples where the separated realms of determining discourse are exposed as artificially separate

Take as another recent episode Lady Gaga and the much anticipated launch of her perfume Fame (marketed as the world’s first black perfume that sprays clear-- what you see is not what you get-- get it?). The official launch took place in September at the Guggenheim Museum in New York as a carefully executed work of performance art called “Sleeping With Gaga.” After the screening of a Steven Klein directed short film, the audience was invited to engage with a sleeping Gaga inside a massive Fame perfume bottle—many were seen on the video documenting the event reaching in and touching her body in attempts to wake her from a deep slumber. Exhibition goers from among the elite of the art, fashion, and celebrity worlds co-mingled in the spectacle, including among others Yoko Ono, Marc Jacobs, and Lindsay Lohan.



It is also hard not to raise an eyebrow when Brad Pitt puts on his best 'serious' artist face and lends his acting abilities and persona (as a true patron of the arts-- remember how he helped hype Documenta?) to promote Chanel No. 5 perfume. I'm sure you've heard about it-- it was all over the news this week. There was something both absurd and awkward, but also ironically perfect, in the attempt to cast Pitt in the minimalist aesthetic frame that Coco Chanel and the brand have become known for. In the days since the launch, many spoofs of the ad have surfaced—most notably on Saturday Night Live this weekend, where they poke fun at how the discourses of art are used to sell items ranging from designer perfume to fast food and condoms— further revealing a recognition of the ongoing tensions between the overlapping worlds of art and fashion. For Chanel’s part, the company has attempted to manage and uphold the legacy of Coco Chanel through a series of carefully crafted and 'artful' film vignettes reminding people about the avant-garde legacy that frames the fashion house’s rich history.





As a result of all of these examples and a number of others I have blogged about over the past year, I’ve been thinking a great deal more about the intersection of art and fashion, and it seems that I am not alone. Most recently I have noticed an increased attention to the complicated entanglements of these two highly policed realms of discourse and also to the large gap in understanding and theory that has marginalized the conversations and research on this rich topic area. Two particular books that have caught my interest, both published this spring, reveal just how complex and historically well-established the links between artists, fashion designers, and the institutions that help support them truly are. Adam Geczy and Vicki Karaminas’s edited volume of essays, Fashion and Art, is perhaps one of the most significant attempts to cover an entire range of theory while complicating notions of exhibition, the avant-garde gesture, performance and conceptualism, among others. In a similar vein, Alison Bancroft’s book Fashion and Psychoanalysis: Styling the Self, approaches the intersection of fashion and art through the lens of psychoanalytic theory, arguing that the problems of subjectivity and finding coherence for the fragmented self are played out through the world of fashion-- on a grand and communal scale, and on an individuated and highly personal level. Both studies take into consideration the rich tradition of fashion photography, haute couture, and gay subculture to further illuminate points of overlapping discourse. My prediction is that this is only the beginning of a more engaged discussion that is well overdue and of interest to a large cross-disciplinary audience.  

Further Reading:

Bancroft, Alison. Fashion and Psychoanalysis: Styling theSelf. IB Tauris, 2012.

Breward, Christopher. Fashion (Oxford History of Art Series). Oxford University Press, 2003.

Geczy, Adam and Vicki Karaminas, eds. Fashion and Art. Berg Publishers, 2012.

Weekly Twitter Round-Up

If only I had the time to devote to this Halloween costume prep....
Watch the step by step instructions below in the tutorial by YouTube user goldiestarling 
I suppose it is time to start making admissions about the serious lack of time I have had to devote to my blog. I hate it when I read this kind of thing on other blogs I regularly frequent, so I will spare you the "dog ate my homework" excuses and simply state that I have over-reached and underestimated my time commitments since the beginning of term. I was told by other veteran bloggers that this would happen about year two of the blog-- something like the seven-year itch for marriages-- and it seems to have actually transpired. Still, like I tell so many of my students who have fallen behind on their assignments and personal projects, just get back to it. And so I am.... here are a selection of favourite tweets for my round-up from the past week. I look forward to writing more in the coming weeks (I have lots of ideas floating out there needing a home) and getting back into the routine of a more consistent blog. Stay tuned. 



“If you enjoy it, you understand it.” Gertrude Stein on understanding and meaning in rare 1934 interview 


Exhibit presses the newspaper into artistic service 



The facade of this building looks like it's folded like an accordion



Gerhard Richter painting owned by guitarist Eric Clapton sells for record $34.2m at Sotheby's, London last night 


One is not enough: Why creative people need multiple outlets



Do artists do research? How is research taught in PhD programs for artists? Here's my best effort to summarize... 


Fluxus Audio Anthology, originally consisting of eight cassettes, recorded between 1962-92 [MP3]: