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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 2 weeks ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Focus on Research| Making PowerPoint Work for You

September 17, 2010 in "Focus on Research", "PowerPoint"

I will never forget the moment when as a grad student I arrived to my university after a year away on research to report back on my findings in front of a large group of faculty and students. I had spent months accumulating images and personal photographs that I carefully arranged into a PowerPoint presentation related to my thesis in progress. As I started loading my thumb drive into the PC and my images appeared on the screen, an individual in the crowd teased me with the remark, “oh, you’re going to give us a power pointless presentation.” Now this happened some years ago when art historians were still getting used to the presence of data projectors and the use of digital imagery in the classroom (yes, there are still some professors out there who refuse to convert) and the comment, while in jest, still speaks to the ambivalence some academics have about the use of the popular Microsoft program.

For me, PowerPoint forms an important component of my teaching and research, and if you are enrolled in a class with me, you will soon be downloading the PowerPoint presentations that I use in my lectures. For this reason, I want to provide a couple of quick useful tips about how these files can be used to enhance both the process of note-taking and studying.

Cut and paste or type your notesdirectly into my presentation

Cut and paste or type your notesdirectly into my presentation

NOTE-TAKING:

Once downloaded and opened, you can view my presentation in its original format and have access to editing features that allow you to customize the individual slides in a variety of ways. One of these options is to add your own notes into the footer below each slide. Look in the area below the displayed slide for the “Click to add notes” prompt and either cut and paste your notes if you have them typed into a document, or type them in yourself from your handwritten notes. Another option is to insert an audio file into the slide if you tape my lectures, or just use the feature to summarize any important ideas or questions to research in relation to the slide. Just go to INSERT>SOUND under the Media Clip tab.

Click on the "Handouts" option

Click on the "Handouts" option

STUDYING:

One of the best ways to study for an art history exam is an old trick that students have been using for decades—flashcards. To create flashcards, students generally cut and paste a photocopied work of art (or image of a film/photographic work) on one side, and all of the information related to the artist, title, date and key context on the other. You then have a friend quiz you by showing either the image alone, or by prompting you with a question about the work itself. PowerPoint has a great feature that allows you to create multiple flashcards through the printing function. Simply go to FILE>PRINT> and look for the place where you are given the option to “print what”. Open the drop down menu and select HANDOUT and then look at the box immediately to the right and click on “3 SLIDES PER HANDOUT.” When you print the presentation, you will see each page has three individual slides with a box of lined text right beside each. Simply write the details you want to study about each image, cut the page horizontally under each image, fold the image in half and either staple or glue together. Voila! You now have a set of flash cards.

**A quick note regarding YouTube clips. Once downloaded, you will also have access to the embedded YouTube clips that I often place in my PowerPoint presentations. To open these files, you must have a live Internet connection since the clips themselves are simply linked back to YouTube. If however you are having problems opening these files, simply right click on the video clip and then copy and paste the URL that you find in the properties field into your Internet browser. You will then be able to watch the clip directly.**

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© Dorothy Barenscott, 2010-2025