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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 6 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 7 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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A day to remember in beautiful Bologna! 💙 Our Urban Emotion research group gathered this afternoon in an enchanting room in the elegant Palazzo Marescotti hosted by DAMSLab @damslab.lasoffitta_unibo and the University of Bologna’s Art Departme
A day to remember in beautiful Bologna! 💙 Our Urban Emotion research group gathered this afternoon in an enchanting room in the elegant Palazzo Marescotti hosted by DAMSLab @damslab.lasoffitta_unibo and the University of Bologna’s Art Department to share findings around mediated images in city spaces after the emotional turn. The position papers were recently published as a set of “field notes” in Architectural Histories and were presented chronologically today to an audience of invited interdisciplinary academics and students as extensions on our thinking about distinct emotional states (anticipation, anxiety, outrage, belonging, and detachment) across five distinct historical moments and cities. Our group has been meeting and working together in person and via regular Zoom meetings for past two years as we analyze these productive tensions. Thank you to those who attended and/or dropped in virtually over the course of the talks! And thank you for your comments and questions. We will have a recording link ready to share upon request in the coming weeks and hope to make our next move as we plan for future projects and publications. For now, we are celebrating the completion of the event in the most Italian way possible— with excellent food and drink! . . . #urbanemotions #bologna #arthistory #architecturalhistory
I’m delighted to announce that I will be heading to Italy and the University of Bologna’s DAMSLab @damslab.lasoffitta_unibo this week to meet with my Urban Emotions research group to participate in a symposium organized by Ines Tolic @tlc
I’m delighted to announce that I will be heading to Italy and the University of Bologna’s DAMSLab @damslab.lasoffitta_unibo this week to meet with my Urban Emotions research group to participate in a symposium organized by Ines Tolic @tlcnsi titled: “Mediating Emotions: Rethinking Images After the Emotional Turn.” This event takes place on Thursday, May 7th from 2:30-6:30pm CEST (5:30-9:30am PST) and will be open to the public for in-person or virtual attendance via Teams link. If you are interested in watching and/or participating in this event virtually, please DM me for the link, and/or you can visit https://journal.eahn.org/article/id/24859/ for a download link to our publication. “Mediating Emotions: Rethinking City Images after the Emotional Turn” is an international and interdisciplinary symposium dedicated to analyzing urban representations through the lens of emotions. The five presentations and the panel discussion address the city as a space where different emotions emerge, intertwine, and sometimes conflict. In recent decades, academic research has been profoundly influenced by the so-called emotional turn . This symposium aims to bring together the most recent theoretical perspectives on emotions with reflections on visual representations and the urban experience. It recognizes that emotions—both individual and collective—while rarely addressed explicitly, have always played a crucial role in design practices, critical analysis, historical reconstruction, artistic interpretation, and the everyday life of urban spaces. The aim is to highlight the city not only as a catalyst for emotions and expressive forms, but also as a construct shaped by representations intrinsically informed by emotions. In a context marked by increasingly intense emotional dynamics in political and social life, the roundtable will open a discussion on how urban representations operate at the intersection of lived experience, perception, and imagination. . . . #arthistory #urbanemotions #contemporaryart
May 2, 2026 🔥✨💃🏼🏍️💨 marks the 20th year of International Female Ride Day and the celebration of women in motorsports! Licensed women motorcyclists constitute only 15-16% of all riders in Canada, and while that number is growing, the reality is t
May 2, 2026 🔥✨💃🏼🏍️💨 marks the 20th year of International Female Ride Day and the celebration of women in motorsports! Licensed women motorcyclists constitute only 15-16% of all riders in Canada, and while that number is growing, the reality is that women face a great deal of intimidation, stereotypes, and obstacles on their path to acceptance in the masculine coded motorcycle community. I am on a personal mission to help change these outdated misconceptions and help promote motorcycling as a path to greater confidence, control, identity, and feelings of mastery in women’s lives. Check out my pinned post if you are interested in starting down this path. As one of my favourite female ride day quotes goes: “Don’t call her brave because she rides. Call her a motorcyclist because she earned it.” Ride safe my badass sisters and remember that you are in a rare community of women who dare to rewrite the rules, defy limitation, and refuse to be underestimated! . . . #motogirl #womenwhoride #internationalfemalerideday #motorcycle #vancouver
A girl can dream…🤔❤️😬🔥✨💃🏼…grades are in, sun is shining, time for an upgrade? 
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#apriliatuonofactory #motorcycle #motorcyclesofinstagram #motogirl
A girl can dream…🤔❤️😬🔥✨💃🏼…grades are in, sun is shining, time for an upgrade? . . . #apriliatuonofactory #motorcycle #motorcyclesofinstagram #motogirl
Saturday night at Tate Modern ⭐️🌚🌛🔥We returned to take in the contemporary exhibition spaces and to enjoy London after hours. . . . #london #tatemodern #arthistory #contemporaryart

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Dmitri Vrubel, My God, Help Me to Survive This Deadly Love (1990). One of the best known wall graffiti works at the Berlin Wall, the painting depicts Leonid Brezhnev and Erich Honecker in a fraternal embrace, reproducing a photograph that captured t…

Dmitri Vrubel, My God, Help Me to Survive This Deadly Love (1990). One of the best known wall graffiti works at the Berlin Wall, the painting depicts Leonid Brezhnev and Erich Honecker in a fraternal embrace, reproducing a photograph that captured the same moment in 1979 during the 30th anniversary celebration of the foundation of the German Democratic Republic. This past week, the 30th anniversary of the fall of the Berlin Wall is being celebrated around the world.

