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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 2 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 4 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 5 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩶— “done with purpose, willingness, deliberation, and consciousness.” I see this word represe
As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩶— “done with purpose, willingness, deliberation, and consciousness.” I see this word represented in the symbol of the heart, and for this reason and many others both personal and professional, I will be bringing this much needed energy to my year. The power of a yearly word is transformative. I started in 2019 and my words have guided and carried me through some important moments and life decisions. If you haven’t already, give it a try, but remember to choose very wisely ☺️ “Radiate” 2025 ✨ “Maintain” 2024 💪🏻 “Refine“ 2023 🙌🏻 “Acta non verba” 2022 🤐 “Audacious” 2021 💃🏼 “Fearless” 2020 😛 “Unapologetic” 2019 💅🏻 #happynewyear #wordoftheyear #intentional #monicavinader @monicavinader
Polar bear ride! 🐻‍❄️🏍️💨🏍️ First motorcycle outing of 2026 in the books. A balmy 4C 🥶We love you Vancouver— good to be home 💙😊Wishing everyone a very Happy New Year! 🥳 
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#happynewyear #vancouver #motorcycle #motorcyclesofinstag
Polar bear ride! 🐻‍❄️🏍️💨🏍️ First motorcycle outing of 2026 in the books. A balmy 4C 🥶We love you Vancouver— good to be home 💙😊Wishing everyone a very Happy New Year! 🥳 . . . #happynewyear #vancouver #motorcycle #motorcyclesofinstagram #motocouple #husqvarna #vitpilen401 #svartpilen401 #motogirl #motogirls
2025... where did it go?! 😂 Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas an
2025... where did it go?! 😂 Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas and people and opportunities to flow back into my life. Above all else, I found myself very much on the move all year! Travel took me from New York to Lausanne, Paris to Seoul, and Palermo to Maui, while my motorcycling stayed more on the road and less on the track as Brian and I balanced our time, energy, and commitments. But as always, we found every spare moment to prioritize this shared passion and we hope to find a way back to the track in 2026. Professionally, the year was... A LOT... and highlighted by many new research partnerships, conferences, workshops, writing projects, some failed plans and sharp detours, but also the planting of new seeds for future ventures. In the classroom, AI brought many new challenges and opportunities to rethink the purpose of my teaching and courses, but overall I was inspired and at times surprised by what my students were able to accomplish with the new assessment models I put into place. All of this technological change remains very much a work in progress for academics, and I prefer to remain optimistic that the artists I work with will find a way to maintain their voice and vision in it all. The historian in me knows this to be true. Personally, I connected more to my heart and intuition in 2025, listening to that inner voice to guide many key decisions. Brian and I also kept up a decent health and fitness regime that had us energized and aiming for consistency to match our midlife pace. Use it or lose it is a reality in your 50s!!! Sending wishes of peace and love and a very Happy New Year to all! May your 2026 be filled with fun, awe, purpose, and good health and much happiness. Remember to be good to yourself so you can be good to others. I’m still working carefully on my 2026 word… but whatever it is, I know it will be the right one ❤️ . . . #happynewyear #yearinreview2025 #wordoftheyear #motorcyclelife #arthistorianlife
Resting, dreaming, and plotting the year ahead 💙✨😘
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#maui #hawaii #vacationmode #newyear #planning
Resting, dreaming, and plotting the year ahead 💙✨😘 . . . #maui #hawaii #vacationmode #newyear #planning
Riding and chasing sunsets across Maui ✨💙🌺🌴🧡
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#maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets
Riding and chasing sunsets across Maui ✨💙🌺🌴🧡 . . . #maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Ed Ruscha, Start Over Please (2015)

Ed Ruscha, Start Over Please (2015)

Weekly Round Up... And A Few More Things

January 03, 2021

What is your word for 2021? That is the question I usually ask friends, students, and colleagues this time of year. Instead of making resolutions, I find that searching for and choosing one word can be an incredibly powerful way of setting your tone and intention for the year.

Perhaps not surprisingly, I am also very drawn to conceptual and word art, the kind that has been popularized by artists such as Ed Ruscha since the 1960s. Ruscha understood the power of semiotics and the way we connect words, images, and ideas into rich landscapes of thought and action. Ruscha’s many paintings of single words and short phrases are provocative and compelling in ways that are not always easy to understand or unpack (see gallery below). Still, as Ruscha explains, when the right word is apprehended, there is a knowing: “Words have temperatures to me. When they reach a certain point and become hot words, then they appeal to me…Sometimes I have a dream that if a word gets too hot and too appealing, it will boil apart, and I won’t be able to read or think of it. Usually I catch them before they get too hot.”

