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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 2 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 4 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 5 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩶— “done with purpose, willingness, deliberation, and consciousness.” I see this word represe
As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩶— “done with purpose, willingness, deliberation, and consciousness.” I see this word represented in the symbol of the heart, and for this reason and many others both personal and professional, I will be bringing this much needed energy to my year. The power of a yearly word is transformative. I started in 2019 and my words have guided and carried me through some important moments and life decisions. If you haven’t already, give it a try, but remember to choose very wisely ☺️ “Radiate” 2025 ✨ “Maintain” 2024 💪🏻 “Refine“ 2023 🙌🏻 “Acta non verba” 2022 🤐 “Audacious” 2021 💃🏼 “Fearless” 2020 😛 “Unapologetic” 2019 💅🏻 #happynewyear #wordoftheyear #intentional #monicavinader @monicavinader
Polar bear ride! 🐻‍❄️🏍️💨🏍️ First motorcycle outing of 2026 in the books. A balmy 4C 🥶We love you Vancouver— good to be home 💙😊Wishing everyone a very Happy New Year! 🥳 
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#happynewyear #vancouver #motorcycle #motorcyclesofinstag
Polar bear ride! 🐻‍❄️🏍️💨🏍️ First motorcycle outing of 2026 in the books. A balmy 4C 🥶We love you Vancouver— good to be home 💙😊Wishing everyone a very Happy New Year! 🥳 . . . #happynewyear #vancouver #motorcycle #motorcyclesofinstagram #motocouple #husqvarna #vitpilen401 #svartpilen401 #motogirl #motogirls
2025... where did it go?! 😂 Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas an
2025... where did it go?! 😂 Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas and people and opportunities to flow back into my life. Above all else, I found myself very much on the move all year! Travel took me from New York to Lausanne, Paris to Seoul, and Palermo to Maui, while my motorcycling stayed more on the road and less on the track as Brian and I balanced our time, energy, and commitments. But as always, we found every spare moment to prioritize this shared passion and we hope to find a way back to the track in 2026. Professionally, the year was... A LOT... and highlighted by many new research partnerships, conferences, workshops, writing projects, some failed plans and sharp detours, but also the planting of new seeds for future ventures. In the classroom, AI brought many new challenges and opportunities to rethink the purpose of my teaching and courses, but overall I was inspired and at times surprised by what my students were able to accomplish with the new assessment models I put into place. All of this technological change remains very much a work in progress for academics, and I prefer to remain optimistic that the artists I work with will find a way to maintain their voice and vision in it all. The historian in me knows this to be true. Personally, I connected more to my heart and intuition in 2025, listening to that inner voice to guide many key decisions. Brian and I also kept up a decent health and fitness regime that had us energized and aiming for consistency to match our midlife pace. Use it or lose it is a reality in your 50s!!! Sending wishes of peace and love and a very Happy New Year to all! May your 2026 be filled with fun, awe, purpose, and good health and much happiness. Remember to be good to yourself so you can be good to others. I’m still working carefully on my 2026 word… but whatever it is, I know it will be the right one ❤️ . . . #happynewyear #yearinreview2025 #wordoftheyear #motorcyclelife #arthistorianlife
Resting, dreaming, and plotting the year ahead 💙✨😘
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#maui #hawaii #vacationmode #newyear #planning
Resting, dreaming, and plotting the year ahead 💙✨😘 . . . #maui #hawaii #vacationmode #newyear #planning
Riding and chasing sunsets across Maui ✨💙🌺🌴🧡
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#maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets
Riding and chasing sunsets across Maui ✨💙🌺🌴🧡 . . . #maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Farkas Molnár, Project for a single-family house, Der rote Würfel (The red cube) (1923)

Weekly Musings + Round Up... And A Few More Things

February 21, 2022

As we celebrate Family Day here in Canada under loosening Covid-19 restrictions this long weekend, I have been thinking about how central “the home” has been to the experience of the pandemic. Finding ways to comfortably inhabit a space for long periods of isolation forced many of us to pay careful attention to the architecture of family dwellings. What may surprise many, however, is how directly the historical avant-garde has impacted the way we imagine, plan, and arrange the spaces of our homes. In particular, the Bauhaus— a German art and design school that flourished in Germany’s Weimar period from 1919-1933— transformed the architecture and traditions of 19th century living spaces to the modern ones that predominate our contemporary lives. The radical departure embodied in the Bauhaus mantra “form follows function” lead to a reimagining of family dwellings as purpose built spaces that privilege how individuals actually live instead of forcing preconceived ideas of how individuals should live.

Flex-spaces, for example, derive from this ethos, along with open plan family rooms, sliding walls, and outdoor living space that extend the experience of indoor spaces to the natural environment. In Bauhaus Dream-House: Modernity and Globalization, author Katerina Rüedi Ray examines the profound social, cultural and spatial transformations that the Bauhaus had on family home design in the decades following WWII. She writes: “The rejection of academic autonomy, historicism and aestheticism was central to the curriculum. The Bauhaus saw the past as discredited, and the task of the artist, designer and architect as beginning with a 'tabula rasa' - a clean slate -and disregarding old hierarchies between the arts, crafts and architecture (p. 26).” If you look around your own home today, you will see traces of Bauhaus influence at every turn. If you don’t believe me, simply watch the “Bauhaus Explained” video linked here and think about the freedom of spatial design you may be taking for granted in your own dwelling. Wishing you all a happy Family Day— enjoy the links!

