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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 7 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 8 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 9 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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After the rain 🌦️🏍️💨🏍️💨💙 What a beautiful night to ride out and enjoy the fresh Vancouver air! Apollo is back on the road to join my Sophia— the dynamic duo are so ready for summer.
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#motorcycle #motorcyclelife #aprilia #motogirl #va
After the rain 🌦️🏍️💨🏍️💨💙 What a beautiful night to ride out and enjoy the fresh Vancouver air! Apollo is back on the road to join my Sophia— the dynamic duo are so ready for summer. . . . #motorcycle #motorcyclelife #aprilia #motogirl #vancouver
Forever 21 in my eyes and heart ❤️ Happy Birthday Brian! 🎉🎂🥳🎈🎁 Growing old with you is a crazy ride. I met you on the eve of your 21st birthday and never imagined the decades we would spend celebrating many more together. Thank you for never let
Forever 21 in my eyes and heart ❤️ Happy Birthday Brian! 🎉🎂🥳🎈🎁 Growing old with you is a crazy ride. I met you on the eve of your 21st birthday and never imagined the decades we would spend celebrating many more together. Thank you for never letting yourself go and for not becoming a bitter, cynical, sad old man (… cause you know I would have left your ass already 😂). Life is better in every way with you and I’m looking forward to another Gemini season filled with love, laughs, and adventure. . . . #happybirthday #geminiseason #genxbirthday
Hypermodern kitsch aesthetics in St. John’s Newfoundland ✨ #nofilterneeded I am here presenting research at The Film and Media Studies Association of Canada “Views From the Edge” conference at Memorial University. Maybe it’s t
Hypermodern kitsch aesthetics in St. John’s Newfoundland ✨ #nofilterneeded I am here presenting research at The Film and Media Studies Association of Canada “Views From the Edge” conference at Memorial University. Maybe it’s the 10 hours of flying, or my cumulative jet lag from multiple trips abroad, or my growing homesickness, but I find St. John’s to be an exceptionally odd place— the streets are mostly empty, there is an imposing Catholic Church on every other street, and the silence is eery. Every young person I’ve spoken with wants to leave. The one thing animating the streets are all of these colourful homes (I’m staying in one that is from the mid-19th century), though these too are somewhat creepy in their uniformity. I do not feel at home here at all, aesthetically or spatially, though the people are very friendly. It is places like this that remind me how much they I belong in my modern Westcoast city. Travel teaches us to value what we have, but I might have to give Newfoundland another chance in the future. . . . #architecture #stjohns #newfoundland #academia
Venice Day 4: Among other peripheral events, I made my way over to Foundation Prada to see “Helter Skelter” a conversation between Arthur Jafa and Richard Prince. I was blown away by the curation and disturbing, moving imagery. This was also a very strong and timely show given the shit show we are currently witnessing in the US. From the catalogue: “Underlying the elective affinities between their artistic projects, “Helter Skelter” reveals a certain vernacular edge in the U.S., where both artists live and work: “A country forever tarnished by its history of slavery; a country defined by its remarkable musical traditions rooted in Black culture; a country of doing without, but making good; a country of spirit and prayer and freedom of expression; a country of protest and subcultures and humor and celebrity,” according to curator Nancy Spector. As clarified by Spector, “Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices.” I added the Beatles 1968 Helter Skelter track to the reel to punctuate the direct reference to the exhibition title— it truly captures the vibe! . . . #venice #venicebiennale #contemporaryart #pradafoundation
Venice Biennale Day 3: “In Minor Keys” Arsenale 💙 What can I say? So. Much. To. See. Easily the best edition of the Biennale in a decade. This is just a taste of what caught my eye. I just let the Arsenale exhibition wash over me… and yes, if you can get to Venice, GO! . . . #venice #venicebiennale #contemporaryart #inminorkeys

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Ed Ruscha, Pay Nothing Until April (2003). Ruscha celebrated his birthday this week, and the Tate Modern (where this holiday-themed work is housed) describes the painting as expressing "a cool, detached world-view in keeping with Ruscha’s conce…

Ed Ruscha, Pay Nothing Until April (2003). Ruscha celebrated his birthday this week, and the Tate Modern (where this holiday-themed work is housed) describes the painting as expressing "a cool, detached world-view in keeping with Ruscha’s conceptual works such as his photo-book (Every Building On) The Sunset Strip 1966. Roughly the size of a poster that might be displayed in a shop window, the picture’s alpine setting and eye-grabbing lettering call to mind an advertisement for a bargain ski holiday."