For the record, my 2020 word was “FEARLESS” and little did I know how much that word would resonate and find new kinds of importance during the global pandemic. And my 2021 word? I have chosen “AUDACIOUS” Yeah, I know… watch out world!

Edward Ruscha, OOF 1962 .jpg
Ed-Ruscha-Pay-Nothing-Until-April-2003-Acrylic-paint-on-canvas-1527-x-1525-cm.jpg
ruscha_quit.jpg
ed-ruscha-ripe.jpg

A few more things before the round up:

  • Ever since I was a kid, I have enjoyed buying books or desk calendars that provide a once a day reading or short fix. There is something grounding in the ritual of reading a body of work one day at a time over the year. I haven’t done this in a while, so a few weeks ago I went searching and picked up Ryan Holiday’s The Daily Stoic: 365 Mediations on Wisdom, Perseverance, and the Art of Living as my 2021 companion. When I was in my first year of university, I was enrolled in a special Classical Studies themed seminar through UBC’s Arts One Program and read copious amounts of ancient philosophy. Much of what I learned was intensive and quite overwhelming to take in as an 18 year old, but I never forgot the power of stoicism and its call for self-control and resiliency. I figured this would be an important set of ideas to revisit in 2021, and I look forward to gaining daily insights this year.  

  • Over the holidays, I decided it was finally time to find a pandemic hobby and I turned my attention to knitting. In the past, I have been known to crochet and even do some macrame and needle point, but I was drawn to the challenge of knitting for the therapeutic benefits (getting out of my head), the aesthetics and design aspects of the finished products, and also by the challenge of trying increasingly more difficult projects and patterns. I started very easy with a scarf knitting kit from Wool and the Gang using chunky wool and large needles, and have now graduated to some smaller needles and more intricate techniques using patterns found via the online Ravelry community. I am definitely hooked and can understand why so many people become obsessed with the craft.

"The Year Without Art, 2020"
"The Year Without Art, 2020"

hyperallergic.com

"Can Jeff Koons Teach Me to Paint?"
"Can Jeff Koons Teach Me to Paint?"

nytimes.com

"The Year TV Leaped Into the Future"
"The Year TV Leaped Into the Future"

protocol.com

"documenta announces a new visual identity for the 15th edition"
"documenta announces a new visual identity for the 15th edition"

flashart.com

"Barbara Rose, Impassioned Critic Who Reshaped Art History, Has Died at 84"
"Barbara Rose, Impassioned Critic Who Reshaped Art History, Has Died at 84"

artnews.com

"These Are the 22 Art Projects That Social Media Went Bananas Over in 2020"
"These Are the 22 Art Projects That Social Media Went Bananas Over in 2020"

artnet.com

"Bob Ross May Have Been the Most Popular Artist of 2020. Here’s Why."
"Bob Ross May Have Been the Most Popular Artist of 2020. Here’s Why."

artnet.com

"Art-World Experts on How the Art Market Will Change in 2021"
"Art-World Experts on How the Art Market Will Change in 2021"

artsy.net

"Major museum openings and expansions in 2021"
"Major museum openings and expansions in 2021"

artnewspaper.com

"Hito Steyerl at K21"
"Hito Steyerl at K21"

contemporaryartdaily.com

"The Year Without Art, 2020" "Can Jeff Koons Teach Me to Paint?" "The Year TV Leaped Into the Future" "documenta announces a new visual identity for the 15th edition" "Barbara Rose, Impassioned Critic Who Reshaped Art History, Has Died at 84" "These Are the 22 Art Projects That Social Media Went Bananas Over in 2020" "Bob Ross May Have Been the Most Popular Artist of 2020. Here’s Why." "Art-World Experts on How the Art Market Will Change in 2021" "Major museum openings and expansions in 2021" "Hito Steyerl at K21"
  • The Year Without Art, 2020

  • Can Jeff Koons Teach Me to Paint?

  • The Year TV Leaped Into the Future

  • documenta announces a new visual identity for the 15th edition

  • Barbara Rose, Impassioned Critic Who Reshaped Art History, Has Died at 84

  • These Are the 22 Art Projects That Social Media Went Bananas Over in 2020

  • Bob Ross May Have Been the Most Popular Artist of 2020. Here’s Why.

