• Fall 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
Menu

Avant-Guardian Musings

  • Fall 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
large monogram_2018-02-01_22-31-07.v1 (1).png
“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

Blog RSS

Screenshot 2018-02-05 20.56.45.png
Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about a month ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 2 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 3 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

Screenshot 2018-02-05 20.56.51.png
The CEO of our household reflecting on his year 🐈✨🎄
.
.
.
#caturday #banksycat #endofyear #holidayseason
The CEO of our household reflecting on his year 🐈✨🎄 . . . #caturday #banksycat #endofyear #holidayseason
Frank Gehry’s passing today at 96 years old marks the remembrance of a daring, risk-taking artistic visionary. Gehry’s aesthetics, process, and design philosophy have always resonated deeply with me as an art historian invested in the stu
Frank Gehry’s passing today at 96 years old marks the remembrance of a daring, risk-taking artistic visionary. Gehry’s aesthetics, process, and design philosophy have always resonated deeply with me as an art historian invested in the study of spatial disruption and urban space. One of my most prized possessions is a Gehry designed torque ring that I purchased in New York back in 2006 and wore religiously in the years I was completing my Ph.D. as a kind of talisman. My love of silver is Gehry inspired too 🩶 Over the years I have been fortunate to visit, teach, and share knowledge of his many amazing buildings all over the world, always telling students that architects are among the most powerful people in society. Frank Gehry was arguably one of the most risk-taking and dare I say avant-garde architects and artists of our generation. “It’s not new that architecture can profoundly affect a place, sometimes transform it. Architecture and any art can transform a person, even save someone.” Frank Gehry Photos (my own) from Las Vegas (Ruvo Building), Paris (Louis Vuitton Foundation), Chicago (Jay Pritzker Pavilion), Los Angeles (Walt Disney Concert Hall), and my much loved and worn Gehry torque ring he co-designed in a collection with Tiffany and Co. #frankgehry #architecture #urbanspace #urbanism #arthistory
Proof of life photo 📸 Taken on the last day of classes of the fall semester. I survived… barely 😥 Countdown to Christmas vacation!
.
.
.
#arthistorianlife #endofsemester #ootd #iykyk
Proof of life photo 📸 Taken on the last day of classes of the fall semester. I survived… barely 😥 Countdown to Christmas vacation! . . . #arthistorianlife #endofsemester #ootd #iykyk
Aren’t we all tho? 🤔

#christmasshopping #literaryfiction
Aren’t we all tho? 🤔 #christmasshopping #literaryfiction
“Knitting is the saving of life”— Virginia Woolf 🩶
.
.
.
#knitterofinstagram #knitting #woolandthegang #knittersgonnaknit
“Knitting is the saving of life”— Virginia Woolf 🩶 . . . #knitterofinstagram #knitting #woolandthegang #knittersgonnaknit

Screenshot 2018-02-05 20.57.02.png
  • November 2025 (1)
  • September 2025 (1)
  • August 2025 (1)
  • September 2024 (1)
  • February 2023 (1)
  • January 2023 (3)
  • August 2022 (1)
  • March 2022 (1)
  • February 2022 (3)
  • January 2022 (4)
  • November 2021 (2)
  • October 2021 (3)
  • September 2021 (3)
  • July 2021 (2)
  • June 2021 (1)
  • May 2021 (3)
  • April 2021 (3)
  • March 2021 (3)
  • February 2021 (4)
  • January 2021 (5)
  • December 2020 (3)
  • November 2020 (6)
  • October 2020 (4)
  • September 2020 (1)
  • July 2020 (1)
  • June 2020 (4)
  • May 2020 (9)
  • April 2020 (5)
  • December 2019 (2)
  • November 2019 (5)
  • October 2019 (3)
  • September 2019 (1)
  • July 2019 (6)
  • June 2019 (19)
  • April 2019 (2)
  • March 2019 (5)
  • September 2018 (2)
  • July 2018 (1)
  • June 2018 (4)
  • May 2018 (2)
  • April 2018 (5)
  • March 2018 (5)
  • February 2018 (8)
  • January 2018 (3)
  • December 2017 (4)
  • November 2017 (5)
  • October 2017 (7)
  • September 2017 (3)
  • July 2017 (6)
  • June 2017 (15)
  • April 2017 (2)
  • March 2017 (3)
  • February 2017 (1)
  • January 2017 (2)
  • November 2016 (2)
  • October 2016 (1)
  • September 2016 (3)
  • August 2016 (1)
  • June 2016 (2)
  • May 2016 (3)
  • April 2016 (2)
  • March 2016 (5)
  • February 2016 (7)
  • January 2016 (9)
  • November 2015 (1)
  • October 2015 (2)
  • September 2015 (3)
  • August 2015 (3)
  • July 2015 (1)
  • June 2015 (20)
  • May 2015 (4)
  • March 2015 (2)
  • January 2015 (1)
  • November 2014 (1)
  • October 2014 (2)
  • June 2014 (1)
  • May 2014 (4)
  • April 2014 (6)
  • February 2014 (1)
  • January 2014 (2)
  • November 2013 (1)
  • September 2013 (1)
  • July 2013 (3)
  • June 2013 (10)
  • December 2012 (1)
  • November 2012 (3)
  • October 2012 (6)
  • September 2012 (3)
  • August 2012 (1)
  • July 2012 (1)
  • June 2012 (25)
  • May 2012 (5)
  • April 2012 (4)
  • March 2012 (7)
  • February 2012 (11)
  • January 2012 (6)
  • December 2011 (5)
  • November 2011 (11)
  • October 2011 (11)
  • September 2011 (8)
  • June 2011 (9)
  • May 2011 (15)
  • April 2011 (9)
  • March 2011 (14)
  • February 2011 (17)
  • January 2011 (16)
  • December 2010 (11)
  • November 2010 (18)
  • October 2010 (24)
  • September 2010 (30)

