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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Phillip Sutton, Autumn Flowers (1955) in the Tate Modern Collection.

Phillip Sutton, Autumn Flowers (1955) in the Tate Modern Collection.

Weekly Round Up.... And a Few More Things

October 18, 2020

This past week I had a lot of time to reflect on the value and place of academic conferences, both in my own experience as a grad student and professor, but also as a ritual event in the world of academia. In the past, I had wondered if all of the expense and energy used to move hundreds of people across the world to one locale for 3-5 days was worth it. Anyone who has ever delivered a conference paper to a room filled with only the panelists and chairs will know this feeling well!

As with most things disrupted by Covid-19, the annual conference for my discipline—the Universities Art Association of Canada—was held remotely and online this year. I had submitted a proposal to co-chair a panel with my research colleague and friend Dr. Lara Tomaszweska of Openwork Art Advisory on the topic of commerce, aesthetics, and the “value” of contemporary art. The conference was to be held in Vancouver this year, and we were excited to host our panelists and introduce them to our city. Last year I attended UAAC to co-chair a panel in Quebec City, and it was an incredible trip filled with immersion in the local art and culture scene, visits to museums, galleries, and urban sites, and lots of incredible local cuisine. And then of course there were all of the conversations, sharing of ideas, and other impromptu discussions in the conference venue hallways, over meals, and even at the airport— these, among the spontaneous ways that academics communicate and learn from one another.

Once we understood the conference would be moved online, I knew that much of that same energy or hard to describe frisson would be lost, and indeed, despite attempts to reproduce the conference virtually, there was something very much missing, an irreplaceable sense of presence that is impossible to duplicate in a Zoom meeting. Here I want to stress that our session panelists provided excellent presentations and arguments—that was never in doubt, and we were incredibly grateful for the opportunities to meet our participants—but what we were not able to do was engage in all of the kinetic and fully embodied rituals of academic discourse and debate that happen only when people are sitting in a room together.

It is only now that I understand how much I have taken this ritual event for granted, and I realize as well that it is this precise sense of lack and sadness I feel when leading synchronous teaching sessions in my courses over my institution’s version of Zoom (BigBlueButton). We all feel what is missing, students and professors alike, and it is deep and profound. In the end, nothing can take the place of simple human contact and exchange in an academic environment. We can certainly attempt to simulate this world in a virtual online format—and it is the best we can during a global pandemic—but all of this technology cannot be made to replace what many of us know to be the only way to truly engage as academics, students, and human beings.  

A FEW MORE THINGS BEFORE THE ROUND UP

  • Last weekend I spent 10+ hours in a car traveling for Canadian Thanksgiving and had a chance to listen to the entire season of Wind of Change, a fantastic podcast debuting this summer that tracks the story of how the song “Wind of Change” by the German heavy metal band Scorpions, was connected to CIA efforts to create pro-democracy propaganda in the wake of the fall of the Berlin Wall and Soviet Bloc. No spoilers, but if you have ever heard the story in your modern art history class of how the CIA propped up Jackson Pollock and Abstract Expressionism as the global art of freedom in the 1950'-60s, you will find this story both familiar and within the realm of possibility!

  • Speaking of culture, history, and politics, more than a half dozen people whose opinion on all things cultural and of-the-moment I respect have told me to watch Crash Landing On You — a South Korean television series now on Netflix that tells the story of a South Korean fashion entrepreneur and heiress and her love affair with a member of North Korea’s elite police. Yes, you read that correctly, and it is next up for me once I complete all of my midterm grading.

How Much Do You Really Miss Going to the Movies?
How Much Do You Really Miss Going to the Movies?

nytimes.com

#MeToo Medusa sculpture to be installed across from New York courthouse where Harvey Weinstein stood trial
#MeToo Medusa sculpture to be installed across from New York courthouse where Harvey Weinstein stood trial

theartnewspaper.com

Jenny Holzer launched a new public artwork campaign encouraging voter participation
Jenny Holzer launched a new public artwork campaign encouraging voter participation

artsy.net

Think for yourself: how to judge expertise in a time of conflicting opinions (PODCAST)
Think for yourself: how to judge expertise in a time of conflicting opinions (PODCAST)

cbc.ca

Emily in Paris Is the Hate Watch We Can’t Stop Watching
Emily in Paris Is the Hate Watch We Can’t Stop Watching

slate.com

3 artists pushing back against colonialism by using the tools of their colonizers
3 artists pushing back against colonialism by using the tools of their colonizers

cbc.ca

Feels Good Man, a film that truly gets how things are passed across the Internet
Feels Good Man, a film that truly gets how things are passed across the Internet

arstechnica.com

The UK government is trying to draw museums into a fake culture war
The UK government is trying to draw museums into a fake culture war

theguardian.com

UP CLOSE: Mike Kelley at The Broad (VIDEO)
UP CLOSE: Mike Kelley at The Broad (VIDEO)

The Broad

Mr Ewok “Game Over", Wall in Wynwood via Museum of Graffiti (VIDEO)
Mr Ewok “Game Over", Wall in Wynwood via Museum of Graffiti (VIDEO)

Museum of Graffiti

How Much Do You Really Miss Going to the Movies? #MeToo Medusa sculpture to be installed across from New York courthouse where Harvey Weinstein stood trial Jenny Holzer launched a new public artwork campaign encouraging voter participation Think for yourself: how to judge expertise in a time of conflicting opinions (PODCAST) Emily in Paris Is the Hate Watch We Can’t Stop Watching 3 artists pushing back against colonialism by using the tools of their colonizers Feels Good Man, a film that truly gets how things are passed across the Internet The UK government is trying to draw museums into a fake culture war UP CLOSE: Mike Kelley at The Broad (VIDEO) Mr Ewok “Game Over", Wall in Wynwood via Museum of Graffiti (VIDEO)
  • How Much Do You Really Miss Going to the Movies?

  • #MeToo Medusa sculpture to be installed across from New York courthouse where Harvey Weinstein stood trial

  • Jenny Holzer launched a new public artwork campaign encouraging voter participation 

  • Think for yourself: how to judge expertise in a time of conflicting opinions

  • Emily in Paris Is the Hate Watch We Can’t Stop Watching

  • 3 artists pushing back against colonialism by using the tools of their colonizers

  • Feels Good Man, a film that truly gets how things are passed across the Internet

  • The UK government is trying to draw museums into a fake culture war

  • UP CLOSE: Mike Kelley at The Broad (VIDEO)

  • Mr Ewok “Game Over", Wall in Wynwood via Museum of Graffiti (VIDEO)

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© Dorothy Barenscott, 2010-2025