  • Art-World Experts on How the Art Market Will Change in 2021

  • Major museum openings and expansions in 2021

  • Hito Steyerl at K21

Comment
Arthur Leipzig, Children Looking At Christmas Toys (1944). Something about this photo speaks to me about what it feels like leaving 2020 and beginning 2021.

Arthur Leipzig, Children Looking At Christmas Toys (1944). Something about this photo speaks to me about what it feels like leaving 2020 and beginning 2021.

Weekly Round Up... And A Few More Things

December 20, 2020

Scanning through artworks in the MoMA’s collection under the search term “Christmas” for this post, I was immediately drawn to one photograph by Arthur Leipzig that features little kids looking through a toy store window. I was drawn in the way that French literary theorist Roland Barthes talks about when describing the essential element of a successful photograph. The image had a punctum. As Barthes explains, “The punctum of a photograph is that accident which pricks me (but also bruises me, is poignant to me)” and it is an element that you cannot stop looking at, an almost indescribable alignment of signs that makes you keep looking, and looking, and looking. For me, this photograph perfectly encapsulates the conflicting emotions of coming to the end of this annus horribilis and looking ahead, with trepidation, to 2021.

My short read of this image? The little girl wiping away a tear in the central vertical axis of the photograph is all of us. She is isolated and almost invisible to those around her, carrying an emotional intensity that is devastating to confront, but framed in such a way as to demand all of our attention. More than just sad, this child looks exhausted, and the reflection of the house, appearing to superimpose on her body, reminds us of where we have spent so much of our time this year. To her left, an older girl stares with her mouth open. She has a look of shock, maybe a bit of surprise. It is not clear. The half-eaten apple in her hand tells us she has been well distracted from what she had been doing, and that sense of being derailed and disoriented from routine is another feeling we have lived with all year. And finally, the young boy in the right register of the photograph makes direct eye contact with us. He is holding up a hand in a half wave, a sign of greeting, hope, and yes, connection. Yet, he too, appears distant, especially as we see him through glass, the material that represents the separation we have all literally and figuratively been living with since the pandemic began. But it is this same little boy who balances and grounds the picture, letting us know that what we are looking at is not necessarily dangerous, bad, or to be feared. There is hope here, however small.

The person who captured this image, Arthur Leipzig, was a Brooklyn born photographer and photojournalist who took this picture during WWII in New York City. Having studied with famed modernist photographers Paul Strand and later mentored by Edward Steichen, Leipzig worked in a tradition of documenting the lives and struggles of people, subverting the notion of art photography as only aesthetically appealing if representing “beauty.” At the time this image was taken, in 1944, Leipzig was a young man in his mid-twenties two years into his photography career (he was born, ironically enough, the year of the Spanish Flu in 1918). Decades later in his 70s, Leipzig would reflect on his photo practice in a memoir Growing Up in New York revealing the many risks to his career and misunderstandings that came with taking these kinds of photographs. “No photograph,” he wrote “no matter how good it is, is worth hurting people.” Still, Leipzig appeared to understand that the power of a well-taken photograph was all about its unmistakable punctum, and the ability of a photographer to capture something of our unrehearsed selves.

Wishing all of you the very best of this holiday season. Stay safe, be well, and take a moment this week to celebrate the art and artists in your life that helped make 2020 a bit more bearable. Enjoy the links!

"From Graffiti to the Gallery, Futura Talks About Art (PODCAST)")"
"From Graffiti to the Gallery, Futura Talks About Art (PODCAST)")"

hyperallergic.com

"12 Writers on 20 Years of Art: Paddy Johnson on How Digital Art from 2016 Foreshadowed Our Current Crisis"
"12 Writers on 20 Years of Art: Paddy Johnson on How Digital Art from 2016 Foreshadowed Our Current Crisis"

lareviewofbooks.com

"Could Social Media Innovators Like Elsa Majimbo Help Gen Z Rewrite Cultural Norms"
"Could Social Media Innovators Like Elsa Majimbo Help Gen Z Rewrite Cultural Norms"

culturedmag.com

"What If You Could Do It All Over?"
"What If You Could Do It All Over?"

