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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

I don't think there is any doubt that if Andy Warhol were alive today, he would have the best Instagram account in the art world. Image taken from his famous quotes print series.

I don't think there is any doubt that if Andy Warhol were alive today, he would have the best Instagram account in the art world. Image taken from his famous quotes print series.

Mini Intro Guide to Artists and Art World People To Follow On Instagram

February 15, 2018

As with most people who research and think about visual art and culture, I have a love/hate relationship with Instagram. On the one hand, I absolutely love the democratizing function of the platform, and the ways in which art works can have an expanded audience. Seeing images and art works from the best known artists in the world scroll alongside pictures posted by emerging artists I work with close to home is always eye-opening and alters my perspective in important ways.  On the other hand, I am ever mindful of the more facile aspects of Instagram, and the damaging effects the platform can have on visual literacy and the superficial nature of a format that allows for little depth and context.

My own personal introduction to Instagram came about in 2012 when I decided to download the app to document and track images while in Europe over Christmas. I knew I would be visiting a few different cities, and several art exhibitions, so I used the tool as a way to share and disseminate images to my students and colleagues who asked to follow along on my journey. Within a few months, I was being followed by a number of art historians, artists, and art world types, and I in turn began following them. Over the years, I have evolved what I post and focus on, and have noticed in myself and others how much more carefully curated and intentional the nature of posting has become (interestingly enough, the original spirit of Instagram’s more spontaneous and unedited nature is now seen more so in the “stories” feature of the platform).

Understandably, the art world has been cautious of its embrace of Instagram, but there have been many key individuals that I have enjoyed following and watching shift and evolve over the years. The following is a mini introductory guide to the accounts I consider “must-follows,” a list that I often provide when asked where to begin with following artists and art world types on Instagram. I hope you find some inspiration as you scroll through these accounts and work on finding your own signature Instagram style in the process.

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ARTISTS TO FOLLOW

One of the first artists I began following when joining Instagram was Ai Weiwei. At the time, his Twitter account had been shut down by the Chinese government and he had begun using Instagram as a way to keep connected to his followers. Over the years, Ai has used his account to share progress on his art and film projects (most notably documenting the migrants he met and worked with while filming Human Flow) and showing followers the close connection between his work and personal life. Since Instagram is all about photography, two of the best contemporary artists working in the medium, Cindy Sherman and Nan Goldin, also have an important presence on the platform. Sherman, who has been on Instagram longer has been using her account to present new projects and, at times, challenge her audience with her "straight" photography, while Goldin's relatively new account showcases the best of her practice from the 1980-90's alongside new projects. 

My next category of artists all have connections to street and urban art. Included here are early adopters to Instagram: Banksy, Invader, JR, and Shepard Fairey. Not surprisingly, some of the best Instagram accounts document the work of graffiti and street artists as they work clandestinely and at times anonymously. Banksy in particular gained notoriety a few years ago when he created his own NYC residency and used the platform to create a scavenger hunt of his works around the city. And finally, I include the carefully curated account of Anish Kapoor-- who uses colour blocking strategies from his art practice to build visual stories in his gallery, a primer for artists interested in using Instagram successfully-- and the Guerrilla Girls, an anonymous art collective that builds its account to disseminate information and statistics related to abuses of power (sexism, racism, and corruption) in the art world.

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Curators and Critics TO FOLLOW

Another great category of art world people to follow are curators and critics. Not only do they travel and see some fantastic work all over the world, they have their own personal quirks and interests that makes following them worthwhile. A few years ago, one of my favourite art critics, Jerry Saltz, began an Instagram account that essentially attempted to test the limits of the platform's rules concerning nudity and obscenity. A prolific daily poster, Saltz continues to use his account as a way to create dialogue about taste and norms in the visual representation of gender and sexuality (and he still gets banned from time to time!). I also enjoy the much followed chief curator of MoMA, Klaus Biesenbach. As one of the most important taste-makers in North American art circles, he also has a great conceptual and even ironic take with his account, posting nearly daily images of the same view from his window at work while documenting his globe trotting and exotic art travels to distant locales and artists' studios. Two other important NYC curators in a similar vein, Nancy Spector from the Guggenheim and Roxana Marcoci from MoMA, have wonderful Instagram pages that document their professional and personal lives. 

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art Historians and Advisors TO FOLLOW

Last but not least are the many art historians and advisors to follow on Instagram. As with artists and curators/critics, these are individuals who spent a great deal of time traveling and looking at a diverse cross-section of art all over the world. Very early on in the first months of using Instagram, I received comments and a follow from art historian Izzy Lauder-Frost, an art historian turned art advisor working in London who has gone on to create one of the most interesting accounts documenting her work with clients and auction houses in the art world. Her travels and lifestyle are fun to follow, and she provides a mix of traditional and contemporary art. Another fantastic resource and personal twist on an art historian's Instagram account is lets_talk_about_art by Dutch art historian and teacher Jurgen Vermaire. His daily picks of art works, often coinciding with his travels, are accompanied by rich descriptions and context about the artist and works. And last but not least is the viral success of the tabloidarthistory Instagram account. Run by three French and UK- based art historians, the account that features juxtaposed images of tabloid celebrity photography with traditional art works, is part of a larger research project exploring the relationship between popular culture and the practice of art history.

As you go on to follow some of these accounts, pay attention to the "who to follow" feature of Instagram that matches your current follows and tastes with other similar accounts. This has been one of the best ways I have found to discover new artists, curators, critics, and art historians on the platform. 

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© Dorothy Barenscott, 2010-2025