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Avant-Guardian Musings

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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 8 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
about 2 years ago

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Summer freedom vibes ✨💃🏼☀️🕶️🍓✨more than ever, not taking it for granted.
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#shamelessselefie #summer #stressfree #freedom
Summer freedom vibes ✨💃🏼☀️🕶️🍓✨more than ever, not taking it for granted. . . . #shamelessselefie #summer #stressfree #freedom
Going into June like… 💃🏼✨💋🏍️💨
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#startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Going into June like… 💃🏼✨💋🏍️💨 . . . #startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to C
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to Central Paris 👀✨💙 . . . #paris #streetart #urbanart #arthistory #graffiti
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the T
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the Tuileries, and explore the street art in Belleville. And tonight, we will dine and celebrate at your favourite restaurant. You know there is no one else with whom I would rather spend a day chilling, wandering the streets, and laughing. “You and me and five bucks.” I love you forever, and I hope this next year brings you more of what you’ve been dreaming about❤️
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its mos
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its most rebellious women, the gown is designed with partial armour and creates this beautiful tension, movement, and awe that is hard to express. Simply put, Galliano is a true artist and this dress is a masterpiece. . . . #louvre #paris #louvrecouture #johngalliano #hautecouture #fashion #arthistory

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Weekly Round Up... And A Few More Things

November 08, 2020
Julie Mehretu, Easy Dark (2007).

Julie Mehretu, Easy Dark (2007).

Waiting and watching for the results of the U.S. election along with the rest of the world, I spent time distracting myself from doomscrolling Twitter and refreshing the New York Times election map by organizing photographs from museum and gallery visits in 2019. Among the images from my trip to the Venice Biennale with the field school last summer, I was reminded of the many abstract works we had encountered that engaged with ideas around confronting history—from artists such as Adrian Ghenie, Sean Scully, Luc Tuymans, and Julie Mehretu—and all of the conversations about how and why abstraction had come to define what was “happening” and being explored by artists, especially in the previous two to three years. Much of what we were seeing was in direct response to the Biennale theme, “May You Live In Interesting Times” and the global response to the rise of illiberalism globally, and the yet unknown impact of Trump’s presidency. I was reminded again that the most captivating works we encountered turned on the idea of what remains beyond language, beyond conventional representation, and in that space where abstract art does its best work—in that liminal domain of transformation and becoming.

 That is how I have felt since the moment Trump lost the election, and especially as the spontaneous response to the result worldwide is signalling some potential for a profound paradigm shift globally. To this end, I wanted to feature Julie Mehretu’s work in particular. As an Ethiopian-American and biracial LGBTQ+ contemporary artist, Mehretu has spent much of her career utilizing abstract art in the service of social and political content, especially in terms of exploring lived space and landscapes of power in the United States. I invite you to listen and learn about Mehretu in her own words, and I hope what will remain with you is the singular importance visual artists hold in terms of capturing what may be the “psychogeography” of moments like the one we are collectively experiencing this week. Enjoy the round up this week, and remember that we are indeed living in interesting times!

"Why I Love Women Who Wallop"
"Why I Love Women Who Wallop"

nytimes.com

"Democracy’s Afterlife"
"Democracy’s Afterlife"

nybooks.com

"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"
"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"

artnet.com

"The Guardian view on live art: irreplaceable energy"
"The Guardian view on live art: irreplaceable energy"

theguardian.com

"Brendan Fernandes’s Zoom Choreography"
"Brendan Fernandes’s Zoom Choreography"

canadianart.ca

"How to build the next American president"
"How to build the next American president"

theartnewspaper.com

"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"
"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"

artnet.com

"How Collectors Can Establish Meaningful Connections with Artists"
"How Collectors Can Establish Meaningful Connections with Artists"

arsty.net

"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"
"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"

metmuseum

"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"

art21

"Why I Love Women Who Wallop" "Democracy’s Afterlife" "‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election" "The Guardian view on live art: irreplaceable energy" "Brendan Fernandes’s Zoom Choreography" "How to build the next American president" "The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)" "How Collectors Can Establish Meaningful Connections with Artists" "360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)" "Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
  • Why I Love Women Who Wallop

  • Democracy’s Afterlife

  • ‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election

  • The Guardian view on live art: irreplaceable energy

  • Brendan Fernandes’s Zoom Choreography

  • How to build the next American president

  • The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)

  • How Collectors Can Establish Meaningful Connections with Artists

  • 360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)

  • Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)

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© Dorothy Barenscott, 2010-2025