newyorker.com

"The top five Instagram posts that capture the art world in 2020"
"The top five Instagram posts that capture the art world in 2020"

theartnewspaper.com

"Steve McQueen’s Education presents a moving history lesson on racial bias"
"Steve McQueen’s Education presents a moving history lesson on racial bias"

avclub.com

Prioritizing rest over the winter break (PODCAST))
Prioritizing rest over the winter break (PODCAST))

jovanevery.com

"Why Play Is Essential to Ideas"
"Why Play Is Essential to Ideas"

nautil.us

"How TikTok changed the world in 2020"
"How TikTok changed the world in 2020"

bbc.com

Engineer, Agitator, Constructor: The Artist Reinvented | MoMA (VIDEO)
Engineer, Agitator, Constructor: The Artist Reinvented | MoMA (VIDEO)

moma.org

"From Graffiti to the Gallery, Futura Talks About Art (PODCAST)")" "12 Writers on 20 Years of Art: Paddy Johnson on How Digital Art from 2016 Foreshadowed Our Current Crisis" "Could Social Media Innovators Like Elsa Majimbo Help Gen Z Rewrite Cultural Norms" "What If You Could Do It All Over?" "The top five Instagram posts that capture the art world in 2020" "Steve McQueen’s Education presents a moving history lesson on racial bias" Prioritizing rest over the winter break (PODCAST)) "Why Play Is Essential to Ideas" "How TikTok changed the world in 2020" Engineer, Agitator, Constructor: The Artist Reinvented | MoMA (VIDEO)
  • From Graffiti to the Gallery, Futura Talks About Art (PODCAST)

  • 12 Writers on 20 Years of Art: Paddy Johnson on How Digital Art from 2016 Foreshadowed Our Current Crisis

  • Could Social Media Innovators Like Elsa Majimbo Help Gen Z Rewrite Cultural Norms

  • What If You Could Do It All Over?

  • The top five Instagram posts that capture the art world in 2020

  • Steve McQueen’s Education presents a moving history lesson on racial bias

  • Prioritizing rest over the winter break (PODCAST)

  • Why Play Is Essential to Ideas

  • How TikTok changed the world in 2020

  • Engineer, Agitator, Constructor: The Artist Reinvented | MoMA (VIDEO)

Comment
Edvard Munch, Self-Portrait With Spanish Flu (1918). Munch, most famous for his painting The Scream (1893) was born December 12, 1863 in Norway and painted several self-portraits when he became ill and later recovered from the Spanish Flu

Edvard Munch, Self-Portrait With Spanish Flu (1918). Munch, most famous for his painting The Scream (1893) was born December 12, 1863 in Norway and painted several self-portraits when he became ill and later recovered from the Spanish Flu

Weekly Round Up... And A Few More Things

December 13, 2020

Over the past few months, I have been thinking a lot about artists and creatives who lived through the 1918 Spanish Flu pandemic, and for those who follow my round-up, you may have noticed my feature images have often been artworks directly related to this moment in history. This week’s feature artist, Edvard Munch, is perhaps the most cited of this period as he was both a survivor of the pandemic, but also an artist who continued to make art and self-portraits even as he suffered from the ravages of the deadly virus.

Edvard Munch, The Scream  (1893)

Edvard Munch, The Scream (1893)

Many people of course know Munch through his iconic modern painting The Scream (1893)—an image that ushered in the sense of anxiety and uncertainty that was felt by so many in the fin de siècle era. It is a work of art that also signaled the way Munch would help propel a methodology of painting that was more invested in emotional resonance—expressionism—and less so in mimesis— imitation. "I do not paint what I see, but what I saw” said Munch. As his career progressed into the period of great loss and despair associated with both WWI and the Spanish Flu, Munch would continue to capture the world around him through hundreds of unflinching sketches, etchings, woodcuts, and paintings. And while many critics in his day called Munch’s works unfinished, bleak, and rough, Munch drew on his own experience of documenting fragile health—he had for example painted compositions of his mother dying of tuberculosis as a teenager—as a way to capture the truth of  moments that often go undocumented or, worse, sentimentalized.

See the gallery I have assembled below for an example of some of Munch’s compositions from 1918-19 in a range of media—works that speak to us now in new ways, but with the same emotional charge as originally conceived by the artist.