Screenshot 2018-02-05 20.57.07.png

© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Julie Mehretu, Easy Dark (detail) (2007). Mehretu’s artworks are dedicated to exploring time, space, place, politics, and history in the making, especially in urban environments, and through the language of abstraction.

Weekly Round Up... And A Few More Things

November 08, 2020
Julie Mehretu, Easy Dark (2007).

Julie Mehretu, Easy Dark (2007).

Waiting and watching for the results of the U.S. election along with the rest of the world, I spent time distracting myself from doomscrolling Twitter and refreshing the New York Times election map by organizing photographs from museum and gallery visits in 2019. Among the images from my trip to the Venice Biennale with the field school last summer, I was reminded of the many abstract works we had encountered that engaged with ideas around confronting history—from artists such as Adrian Ghenie, Sean Scully, Luc Tuymans, and Julie Mehretu—and all of the conversations about how and why abstraction had come to define what was “happening” and being explored by artists, especially in the previous two to three years. Much of what we were seeing was in direct response to the Biennale theme, “May You Live In Interesting Times” and the global response to the rise of illiberalism globally, and the yet unknown impact of Trump’s presidency. I was reminded again that the most captivating works we encountered turned on the idea of what remains beyond language, beyond conventional representation, and in that space where abstract art does its best work—in that liminal domain of transformation and becoming.

 That is how I have felt since the moment Trump lost the election, and especially as the spontaneous response to the result worldwide is signalling some potential for a profound paradigm shift globally. To this end, I wanted to feature Julie Mehretu’s work in particular. As an Ethiopian-American and biracial LGBTQ+ contemporary artist, Mehretu has spent much of her career utilizing abstract art in the service of social and political content, especially in terms of exploring lived space and landscapes of power in the United States. I invite you to listen and learn about Mehretu in her own words, and I hope what will remain with you is the singular importance visual artists hold in terms of capturing what may be the “psychogeography” of moments like the one we are collectively experiencing this week. Enjoy the round up this week, and remember that we are indeed living in interesting times!

"Why I Love Women Who Wallop"
"Why I Love Women Who Wallop"

nytimes.com

"Democracy’s Afterlife"
"Democracy’s Afterlife"

nybooks.com

"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"
"‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election"

artnet.com

"The Guardian view on live art: irreplaceable energy"
"The Guardian view on live art: irreplaceable energy"

theguardian.com

"Brendan Fernandes’s Zoom Choreography"
"Brendan Fernandes’s Zoom Choreography"

canadianart.ca

"How to build the next American president"
"How to build the next American president"

theartnewspaper.com

"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"
"The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)"

artnet.com

"How Collectors Can Establish Meaningful Connections with Artists"
"How Collectors Can Establish Meaningful Connections with Artists"

arsty.net

"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"
"360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)"

metmuseum

"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
"Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"

art21

"Why I Love Women Who Wallop" "Democracy’s Afterlife" "‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election" "The Guardian view on live art: irreplaceable energy" "Brendan Fernandes’s Zoom Choreography" "How to build the next American president" "The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)" "How Collectors Can Establish Meaningful Connections with Artists" "360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)" "Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)"
  • Why I Love Women Who Wallop

  • Democracy’s Afterlife

  • ‘Good Luck, America’: Artists and Arts Workers React to the Nail-Biting US Presidential Election

  • The Guardian view on live art: irreplaceable energy

  • Brendan Fernandes’s Zoom Choreography

  • How to build the next American president

  • The Art Angle: How Pepe the Frog Explains America’s Toxic Politics (PODCAST)

  • How Collectors Can Establish Meaningful Connections with Artists

  • 360º Exhibition Walkthrough | Gerhard Richter: Painting After All (VIDEO)

  • Postcommodity in "Borderlands" - Extended Segment | Art21 (VIDEO)

← Weekly Round Up... And A Few More ThingsWeekly Round Up... And A Few More Things →
Back to Top
Screenshot 2018-02-05 20.48.17.png

© Dorothy Barenscott, 2010-2025