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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 6 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 7 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Venice Day 4: Among other peripheral events, I made my way over to Foundation Prada to see “Helter Skelter” a conversation between Arthur Jafa and Richard Prince. I was blown away by the curation and disturbing, moving imagery. This was also a very strong and timely show given the shit show we are currently witnessing in the US. From the catalogue: “Underlying the elective affinities between their artistic projects, “Helter Skelter” reveals a certain vernacular edge in the U.S., where both artists live and work: “A country forever tarnished by its history of slavery; a country defined by its remarkable musical traditions rooted in Black culture; a country of doing without, but making good; a country of spirit and prayer and freedom of expression; a country of protest and subcultures and humor and celebrity,” according to curator Nancy Spector. As clarified by Spector, “Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices.” I added the Beatles 1968 Helter Skelter track to the reel to punctuate the direct reference to the exhibition title— it truly captures the vibe! . . . #venice #venicebiennale #contemporaryart #pradafoundation
Venice Biennale Day 3: “In Minor Keys” Arsenale 💙 What can I say? So. Much. To. See. Easily the best edition of the Biennale in a decade. This is just a taste of what caught my eye. I just let the Arsenale exhibition wash over me… and yes, if you can get to Venice, GO! . . . #venice #venicebiennale #contemporaryart #inminorkeys
Venice Biennal Day 2: “In Minor Keys” Giardini 💚 Highlights include adopting a baby in Japan, being zen in Canada, enjoying massive sculptures from Scandinavia, visiting Plato’s cave in Greece, chilling to the sound of haunting voices in Poland, watching a human bell in Austria, experiencing silence in Egypt, and seeing so much diversity in form, content, and context in the main exhibition that it made my head spin. I have enjoyed every moment, and much more than the last edition two years ago. This exhibition is more open, inclusive, bodily, human centered, and diverse in media. . . . #venice #venicebiennale #contemporaryart #inminorkeys
Unapologetically, I started out with Marina Abramovic on Day 1 in Venice because she is bigger than the Biennale and she is the first living woman artist to be honored with a major exhibition at the Gallerie dell’Accademia. Immediately, I knew that I would love the main exhibition when we were told that a timed entrance, a requirement to wear noise reducing headphones, and no photography/smartphones permitted meant that this exhibition was curated by the artist to be fully participatory with complete attention from the audience. Abramovic also trained performance artists for the piece to take audience members by the hand and lead them to many of these encounters. They wore white lab coats like the one Abramovic wears in Balkan Baroque, and it was an incredible thing to see people being led by the hand with such gentleness and care to experience something unexpected. As the catalogue explains, “Transforming Energy is an encounter between past and present, material and immaterial, body and spirit. Visitors are invited to experience a series of interactive Transitory Objects — stone beds and structures embedded with crystals — by lying, sitting, or standing upon them, activating what Abramović calls “energy transmission.” I actually ended up buying a beautiful ring made from blown glass in the gift shop that reminded me of the experience and was merchandised with the exhibition. I can’t fully explain what I experienced, but it involved lots of huge beautiful crystals, invitations to go inwards body and soul, and was very close to spiritual. Because I am still a bit jet lagged, I appreciated an opportunity to relax, close my eyes, reflect, and rest. Most of the images in this reel are from a series of interventions apart from the main exhibition around the main museum. My favourite was the presentation of Pietà (with Ulay) (1983), placed in direct dialogue with Titian’s Pietà (c. 1575-76). Very very powerful and it was fascinating watching all these contemporary art people, like me, reconsidering and spending time with the old Italian masters that make up most of the collection in this space. . . . #marinaabramović #venice #galleriedellaccademia
Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time!
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Venice Biennale baby 💃🏼☀️🕶️it’s go time for the art Olympics! Just arrived and the official opening is today. I am energized from our symposium in Bologna and have a three-day art going marathon planned! So much to see, so little time! . . . #venice #venicebiennale #arthistory #contemporaryart

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Image courtesy of FatesDarkHand

Image courtesy of FatesDarkHand

Focus on Research| Paraphrasing and the Art of Putting Ideas Into Your Own Words

March 22, 2011 in "Focus on Research"

Plagiarism is a serious academic offence that has become an increasing problem in the digitally mediated “cut and paste” world that students inhabit. The temptation to take another person’s ideas and insert them directly into your own essays is literally a click away, even while most overt plagiarism leaps off the page like a red flag to professors (trust me on this—most cut and pastes are easy to detect!). Still, what many students do not realize is how often their own unintended actions read as deliberate plagiarism. Consulting the "Actions That Might Be Seen as Plagiarism" chart, it is important to see just how wide ranging the act of plagiarism is.

The grey area of “building on someone’s ideas without citation” is the most common problem I see with student research papers, and I routinely encourage students to risk over-citing in their papers versus passing off ideas without proper recognition. Here is where the skill of paraphrasing comes in. 

Paraphrasing is the act of re-stating ideas from a text or passage into your own words with proper acknowledgment. 

At minimum, a failing grade on a paper is the most common action taken against plagiarism, intended or not. 

At minimum, a failing grade on a paper is the most common action taken against plagiarism, intended or not. 

It is a skill that will help you avoid the dreaded mistake of writing a research paper where you simply string together a series of quotes without proper introduction, analysis or citation (see Mistakes 2 and 3 in Top 10 Common Student Mistakes When Preparing Research Essays).  Importantly, paraphrasing provides you with the opportunity to demonstrate your comprehension and analytical skills through the act of re-phrasing ideas that you come across in your research. There is of course a thin line between paraphrasing and plagiarism, but generally speaking, you can prevent this concern by reviewing examples of effective paraphrasing and ALWAYS citing the source of your paraphrase clearly and transparently.

The Purdue Online Writing Lab "Write It In Your Own Words" is an excellent source to check out to help you practice this skill. I also encourage you to avoid the perils of unintended plagiarism through a few common sense practices outlined beneath the chart linked above: 1) Avoid procrastinating when it comes to the actual writing of your papers—leaving this part of the process to the last minute leads to desperate acts of “cut and paste”; 2) give yourself ample time to revise and edit your paper to catch unintended plagiarism in sections of your writing; 3) proof-read, proof-read, proof-read and then buy a friend a coffee to do the same. Remember that even unintended plagiarism can be grounds for a failing grade and possible disciplinary action at your university. Academic integrity stands at the foundation of the university endeavour and most professors are on high-alert to identify and expose plagiarism when marking. Learn to guard yourself through improving your writing and citing skills.      

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© Dorothy Barenscott, 2010-2025