103664ab.jpg
edvard_munch_double_portrait.jpg
workers-on-their-way-home-i-1920.jpg
84b31133a82cbccf63e8824da78936f5.jpg!Large.jpg
Selvportrett etter spanskesyken
1200px-Edvard_Munch,_1918,_Coastal_Landscape,_oil_on_canvas,_120.9_x_160_cm,_Kunstmuseum_Basel.jpg
94bdda2bb3eb9b1a8c01c8d03f970071496c648e_2048px-edvard_munch_-_self-portrait_with_the_spanish_flu_1919.jpg
Edvard_Munch_-_Vampire_in_the_Forest_(1916-18).jpg
103679ab.jpg

A few more things before the round up:

  • For film nerds and Orson Welles fans out there, be sure to check out the movie Mank on Netflix—a biographical film directed by David Fincher (Curious Case of Benjamin Button (2008); Social Network (2010); Gone Girl (2014)) about the screenwriter Herman J. Mankiewicz who co-wrote the screenplay for Citizen Kane (1941). Having taught Citizen Kane for many years in my film courses, I especially enjoyed all of the nuances of both the screenplay and the cinematography of Fincher’s film that mirror the original classic.

  • Speaking of excellent screenwriting and cinematography, I was finally able to watch the special episode of Euphoria that dropped earlier this week on HBO. The extended scene of Rue (played by Zendaya) and her sponsor Ali (played by Colman Domingo) discussing addiction, survival, and life’s purpose is among the most powerful scenes I have watched all year on television. A must-see series if you have not already watched, and this bonus episode was timed well for our Covid moment.

"Jason Farago on “Gerhard Richter: Painting After All”"
"Jason Farago on “Gerhard Richter: Painting After All”"

artforum.com

"Pantone Picks Two Colors of the Year for 2021"
"Pantone Picks Two Colors of the Year for 2021"

nytimes.com

"Artists’ homemade Christmas cards – in pictures"
"Artists’ homemade Christmas cards – in pictures"

theguardian.com

"George Condo’s Cutism"
"George Condo’s Cutism"

hyperallergic.com

"The Ph.D. Isn’t Working Right Now"
"The Ph.D. Isn’t Working Right Now"

chronicle.com

"Quarantine Brain: Nothing made sense this year — unless you were on the internet."
"Quarantine Brain: Nothing made sense this year — unless you were on the internet."

vulture.com

"Satirical Corporate Website Brands Ecofascism"
"Satirical Corporate Website Brands Ecofascism"

hyperallergic.com

"Here and Now: Baserange’s Marie-Louise Mogensen Believes Fashion Has to Invest in Uncertainty"
"Here and Now: Baserange’s Marie-Louise Mogensen Believes Fashion Has to Invest in Uncertainty"

culturedmag.com

"Two new books have different takes on the question: just what is Islamic Art?"
"Two new books have different takes on the question: just what is Islamic Art?"

theartnewspaper.com

"Seeing grief and longing in art | Senga Nengudi’s "R.S.V.P. I" (VIDEO)"
"Seeing grief and longing in art | Senga Nengudi’s "R.S.V.P. I" (VIDEO)"

moma.org

"Jason Farago on “Gerhard Richter: Painting After All”" "Pantone Picks Two Colors of the Year for 2021" "Artists’ homemade Christmas cards – in pictures" "George Condo’s Cutism" "The Ph.D. Isn’t Working Right Now" "Quarantine Brain: Nothing made sense this year — unless you were on the internet." "Satirical Corporate Website Brands Ecofascism" "Here and Now: Baserange’s Marie-Louise Mogensen Believes Fashion Has to Invest in Uncertainty" "Two new books have different takes on the question: just what is Islamic Art?" "Seeing grief and longing in art | Senga Nengudi’s "R.S.V.P. I" (VIDEO)"
  • Jason Farago on “Gerhard Richter: Painting After All”

  • Pantone Picks Two Colors of the Year for 2021

  • Artists’ homemade Christmas cards – in pictures

  • George Condo’s Cutism

  • The Ph.D. Isn’t Working Right Now

  • Quarantine Brain: Nothing made sense this year — unless you were on the internet.

  • Satirical Corporate Website Brands Ecofascism

  • Here and Now: Baserange’s Marie-Louise Mogensen Believes Fashion Has to Invest in Uncertainty

  • Two new books have different takes on the question: just what is Islamic Art?

