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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Andy Warhol’s Ethel Skull 26 Times (1963) is the cover art for a fascinating book I am currently reading titled Social Appearances: A Philosophy of Display and Prestige (2020) by philosopher and literary scholar Barbara Carnevali.

Weekly Musings + Round Up.... And A Few More Things

February 06, 2022

One of the things I love about being back on my university campus is the hallway chats I am having with students and colleagues about all things art and culture. Everyone seems to be sharing what they are reading, watching, and listening to, so I thought I would add my own list to this week's round up. I have also collected thumbnail images of each pick and added them to the images below—clicking on the pictures will send you to the source.

First up are books I am reading for my research. Currently, I am working on a manuscript proposal exploring the symbolic capital around which the art world has operated in the past few decades, and this has led me in many different directions. In particular, I have become very interested in the rise of income inequality globally in the past two decades and the art collecting practices of the ultra-rich, along with recent theories of display and prestige. Two books that have helped my understand these areas are Barbara Carnevali’s Social Appearances: A Philosophy of Display and Prestige (2020) and Michael Mechanic’s Jackpot: how the Super-Rich Really Live, and How Their Wealth Harms Us (2021).

Next up, television. I have far less time these days to watch all the excellent shows that are popping up on the ever-growing cable and streaming services, but two that I am making time for are Call My Agent on Netflix and Euphoria on HBO. The first show is a French dramedy series that follows agents working in a top Paris talent and PR firm. Now in its fourth season, this is a show that combines two things I love, on-location shooting in Paris (forget about Emily in Paris—this is far closer to an authentic Paris experience), and a set of strong and likeable female characters, especially the wonderful actress Camille Cottin! The second show is probably the most talked about tv show on the Internet right now, but the hype is very real. What I love about Euphoria (usually described as a show about the lives of teenagers) beyond all the amazing cinematography, music, and experimental elements, is how successfully the inner lives of the parents (Gen Xers like me) are also explored. If you watched the most recent episode examining Cal Jacobs’ backstory and confrontation with his family, you will know what I mean.

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Finally, what I am reading and looking at/listening to in my leisure time. Over the Christmas holidays, I finished Ladyparts (2021), a much-anticipated follow-up memoir by photographer and journalist Deborah Copaken, the author of the much loved memoir Shutterbabe (2021) from two decades ago. What people may not know is that Copaken was also the muse for the real Emily in Emily in Paris, and her memoir captures stories from her life as she navigates midlife, sexism in the publishing industry (including being shafted on the making of Emily In Paris), and making peace with her body. In a very similar vein, Meghan Daum’s short essays in The Problem with Everything: My Journey Through the New Culture Wars (2019) interrogate how ideas around feminism and identity politics have been transformed in light of Trump’s presidency and the #MeToo movement.

Two last mentions are first, an Instagram account I am absolutely loving called “90s Art School” that aptly describes what it presents in the form of nostalgic photos of art school antics of the 1990s-- “Out of the shoebox and into our shared memory.” Second, I was obsessed this past fall with the tv series Succession and am now listening to the official “HBO Succession Podcast”with host Kara Swisher. Each episode of the show is carefully and thoughtfully dissected on the podcast with special guests (the one with Anthony Scaramucci discussing the realistic portrayal of power politics and the corporate elite was a favourite!). I cannot recommend highly enough the delight of simultaneously listening to a well-done podcast while watching an excellent television series. I just wish I had discovered the podcast sooner to listen when I first watched season 3 of Succession.

Enjoy the round up below and I hope some of my suggestions above prove interesting and useful! Again, find all links in the gallery above.

"Venice Biennale Reveals Artists for 2022 Edition"
"Venice Biennale Reveals Artists for 2022 Edition"
"Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) "
"Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) "
"The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?"
"The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?"
"Why the Internet Loves Euphoria but Hates the Man Who Made It"
"Why the Internet Loves Euphoria but Hates the Man Who Made It"
"Do We Really Need a Mona Lisa Immersive Experience?"
"Do We Really Need a Mona Lisa Immersive Experience?"
"Episode XII. NFTs: Art After Copyright? "
"Episode XII. NFTs: Art After Copyright? "
"5 Artists Capturing the Spirit of Nightlife"
"5 Artists Capturing the Spirit of Nightlife"
"Spotify Has Convinced Everyone to Debate the Wrong Issue"
"Spotify Has Convinced Everyone to Debate the Wrong Issue"
"The Problem With the Genius Myth"
"The Problem With the Genius Myth"
"What Is An Art Collective? | Tate (VIDEO)"
"What Is An Art Collective? | Tate (VIDEO)"
"Venice Biennale Reveals Artists for 2022 Edition" "Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) " "The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?" "Why the Internet Loves Euphoria but Hates the Man Who Made It" "Do We Really Need a Mona Lisa Immersive Experience?" "Episode XII. NFTs: Art After Copyright? " "5 Artists Capturing the Spirit of Nightlife" "Spotify Has Convinced Everyone to Debate the Wrong Issue" "The Problem With the Genius Myth" "What Is An Art Collective? | Tate (VIDEO)"

 

  • Venice Biennale Reveals Artists for 2022 Edition

  • Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST)

  • The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?

  • Why the Internet Loves Euphoria but Hates the Man Who Made It

  • Do We Really Need a Mona Lisa Immersive Experience?

  • Episode XII. NFTs: Art After Copyright?

  • 5 Artists Capturing the Spirit of Nightlife

  • Spotify Has Convinced Everyone to Debate the Wrong Issue

  • The Problem With the Genius Myth

  • What Is An Art Collective? | Tate (VIDEO)

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© Dorothy Barenscott, 2010-2025