Weekly Flipboard Links and Media Round Up

November 11, 2019

Thirty years ago, the world gathered around their television sets to witness history unfold as the Berlin Wall began to fall. As a child of Hungarian immigrants and a frequent visitor to Budapest pre-1989, the events seemed both surreal to me, but also inevitable. In retrospect, most people talk about the speed of events, or surprise in seeing the peaceful exuberance of Berliners, East and West, as they helped one another climb over the rubble and explore unknown worlds. One of my favourite films to capture this historic moment in all of its complexities is Wolfgang Becker’s Goodbye, Lenin! (2003), a dramatic comedy that tells the story of Alex, a young man who gets caught up in the events of 1989 and tries to hide the regime change from his ailing mother, who happens to fall into a coma the evening of November 9th. Alex’s mother, a loyal party communist, awakens from her coma months later, but cannot be excited in any way to prevent a likely heart attack. As such, Alex goes to great lengths to keep up the pretense that communism still reigns in East Germany (buying up old communist brand foods, creating fake news broadcasts, and enlisting friends and family to keep up old appearances), but ultimately fails to keep up the charade. His mother, understanding the reality of the changes, comes to terms with the world she inhabits, however difficult and improbable. There is no going back, but there is also hope in the new freedoms gained.

For me, as a child raised in Canada with all the privileges of travel and access to a relatively unfiltered education, I was always hopeful that the relenting call of democracy and liberal freedoms would reach beyond the political rhetoric behind the Iron Curtain. I had been witness to the deep cynicism and open disdain for the Cold War experiment when visiting Hungary throughout my childhood, and it did not take much to reach a critical mass through the 1980s to the outcomes many witnessed with some level of disbelief in 1989. The tragedy, of course, is that so much has changed from the optimism of that time, and along with it, our media landscape. A rising tide of illiberalism and fear and distrust of global systems has taken hold in many of the same parts of Eastern Europe that were the first to champion the freedom of a world without walls. Conspiracy theories, false histories, and outright propaganda and hate speech overwhelms much of the conversation on both social media and state-controlled media outlets. Open public discourse and debate is fading as journalists and academics, increasingly distrusted and harassed by government officials, are seen as enemies by many in power in parts of Eastern Europe. At the same time, open hostility to immigrants, foreigners, non-Christian, non-European, and non-straight individuals raises serious alarm and comparisons to Europe in the 1930s.

Looking back at 1989, the shock I feel today is not how quickly events appeared to unfold in Berlin, but instead, how quickly many people have forgotten, or simply given up, on the promise and hope offered by open societies. While democracy is an imperfect system, it still holds out far greater possibility for freedom, critical thinking, and happiness than a turn to increasing state-control, tribalism, and fear-based ethnic nationalism. In fact, I realize that I have the same faith today that I had back in 1989. I trust there will be an inevitable turn towards the hope and revolutionary potential of that moment— a tearing away of walls, false differences, and hate.

I wish everyone peaceful reflection on this Remembrance Day long weekend. Enjoy the links.

"Before the Fall of the Berlin Wall"
"Before the Fall of the Berlin Wall"

theatlantic.com

"It’s Time to Take Down the Mona Lisa"
"It’s Time to Take Down the Mona Lisa"

nytimes.com

"The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future "
"The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future "

artnet.com

"New Ai Weiwei Documentary Champions the Artist as a Global Activist"
"New Ai Weiwei Documentary Champions the Artist as a Global Activist"

artnews.com

"Cindy Sherman’s ‘Masterclass in Makeup’ Is a Full Frontal Challenge"
"Cindy Sherman’s ‘Masterclass in Makeup’ Is a Full Frontal Challenge"

thetyee.com

"What Cookie Monster Can Teach Us About Art"
"What Cookie Monster Can Teach Us About Art"

hyperallergic.com

"Fascinating animated timeline of bestselling music from past 50 years goes viral"
"Fascinating animated timeline of bestselling music from past 50 years goes viral"

cbc.ca

"“Anuses on Stems”? Parisians React to Jeff Koons’s Gift to the City"
"“Anuses on Stems”? Parisians React to Jeff Koons’s Gift to the City"

hyperallergic.com

"Among the Trolls (PODCAST)"
"Among the Trolls (PODCAST)"

nytimes.com

"Slow Burn: Biggie and Tupac (Gangsta Rap vs The Cops) (PODCAST)"
"Slow Burn: Biggie and Tupac (Gangsta Rap vs The Cops) (PODCAST)"

slate.com

"Before the Fall of the Berlin Wall" "It’s Time to Take Down the Mona Lisa" "The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future " "New Ai Weiwei Documentary Champions the Artist as a Global Activist" "Cindy Sherman’s ‘Masterclass in Makeup’ Is a Full Frontal Challenge" "What Cookie Monster Can Teach Us About Art" "Fascinating animated timeline of bestselling music from past 50 years goes viral" "“Anuses on Stems”? Parisians React to Jeff Koons’s Gift to the City" "Among the Trolls (PODCAST)" "Slow Burn: Biggie and Tupac (Gangsta Rap vs The Cops) (PODCAST)"
  • Before the Fall of the Berlin Wall

  • It’s Time to Take Down the Mona Lisa

  • The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future

  • New Ai Weiwei Documentary Champions the Artist as a Global Activist

  • Cindy Sherman’s ‘Masterclass in Makeup’ Is a Full Frontal Challenge

  • What Cookie Monster Can Teach Us About Art

  • Fascinating animated timeline of bestselling music from past 50 years goes viral

  • “Anuses on Stems”? Parisians React to Jeff Koons’s Gift to the City

  • Among the Trolls (PODCAST)

  • Slow Burn: Biggie and Tupac (Gangsta Rap vs. The Cops) (PODCAST)

← Weekly Flipboard Links and Media Round UpCourses for Spring 2020: Topics In Urban, Graffiti and Street Art, Contemporary Art, and Film Studies →
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© Dorothy Barenscott, 2010-2025