  • Seeing grief and longing in art | Senga Nengudi’s "R.S.V.P. I" (VIDEO)

Comment
Wassily Kandinsky, In Grey (1918-19). Kandinsky, whose birthday was this past week on December 4 (1866-1944) made this composition during the height of the Spanish Flu pandemic. At that time, he was helping to organize the Institute of Artistic Cult…

Wassily Kandinsky, In Grey (1918-19). Kandinsky, whose birthday was this past week on December 4 (1866-1944) made this composition during the height of the Spanish Flu pandemic. At that time, he was helping to organize the Institute of Artistic Culture in Moscow in the wake of the Russian Revolution, and only a year later, Kandinsky would depart for Germany and begin teaching at the Bauhaus School.

Weekly Round Up... And A Few More Things

December 06, 2020

My focus this week has been on getting my students and myself to end of this unusual and difficult semester. With final exams just around the corner, the end is somewhat in sight, but only distantly. As such, I will keep my preamble to the round up this week brief, but I did want to follow up on one interesting bit of research that popped up in connection to my discussion about the future of movie theatres in the wake of the global pandemic.

Shortly after I made my post last week, I was curious about how movie theatre owners fared during the 1918 Spanish Flu. From my own understanding of film history at this time, this would have corresponded with the beginnings of the film industry on the West Coast in the wake of the dismantling of the Motion Pictures Patent Company on the East Coast, which had kept monopoly control of the film industry in New York until a group of independent film producers and theatre owners sued the MPPC and moved themselves to California to establish what we know today as “Hollywood.” I found this interesting article in the Hollywood Reporter discussing the threat of the 1918 pandemic to the film industry and then searched a bit more and uncovered this fascinating ad from November 1918.

Charlie Chaplin film promoted in Moving Picture World in November, 1918, at the height of the Spanish Flu pandemic.

Charlie Chaplin film promoted in Moving Picture World in November, 1918, at the height of the Spanish Flu pandemic.

Featuring Charlie Chaplin and the promotion of his latest film, Shoulder Arms, the ad was placed in Moving Picture World Magazine by one of the largest movie theatres in New York at the time, The Strand, thanking people for “taking their lives in their hands” to pack the venue to see the film. Notice how at the bottom of the page, there is the clear instruction to “Avoid Crowds” as directed by the New York Board of Health, but then the contradictory message to support Chaplin and his film. Indeed, the more I have read about and researched this period of history, the more I am realizing how much of what we are collectively experiencing is neither unique nor surprising. The good news of course is that the film industry survived the 1918 pandemic, but the sad news is that many died needlessly because of failure to understand or take seriously how the virus was spread and how deadly it would prove to be (in fact, the death rate in New York caused by the pandemic following in the weeks after this ad was placed were record breaking). All of this to say, stay safe, wear a mask, social distance, and maybe avoid movie theatres for a while longer.

  

"30 Years of the Guerrilla Girls’ Art and Advocacy"
"30 Years of the Guerrilla Girls’ Art and Advocacy"

hyperallergic.com

"‘This Planet is Our Spaceship’: An Interview with Cauleen Smith"
"‘This Planet is Our Spaceship’: An Interview with Cauleen Smith"

nybooks.com

"“Emily in Paris” and the Rise of Ambient TV"
"“Emily in Paris” and the Rise of Ambient TV"

newyorker.com

"Mr. Brainwash and 6 Other People Who Definitely, as Far as We Can Tell, Are Probably Not Banksy"
"Mr. Brainwash and 6 Other People Who Definitely, as Far as We Can Tell, Are Probably Not Banksy"

artnet.com

"Pandemic blues? Online art therapy might help you work through your feelings"
"Pandemic blues? Online art therapy might help you work through your feelings"

cbc.ca

"Stunt artists who claim they're behind the alien monoliths sell new ones for $45,000"
"Stunt artists who claim they're behind the alien monoliths sell new ones for $45,000"

mashable.com

"Daily Newspapers Are Meticulously Cut into Lace Collages by Artist Myriam Dion"
"Daily Newspapers Are Meticulously Cut into Lace Collages by Artist Myriam Dion"

thisiscolossal.com

"Hollywood’s Obituary, the Sequel. Now Streaming"
"Hollywood’s Obituary, the Sequel. Now Streaming"

nytimes.com

"This Issue: Sovereignty"
"This Issue: Sovereignty"

canadianart.ca

Ready to Stop Digging? Changing Your Relationship To Academia (PODCAST)
Ready to Stop Digging? Changing Your Relationship To Academia (PODCAST)

