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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 6 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 7 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Venice Day 4: Among other peripheral events, I made my way over to Foundation Prada to see “Helter Skelter” a conversation between Arthur Jafa and Richard Prince. I was blown away by the curation and disturbing, moving imagery. This was also a very strong and timely show given the shit show we are currently witnessing in the US. From the catalogue: “Underlying the elective affinities between their artistic projects, “Helter Skelter” reveals a certain vernacular edge in the U.S., where both artists live and work: “A country forever tarnished by its history of slavery; a country defined by its remarkable musical traditions rooted in Black culture; a country of doing without, but making good; a country of spirit and prayer and freedom of expression; a country of protest and subcultures and humor and celebrity,” according to curator Nancy Spector. As clarified by Spector, “Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices.” I added the Beatles 1968 Helter Skelter track to the reel to punctuate the direct reference to the exhibition title— it truly captures the vibe! . . . #venice #venicebiennale #contemporaryart #pradafoundation
Venice Biennale Day 3: “In Minor Keys” Arsenale 💙 What can I say? So. Much. To. See. Easily the best edition of the Biennale in a decade. This is just a taste of what caught my eye. I just let the Arsenale exhibition wash over me… and yes, if you can get to Venice, GO! . . . #venice #venicebiennale #contemporaryart #inminorkeys
Venice Biennal Day 2: “In Minor Keys” Giardini 💚 Highlights include adopting a baby in Japan, being zen in Canada, enjoying massive sculptures from Scandinavia, visiting Plato’s cave in Greece, chilling to the sound of haunting voices in Poland, watching a human bell in Austria, experiencing silence in Egypt, and seeing so much diversity in form, content, and context in the main exhibition that it made my head spin. I have enjoyed every moment, and much more than the last edition two years ago. This exhibition is more open, inclusive, bodily, human centered, and diverse in media. . . . #venice #venicebiennale #contemporaryart #inminorkeys
Unapologetically, I started out with Marina Abramovic on Day 1 in Venice because she is bigger than the Biennale and she is the first living woman artist to be honored with a major exhibition at the Gallerie dell’Accademia. Immediately, I knew that I would love the main exhibition when we were told that a timed entrance, a requirement to wear noise reducing headphones, and no photography/smartphones permitted meant that this exhibition was curated by the artist to be fully participatory with complete attention from the audience. Abramovic also trained performance artists for the piece to take audience members by the hand and lead them to many of these encounters. They wore white lab coats like the one Abramovic wears in Balkan Baroque, and it was an incredible thing to see people being led by the hand with such gentleness and care to experience something unexpected. As the catalogue explains, “Transforming Energy is an encounter between past and present, material and immaterial, body and spirit. Visitors are invited to experience a series of interactive Transitory Objects — stone beds and structures embedded with crystals — by lying, sitting, or standing upon them, activating what Abramović calls “energy transmission.” I actually ended up buying a beautiful ring made from blown glass in the gift shop that reminded me of the experience and was merchandised with the exhibition. I can’t fully explain what I experienced, but it involved lots of huge beautiful crystals, invitations to go inwards body and soul, and was very close to spiritual. Because I am still a bit jet lagged, I appreciated an opportunity to relax, close my eyes, reflect, and rest. Most of the images in this reel are from a series of interventions apart from the main exhibition around the main museum. My favourite was the presentation of Pietà (with Ulay) (1983), placed in direct dialogue with Titian’s Pietà (c. 1575-76). Very very powerful and it was fascinating watching all these contemporary art people, like me, reconsidering and spending time with the old Italian masters that make up most of the collection in this space. . . . #marinaabramović #venice #galleriedellaccademia
Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time!
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Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time! . . . #venice #venicebiennale #arthistory #contemporaryart

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Focus on Research| Making PowerPoint Work for You

September 17, 2010 in "Focus on Research", "PowerPoint"

I will never forget the moment when as a grad student I arrived to my university after a year away on research to report back on my findings in front of a large group of faculty and students. I had spent months accumulating images and personal photographs that I carefully arranged into a PowerPoint presentation related to my thesis in progress. As I started loading my thumb drive into the PC and my images appeared on the screen, an individual in the crowd teased me with the remark, “oh, you’re going to give us a power pointless presentation.” Now this happened some years ago when art historians were still getting used to the presence of data projectors and the use of digital imagery in the classroom (yes, there are still some professors out there who refuse to convert) and the comment, while in jest, still speaks to the ambivalence some academics have about the use of the popular Microsoft program.

For me, PowerPoint forms an important component of my teaching and research, and if you are enrolled in a class with me, you will soon be downloading the PowerPoint presentations that I use in my lectures. For this reason, I want to provide a couple of quick useful tips about how these files can be used to enhance both the process of note-taking and studying.

Cut and paste or type your notesdirectly into my presentation

Cut and paste or type your notesdirectly into my presentation

NOTE-TAKING:

Once downloaded and opened, you can view my presentation in its original format and have access to editing features that allow you to customize the individual slides in a variety of ways. One of these options is to add your own notes into the footer below each slide. Look in the area below the displayed slide for the “Click to add notes” prompt and either cut and paste your notes if you have them typed into a document, or type them in yourself from your handwritten notes. Another option is to insert an audio file into the slide if you tape my lectures, or just use the feature to summarize any important ideas or questions to research in relation to the slide. Just go to INSERT>SOUND under the Media Clip tab.

Click on the "Handouts" option

Click on the "Handouts" option

STUDYING:

One of the best ways to study for an art history exam is an old trick that students have been using for decades—flashcards. To create flashcards, students generally cut and paste a photocopied work of art (or image of a film/photographic work) on one side, and all of the information related to the artist, title, date and key context on the other. You then have a friend quiz you by showing either the image alone, or by prompting you with a question about the work itself. PowerPoint has a great feature that allows you to create multiple flashcards through the printing function. Simply go to FILE>PRINT> and look for the place where you are given the option to “print what”. Open the drop down menu and select HANDOUT and then look at the box immediately to the right and click on “3 SLIDES PER HANDOUT.” When you print the presentation, you will see each page has three individual slides with a box of lined text right beside each. Simply write the details you want to study about each image, cut the page horizontally under each image, fold the image in half and either staple or glue together. Voila! You now have a set of flash cards.

**A quick note regarding YouTube clips. Once downloaded, you will also have access to the embedded YouTube clips that I often place in my PowerPoint presentations. To open these files, you must have a live Internet connection since the clips themselves are simply linked back to YouTube. If however you are having problems opening these files, simply right click on the video clip and then copy and paste the URL that you find in the properties field into your Internet browser. You will then be able to watch the clip directly.**

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© Dorothy Barenscott, 2010-2025