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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about a month ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a month ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Classic lines and navy blues feed my sartorial soul 💙✨
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#dopaminedressing #whatiwore #ootd #arthistorianlife #citizensofhumanity #ralphlauren  #celine
Classic lines and navy blues feed my sartorial soul 💙✨ . . . #dopaminedressing #whatiwore #ootd #arthistorianlife #citizensofhumanity #ralphlauren #celine
Perfect Vancouver day!👌🏻🍃🌊✨Autumn rides are my favourite as we take advantage of every opportunity to get out there on the Aprilias ahead of the rain and coming cold.
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#motorcycle #motorcycleofinstagram #sportbike #sportbikelife #apriliatuon
Perfect Vancouver day!👌🏻🍃🌊✨Autumn rides are my favourite as we take advantage of every opportunity to get out there on the Aprilias ahead of the rain and coming cold. . . . #motorcycle #motorcycleofinstagram #sportbike #sportbikelife #apriliatuono #apriliatuonofactory #motogirl #motogirls #vancouver
Returning home from Palermo, Sicity this week, I have been reflecting on the research I presented at a roundtable discussion at the AISU (L’Associazione promuove e diffonde lo studio della storia urbana) biennial congress centered on “The
Returning home from Palermo, Sicity this week, I have been reflecting on the research I presented at a roundtable discussion at the AISU (L’Associazione promuove e diffonde lo studio della storia urbana) biennial congress centered on “The Crossroad City.” My contribution to the presentation focused on Vancouver and my exploration of the “No Fun City” label that has emerged over the past decade or more in local discourse and popular culture. Whenever I talk to Vancouverites about this concept, there is an immediate understanding about what it is I am trying to evoke in my research. In my blog this week (link in bio), I have excerpted some parts of my talk to provide a taste of how I am connecting the emotion of detachment to this hard to language dynamic while bringing in the important element of visual representation that shapes and is shaped through the many contradictions of the city. Perhaps most striking to me as I continue probing these questions in a post-pandemic world, increasingly impacted by machine learning and democratic backsliding, is how much discussions around emotions and our collective humanity matter today more than ever. . . . #arthistory #urban #urbanemotion #architecture #palermo #vancouver
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Inspired by the civil unrest in France from May 2 to June 23, 1968, Joan Miro created May 1968 between 1968-1973 (begun, incredibly, when he was 75 years old) as a meditation on the events. This year, the 50th anniversary of events is being commemor…

Inspired by the civil unrest in France from May 2 to June 23, 1968, Joan Miro created May 1968 between 1968-1973 (begun, incredibly, when he was 75 years old) as a meditation on the events. This year, the 50th anniversary of events is being commemorated around the world. 

Weekly Flipboard Links and Media Round Up

June 03, 2018

For the last few weeks, I have been holed up in my home office working quite intensively on several writing projects, and now that June has started, I am beginning to make the final push through summer on several deadlines. There is a lot left to do. Along the way, I have taken some breaks to enjoy attending convocation, to get out of town for a family birthday, and to catch up with friends passing through town. And what this brought to mind as I sat down to assemble this week's round up is how comforting the routines of academic life can be, but also how much the "work" of what we do is mostly invisible.

An article about workaholism in academia caught my attention a few weeks back when it was being widely circulated on Twitter. The story itself, of a tenured prof who collapsed following several years of trying to keep up with an impossible work load, was nothing I hadn't seen first hand as a grad student or faculty member. But what was compelling was the conversation the article sparked on social media, along with comments following the article, that called for a serious reassessment of how success and accomplishment is to be measured in academic work life. Part of the discussion centered on creating personal boundaries, learning to say "no" and getting a handle on priorities and how time is managed outside the classroom, but another important part of the conversation focused on being more forthcoming with family and friends about how much the work of academia is all-consuming and difficult to "turn off." A few summers ago, a reading group I belonged to read The Slow Professor: Challenging the Culture of Speed in the Academy and I wanted to bring it up this week as a recommendation for those who may be needing a good primer on how to find that work/life balance. I will be dusting my copy off again this summer for a re-read. Enjoy the links!

"Ten pavilions not to be missed at the Venice Architecture Biennale 2018"
"Ten pavilions not to be missed at the Venice Architecture Biennale 2018"

dezeen.com

"Art Historians Discuss Strategies for Dealing with Work by Abusive Artists"
"Art Historians Discuss Strategies for Dealing with Work by Abusive Artists"

hyperallergic.com

"How May 1968 in Paris Changed the Way We View Protests"
"How May 1968 in Paris Changed the Way We View Protests"

artsy.net

"Dad Left a Big Impression: The Renoir Family Inheritance"
"Dad Left a Big Impression: The Renoir Family Inheritance"

nytimes.com

"Kanye West’s Ye Sparks and Sputters"
"Kanye West’s Ye Sparks and Sputters"

atlantic.com

"What’s the Role of an Alternative Art Space? "
"What’s the Role of an Alternative Art Space? "

artnet.com

"Kerry James Marshall on painting, politics and P Diddy’s record-breaking purchase of his work"
"Kerry James Marshall on painting, politics and P Diddy’s record-breaking purchase of his work"

artnewspaper.com

"Are Selfie Museums an Affront to the Art World? (PODCAST)"
"Are Selfie Museums an Affront to the Art World? (PODCAST)"

artsy.net

"Performance and Protest: Can Art Change Society? | How Art Became Active (VIDEO SERIES)"
"Performance and Protest: Can Art Change Society? | How Art Became Active (VIDEO SERIES)"

tatemodern

"Unceded: Voices of the Land / Canada at the 2018 Venice Architecture Biennale (VIDEO)"
"Unceded: Voices of the Land / Canada at the 2018 Venice Architecture Biennale (VIDEO)"

vernissage

"Ten pavilions not to be missed at the Venice Architecture Biennale 2018" "Art Historians Discuss Strategies for Dealing with Work by Abusive Artists" "How May 1968 in Paris Changed the Way We View Protests" "Dad Left a Big Impression: The Renoir Family Inheritance" "Kanye West’s Ye Sparks and Sputters" "What’s the Role of an Alternative Art Space? " "Kerry James Marshall on painting, politics and P Diddy’s record-breaking purchase of his work" "Are Selfie Museums an Affront to the Art World? (PODCAST)" "Performance and Protest: Can Art Change Society? | How Art Became Active (VIDEO SERIES)" "Unceded: Voices of the Land / Canada at the 2018 Venice Architecture Biennale (VIDEO)"
  • Ten pavilions not to be missed at the Venice Architecture Biennale 2018
  • Art Historians Discuss Strategies for Dealing with Work by Abusive Artists
  • How May 1968 in Paris Changed the Way We View Protests
  • Dad Left a Big Impression: The Renoir Family Inheritance
  • Kanye West’s Ye Sparks and Sputters
  • What’s the Role of an Alternative Art Space? 
  • Kerry James Marshall on painting, politics and P Diddy’s record-breaking purchase of his work
  • Are Selfie Museums an Affront to the Art World? (PODCAST)
  • Performance and Protest: Can Art Change Society? | How Art Became Active (VIDEO SERIES)
  • Unceded: Voices of the Land / Canada at the 2018 Venice Architecture Biennale (VIDEO)
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© Dorothy Barenscott, 2010-2025