theprofessorisin.com

"30 Years of the Guerrilla Girls’ Art and Advocacy" "‘This Planet is Our Spaceship’: An Interview with Cauleen Smith" "“Emily in Paris” and the Rise of Ambient TV" "Mr. Brainwash and 6 Other People Who Definitely, as Far as We Can Tell, Are Probably Not Banksy" "Pandemic blues? Online art therapy might help you work through your feelings" "Stunt artists who claim they're behind the alien monoliths sell new ones for $45,000" "Daily Newspapers Are Meticulously Cut into Lace Collages by Artist Myriam Dion" "Hollywood’s Obituary, the Sequel. Now Streaming" "This Issue: Sovereignty" Ready to Stop Digging? Changing Your Relationship To Academia (PODCAST)
  • 30 Years of the Guerrilla Girls’ Art and Advocacy

  • ‘This Planet is Our Spaceship’: An Interview with Cauleen Smith

  • “Emily in Paris” and the Rise of Ambient TV

  • Mr. Brainwash and 6 Other People Who Definitely, as Far as We Can Tell, Are Probably Not Banksy

  • Pandemic blues? Online art therapy might help you work through your feelings

  • Stunt artists who claim they're behind the alien monoliths sell new ones for $45,000

  • Daily Newspapers Are Meticulously Cut into Lace Collages by Artist Myriam Dion

  • Hollywood’s Obituary, the Sequel. Now Streaming

  • This Issue: Sovereignty

  • Ready to Stop Digging? Changing Your Relationship To Academia (PODCAST)

 

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Aleksandr Rodchenko, Non-Objective Painting no. 80 (Black on Black) (1918). Painted the year of the Spanish Flu pandemic and at the end of the First World War, the work challenges artists to use art to draw attention towards the material surface of …

Aleksandr Rodchenko, Non-Objective Painting no. 80 (Black on Black) (1918). Painted the year of the Spanish Flu pandemic and at the end of the First World War, the work challenges artists to use art to draw attention towards the material surface of things. Rodchenko believed that by stripping away all of the illusion and artifice of art, and that which is unnecessary, art could move away from the spiritual and ephemeral towards something grounded in the real world.

Weekly Round Up... And A Few More Things

November 29, 2020

As we wind down this strangest of semesters and prepare for the next, I have been thinking a lot this week about how differently I have had to approach the teaching of one of my courses in particular—Introduction to Film Studies. I was prompted to reflect on this after preparing the final lecture of the semester where I outline how dramatically Hollywood has had to change its business model to compete and meet the challenge of streaming services like Netflix, on the one hand, and Internet piracy on the other. As I was working through these ideas, it occurred to me that the dramatic decline in movie theatre attendance in the past decade (another point of discussion) could now be seeing the final nail in the coffin with the global pandemic. How would this change cinema-going, and how would this show up in my classroom?

When I began teaching my Intro to Film course nearly ten years ago, one of my absolute pedagogical goals was to ensure that my students would sit together for each of the weekly film screenings and have a robust discussion immediately afterwards. Another goal was for students to attend the Vancouver International Film Festival and experience the energy of cinephiles as they gather for lively screenings and post-film discussions. Emphasizing these moments of shared, undistracted, and non- “time-shifting” viewing has been key to the success of my course, and one that many of my students have commented on as an important and enjoyable element of the communal experience of cinema-going. This past semester, all of that had to change, and I cannot help but think something very important was lost in the process.  

Coincidentally, one of the podcasts I listen to regularly (Slate Culture Gabfest) was also ruminating precisely on this topic and featured film critic Sam Adams discussing a recent editorial about how the “darkened theatre” of 2020 has profoundly changed how people discover and learn about film, and also what the empty cinema may signal for film culture moving forward. In his article, titled “We Have Glimpsed Our Streaming Future, and It Sucks,” Adams concludes: “The world without movie theatres isn’t a world without gatekeepers. It’s just a world where the gatekeepers aren’t human, and instead of urging you to watch what they love, they serve up whatever seems most like the last thing you liked.” The happy accident of finding a random film you weren’t looking for – be it at a film festival, in a video store (remember those?), at a local theatre, or in a film class like mine—is threatened by the tidy algorithms that dictate what shows up next on your Netflix queue. Some food for thought…. and incidentally, I have assigned the reading for my students to reflect upon and included the episode of the Culture Gabfest that sparked more thought on this important topic in the round up below.

