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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Weekly Round Up... And A Few More Things

November 08, 2020
Julie Mehretu, Easy Dark (2007).

Julie Mehretu, Easy Dark (2007).

Waiting and watching for the results of the U.S. election along with the rest of the world, I spent time distracting myself from doomscrolling Twitter and refreshing the New York Times election map by organizing photographs from museum and gallery visits in 2019. Among the images from my trip to the Venice Biennale with the field school last summer, I was reminded of the many abstract works we had encountered that engaged with ideas around confronting history—from artists such as Adrian Ghenie, Sean Scully, Luc Tuymans, and Julie Mehretu—and all of the conversations about how and why abstraction had come to define what was “happening” and being explored by artists, especially in the previous two to three years. Much of what we were seeing was in direct response to the Biennale theme, “May You Live In Interesting Times” and the global response to the rise of illiberalism globally, and the yet unknown impact of Trump’s presidency. I was reminded again that the most captivating works we encountered turned on the idea of what remains beyond language, beyond conventional representation, and in that space where abstract art does its best work—in that liminal domain of transformation and becoming.

 That is how I have felt since the moment Trump lost the election, and especially as the spontaneous response to the result worldwide is signalling some potential for a profound paradigm shift globally. To this end, I wanted to feature Julie Mehretu’s work in particular. As an Ethiopian-American and biracial LGBTQ+ contemporary artist, Mehretu has spent much of her career utilizing abstract art in the service of social and political content, especially in terms of exploring lived space and landscapes of power in the United States. I invite you to listen and learn about Mehretu in her own words, and I hope what will remain with you is the singular importance visual artists hold in terms of capturing what may be the “psychogeography” of moments like the one we are collectively experiencing this week. Enjoy the round up this week, and remember that we are indeed living in interesting times!

"Why I Love Women Who Wallop"
"Why I Love Women Who Wallop"

nytimes.com

"Democracy’s Afterlife"
"Democracy’s Afterlife"

nybooks.com

"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"
"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"

artnet.com

"The Guardian view on live art: irreplaceable energy"
"The Guardian view on live art: irreplaceable energy"

theguardian.com

"Brendan Fernandes’s Zoom Choreography"
"Brendan Fernandes’s Zoom Choreography"

canadianart.ca

"How to build the next American president"
"How to build the next American president"

theartnewspaper.com

"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"
"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"

artnet.com

"How Collectors Can Establish Meaningful Connections with Artists"
"How Collectors Can Establish Meaningful Connections with Artists"

arsty.net

"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"
"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"

metmuseum

"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"

art21

"Why I Love Women Who Wallop" "Democracy’s Afterlife" "‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election" "The Guardian view on live art: irreplaceable energy" "Brendan Fernandes’s Zoom Choreography" "How to build the next American president" "The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)" "How Collectors Can Establish Meaningful Connections with Artists" "360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)" "Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
  • Why I Love Women Who Wallop

  • Democracy’s Afterlife

  • ‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election

  • The Guardian view on live art: irreplaceable energy

  • Brendan Fernandes’s Zoom Choreography

  • How to build the next American president

  • The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)

  • How Collectors Can Establish Meaningful Connections with Artists

  • 360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)

  • Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)

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© Dorothy Barenscott, 2010-2025