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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 6 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 7 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Venice Day 4: Among other peripheral events, I made my way over to Foundation Prada to see “Helter Skelter” a conversation between Arthur Jafa and Richard Prince. I was blown away by the curation and disturbing, moving imagery. This was also a very strong and timely show given the shit show we are currently witnessing in the US. From the catalogue: “Underlying the elective affinities between their artistic projects, “Helter Skelter” reveals a certain vernacular edge in the U.S., where both artists live and work: “A country forever tarnished by its history of slavery; a country defined by its remarkable musical traditions rooted in Black culture; a country of doing without, but making good; a country of spirit and prayer and freedom of expression; a country of protest and subcultures and humor and celebrity,” according to curator Nancy Spector. As clarified by Spector, “Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices.” I added the Beatles 1968 Helter Skelter track to the reel to punctuate the direct reference to the exhibition title— it truly captures the vibe! . . . #venice #venicebiennale #contemporaryart #pradafoundation
Venice Biennale Day 3: “In Minor Keys” Arsenale 💙 What can I say? So. Much. To. See. Easily the best edition of the Biennale in a decade. This is just a taste of what caught my eye. I just let the Arsenale exhibition wash over me… and yes, if you can get to Venice, GO! . . . #venice #venicebiennale #contemporaryart #inminorkeys
Venice Biennal Day 2: “In Minor Keys” Giardini 💚 Highlights include adopting a baby in Japan, being zen in Canada, enjoying massive sculptures from Scandinavia, visiting Plato’s cave in Greece, chilling to the sound of haunting voices in Poland, watching a human bell in Austria, experiencing silence in Egypt, and seeing so much diversity in form, content, and context in the main exhibition that it made my head spin. I have enjoyed every moment, and much more than the last edition two years ago. This exhibition is more open, inclusive, bodily, human centered, and diverse in media. . . . #venice #venicebiennale #contemporaryart #inminorkeys
Unapologetically, I started out with Marina Abramovic on Day 1 in Venice because she is bigger than the Biennale and she is the first living woman artist to be honored with a major exhibition at the Gallerie dell’Accademia. Immediately, I knew that I would love the main exhibition when we were told that a timed entrance, a requirement to wear noise reducing headphones, and no photography/smartphones permitted meant that this exhibition was curated by the artist to be fully participatory with complete attention from the audience. Abramovic also trained performance artists for the piece to take audience members by the hand and lead them to many of these encounters. They wore white lab coats like the one Abramovic wears in Balkan Baroque, and it was an incredible thing to see people being led by the hand with such gentleness and care to experience something unexpected. As the catalogue explains, “Transforming Energy is an encounter between past and present, material and immaterial, body and spirit. Visitors are invited to experience a series of interactive Transitory Objects — stone beds and structures embedded with crystals — by lying, sitting, or standing upon them, activating what Abramović calls “energy transmission.” I actually ended up buying a beautiful ring made from blown glass in the gift shop that reminded me of the experience and was merchandised with the exhibition. I can’t fully explain what I experienced, but it involved lots of huge beautiful crystals, invitations to go inwards body and soul, and was very close to spiritual. Because I am still a bit jet lagged, I appreciated an opportunity to relax, close my eyes, reflect, and rest. Most of the images in this reel are from a series of interventions apart from the main exhibition around the main museum. My favourite was the presentation of Pietà (with Ulay) (1983), placed in direct dialogue with Titian’s Pietà (c. 1575-76). Very very powerful and it was fascinating watching all these contemporary art people, like me, reconsidering and spending time with the old Italian masters that make up most of the collection in this space. . . . #marinaabramović #venice #galleriedellaccademia
Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time!
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Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time! . . . #venice #venicebiennale #arthistory #contemporaryart

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Screen shot of Google Scholar, a "pre-research" tool for researchers

Screen shot of Google Scholar, a "pre-research" tool for researchers

Focus on Research| Google Scholar

September 22, 2010 in "Focus on Research", "Google Scholar"

 

Whether we like it or not, academics are increasingly recognizing the role that Google searches play in scholarly research. For undergraduate students in particular, Google is often the first place consulted when starting the gathering process for research essays, and even libraries (such as Simon Fraser University’s newly launched

Fast Search tool—(a topic for a later post) are working on a Google-like platform. What many students do not know, however, is that Google has an alternative site,

Google Scholar, to help narrow the vast field of search results prompted by a typical non-specific Google search.

I like to think of Google Scholar as a "pre-research" or useful adjunct to the more targeted and dynamic academic research that students should carry out through the library resources at their individual universities. Covering peer-reviewed papers, theses, books, abstracts, and other scholarly literature from all broad areas of research, Google Scholar does provide a good starting point and has the added benefit of identifying full-text sources for articles—this is a terrific feature since these links can often be accessed with a simple click if you are logged into your home university library and that library subscribes to the journal database the article is housed with. Still, many critics of Google scholar are correct to point out the search engine’s deficiencies (see this article for a good example of what to consider), and I agree that Google Scholar should be used as part of a broader arsenal of research tools.

CBC's Tod Maffin has produced a very useful four part series,“Secret Google Tips for Researchers,” on the official blog of the CBC InsideTheCBC.com that I have compiled on a YouTube playlist for your convenience. 

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© Dorothy Barenscott, 2010-2025