A FEW MORE THINGS BEFORE THE ROUND UP

  • Now that we are back to a partial lock down here in Vancouver, I am catching up on a few television series that have been on my must-see list. As a big fan of The Americans, I have been enjoying Deutschland 83, a German-American spy-thriller series that is set in 1983 and follows the storyline of a 24-year old East German man who is sent undercover by the Stasi into West Germany. Originally broadcast in Europe back in 2015, with impeccable casting and fantastic cinematography, it is a series that has gone on to win multiple awards and has had two further seasons Deutschland 86 in 2016 and this past year Deutschland 89 to coincide with events related to the fall of the Berlin Wall. If this historical era interests you, I also recommend two films that track along these lines: Good Bye, Lenin (2003) and The Lives of Others (2006)

  • I am also revisiting the classic and absolute must-see television series The Wire and have been enjoying working through all five seasons with the accompanying recaps and commentary in the The Wire Re-Up, which is The Guardian newspaper’s collected episode guide to the series. Beginning as a series of blog posts, the collected insights, interviews, and critical discussion on each episode are created (and now assembled) for those who have already watched the series once in its entirety. So this is an important spoiler alert—watch the series first (lucky you if you haven’t!) and then go back and check out the Wire Re-Up.

"Hito Steyerl Brings Us Late Night Public Access Weirdness"
"Hito Steyerl Brings Us Late Night Public Access Weirdness"

hyperallergic.com

"Did You Catch the Clever Art-Historical Easter Egg in the Netflix Hit ‘The Queen’s Gambit’?"
"Did You Catch the Clever Art-Historical Easter Egg in the Netflix Hit ‘The Queen’s Gambit’?"

artnet.com

"Is Contemporary Art Frightened of Fear?"
"Is Contemporary Art Frightened of Fear?"

artreview.com

"A New Movie on Moholy-Nagy, Inspiring Artist and Teacher"
"A New Movie on Moholy-Nagy, Inspiring Artist and Teacher"

hyperallergic.com

"A 21-year Old’s Collection of Supreme T-Shirts Expected To Sell for $2 million at Christies "
"A 21-year Old’s Collection of Supreme T-Shirts Expected To Sell for $2 million at Christies "

fashionista.ca

"The Gray Market: Why Corporate Collections Are Thriving While Museums Starve"
"The Gray Market: Why Corporate Collections Are Thriving While Museums Starve"

artnet.com

"When Tracey was Traci: Emin's unseen early paintings published for the first time"
"When Tracey was Traci: Emin's unseen early paintings published for the first time"

theguardian.com

"What We Can Learn From Solitude"
"What We Can Learn From Solitude"

nytimes.com

"Housing Works "
"Housing Works "

artforum.com

"Culture Gabfest “Girls on Film Edition” (PODCAST) "
"Culture Gabfest “Girls on Film Edition” (PODCAST) "

slate.com

"Hito Steyerl Brings Us Late Night Public Access Weirdness" "Did You Catch the Clever Art-Historical Easter Egg in the Netflix Hit ‘The Queen’s Gambit’?" "Is Contemporary Art Frightened of Fear?" "A New Movie on Moholy-Nagy, Inspiring Artist and Teacher" "A 21-year Old’s Collection of Supreme T-Shirts Expected To Sell for $2 million at Christies " "The Gray Market: Why Corporate Collections Are Thriving While Museums Starve" "When Tracey was Traci: Emin's unseen early paintings published for the first time" "What We Can Learn From Solitude" "Housing Works " "Culture Gabfest “Girls on Film Edition” (PODCAST) "
  • Hito Steyerl Brings Us Late Night Public Access Weirdness

  • Did You Catch the Clever Art-Historical Easter Egg in the Netflix Hit ‘The Queen’s Gambit’?

  • Is Contemporary Art Frightened of Fear?

  • A New Movie on Moholy-Nagy, Inspiring Artist and Teacher

  • A 21-year Old’s Collection of Supreme T-Shirts Expected To Sell for $2 million at Christies

  • The Gray Market: Why Corporate Collections Are Thriving While Museums Starve

  • When Tracey was Traci: Emin's unseen early paintings published for the first time

  • What We Can Learn From Solitude

  • Housing Works

  • Culture Gabfest “Girls on Film Edition” (PODCAST)

 

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