Weekly Flipboard Links and Media Round Up

December 17, 2017

As end-of-the-year reflections, inventories, and other assorted lists begin to circulate, along with end-of-semester sighs of relief and a turn to planning for 2018 take hold, I have had several conversations with students (past and present) this week about the value of the intensity and accompanying release that characterizes the end of the term. For academics, the natural cycle of our work life mirrors that of our earlier life as students-- three to four months of highly structured and planned lectures, assignments, exams, deadlines, and grading, followed by two to three weeks of rest and recovery. Rinse and repeat for spring with a longer period of research and individual projects through the summer.

For students, this intensive schedule can feel especially onerous and stressful while in the midst of a term, but what many come to realize is the sweet and satisfying feeling of accomplishment that comes at the end of the semester. I am convinced the pursuit of that feeling is why many of my colleagues choose to stay in the game and essentially build their professional lives around the academic calendar. That feeling is also the one that instills confidence and is hard-won after much sacrifice and perseverance, not only contributing to personal growth, but in many ways necessary for happiness and self-actualization. Unfortunately, however, many students will depart university never fully valuing that fact, and will later find themselves wishing they had learned to appreciate and embrace the hardest aspects of their educational journey. So for those of you slowly recovering from the slog of another semester and clearing the decks for another one on the horizon-- congratulations!-- take a moment to seriously reflect on all of the work and effort you put into your term, and remember that opportunities to push yourself in this way are precious and incredibly important. Enjoy the links, and have a restful week of celebration!

"Feminist Art Icon Judy Chicago Isn’t Done Fighting"
"Feminist Art Icon Judy Chicago Isn’t Done Fighting"

interviewmagazine.com

"24 Holiday Gifts for Every Personality in Your (Art) World, From Fashionistas to Design Aficionados"
"24 Holiday Gifts for Every Personality in Your (Art) World, From Fashionistas to Design Aficionados"

artnet.com

"Making Art in Communist Romania: An Interview With My Avant-garde Grandfather"
"Making Art in Communist Romania: An Interview With My Avant-garde Grandfather"

theparisreview.org

"Net Neutrality: Why Artists and Activists Can’t Afford to Lose It"
"Net Neutrality: Why Artists and Activists Can’t Afford to Lose It"

nytimes.com

"Exams: it is not just the students who get stressed out"
"Exams: it is not just the students who get stressed out"

universityaffairs.ca

"Why Robert Rauschenberg Erased a de Kooning (PODCAST)"
"Why Robert Rauschenberg Erased a de Kooning (PODCAST)"

artsy.net

"‘Darkness Is Comforting’: The Japanese Artists Subverting Kawaii Culture"
"‘Darkness Is Comforting’: The Japanese Artists Subverting Kawaii Culture"

broadly.vice.com

"The Disaster Artist: An Oral History"
"The Disaster Artist: An Oral History"

vulture.com

"What Art History Tells Us about Ultra Violet, Pantone’s Color of the Year"
"What Art History Tells Us about Ultra Violet, Pantone’s Color of the Year"

artsy.net

"A race against time: manuscripts and digital preservation (VIDEO)"
"A race against time: manuscripts and digital preservation (VIDEO)"

smarthistory

"Feminist Art Icon Judy Chicago Isn’t Done Fighting" "24 Holiday Gifts for Every Personality in Your (Art) World, From Fashionistas to Design Aficionados" "Making Art in Communist Romania: An Interview With My Avant-garde Grandfather" "Net Neutrality: Why Artists and Activists Can’t Afford to Lose It" "Exams: it is not just the students who get stressed out" "Why Robert Rauschenberg Erased a de Kooning (PODCAST)" "‘Darkness Is Comforting’: The Japanese Artists Subverting Kawaii Culture" "The Disaster Artist: An Oral History" "What Art History Tells Us about Ultra Violet, Pantone’s Color of the Year" "A race against time: manuscripts and digital preservation (VIDEO)"
  • 24 Holiday Gifts for Every Personality in Your (Art) World, From Fashionistas to Design Aficionados
  • Making Art in Communist Romania: An Interview With My Avant-garde Grandfather
  • Feminist Art Icon Judy Chicago Isn’t Done Fighting
  • Net Neutrality: Why Artists and Activists Can’t Afford to Lose It
  • Exams: it is not just the students who get stressed out
  • Why Robert Rauschenberg Erased a de Kooning (PODCAST)
  • ‘Darkness Is Comforting’: The Japanese Artists Subverting Kawaii Culture
  • The Disaster Artist: An Oral History
  • What Art History Tells Us about Ultra Violet, Pantone’s Color of the Year
  • A race against time: manuscripts and digital preservation (VIDEO)
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© Dorothy Barenscott, 2010-2025