"Art Problems: Is My Art Good Enough?"
"Art Problems: Is My Art Good Enough?"

hyperallergic.com

"When Warhol met Basquiat"
"When Warhol met Basquiat"

theartnewspaper.com

"Sephora on the Champs-Élysées"
"Sephora on the Champs-Élysées"

parisreview.org

"Arlene Gottfried, the Street Photographer who Captured the Soul of 1980s New York"
"Arlene Gottfried, the Street Photographer who Captured the Soul of 1980s New York"

elephant.art

"John Lennon on the Satisfying Difficulty of Excellence and the Vital Role of Invisible Incubation in the Creative Process"
"John Lennon on the Satisfying Difficulty of Excellence and the Vital Role of Invisible Incubation in the Creative Process"

themarginalian.org

"Making fun of mental health? Van Gogh ‘earaser’ and ‘tortured artist’ soap removed from Courtauld gift shop"
"Making fun of mental health? Van Gogh ‘earaser’ and ‘tortured artist’ soap removed from Courtauld gift shop"

theartnewspaper.com

"Fragonard to Frozen: how French art inspired Disney animators"
"Fragonard to Frozen: how French art inspired Disney animators"

theguardian.com

"AI-Generated Faces Have Crossed the Uncanny Valley"
"AI-Generated Faces Have Crossed the Uncanny Valley"

fastcompany.com

"Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79"
"Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79"

artnews,ca

"The Stories Totem Poles Tell | Smarthistory (VIDEO)"
"The Stories Totem Poles Tell | Smarthistory (VIDEO)"

Smarhistory.org

"Art Problems: Is My Art Good Enough?" "When Warhol met Basquiat" "Sephora on the Champs-Élysées" "Arlene Gottfried, the Street Photographer who Captured the Soul of 1980s New York" "John Lennon on the Satisfying Difficulty of Excellence and the Vital Role of Invisible Incubation in the Creative Process" "Making fun of mental health? Van Gogh ‘earaser’ and ‘tortured artist’ soap removed from Courtauld gift shop" "Fragonard to Frozen: how French art inspired Disney animators" "AI-Generated Faces Have Crossed the Uncanny Valley" "Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79" "The Stories Totem Poles Tell | Smarthistory (VIDEO)"
  • Art Problems: Is My Art Good Enough?

  • When Warhol met Basquiat

  • Sephora on the Champs-Élysées

  • Arlene Gottfried, the Street Photographer who Captured the Soul of 1980s New York

  • John Lennon on the Satisfying Difficulty of Excellence and the Vital Role of Invisible Incubation in the Creative Process

  • Making fun of mental health? Van Gogh ‘earaser’ and ‘tortured artist’ soap removed from Courtauld gift shop

  • Fragonard to Frozen: how French art inspired Disney animators

  • AI-Generated Faces Have Crossed the Uncanny Valley

  • Dan Graham, Conceptual Artist Who Bent Time and Space, Dies at 79

  • The Stories Totem Poles Tell | Smarthistory (VIDEO)

Comment

Cindy Sherman’s “Untitled Film Still #17” (1978) played a cameo role in the Netflix Series Inventing Anna, a real-life story about a fake German heiress who successfully infiltrated and duped the New York art world.

Weekly Musings + Round Up... And A Few More Things

February 13, 2022

I first learned about Anna Sorokin aka Anna Delvey through her criminal trial and her connections to the New York art world— the topic of this fascinating book written by one of the close friends Sorokin defrauded.

Studying art history and attending grad school with MFAs in an art school context, you quickly learn that the complicated milieu in which artists achieve “success.” Just this past week, I was lecturing on the significant influence of New York curator Henry Geldzahler in identifying and legitimizing artists associated with the Pop Art movement in the 1960s—most importantly Andy Warhol—through the development of close personal relationships and introductions of these artists to the New York elite, for whom Geldzahler became an important advisor. In today’s world, Geldzahler would be understood as an influencer, and would no doubt have the ear of all the most important art collectors in the world.

What Geldzahler lacked in personal wealth, he made up with cultural capital. His education, taste, knowledge of art, food, fashion, and understanding of the networks in which art was circulated, bought, and sold, gave Geldzahler a power that eventually landed him in the unlikely role of the first contemporary art curator at the Metropolitan Museum of Art, a position he convinced the museum, one that had no real interest in contemporary art, that it needed. The story of how this happened is legend, but what Geldzahler achieved is often ascribed to his charm, entrepreneurship, and incredible personal connections. And any artists he promoted along the way were immediately seen as significant.

All of this helps us understand the fascinating story of Anna Sorokin (aka Anna Delvey), the fake German heiress who in 2015-2017 infamously duped many members of the New York art world and fashionable elite (along with defrauding banks and investment firms along the way) in her attempt to fund and build an exclusive multi-million dollar art space, social club, and artist residence in New York called the ADV (Anna Delvey Foundation). I first heard of the Sorokin story when her criminal trial became art world news back in 2018-19 and the book My Friend Anna was published, detailing how successfully this otherwise imposter penetrated the New York art world. Two years later, the Netflix series Inventing Anna-- starring the incredible Julia Garner as Sorokin—gives us the dramatized treatment of just how significant cultural capital is to almost every decision around how artists find their way to fame and success.

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What is perhaps most striking is the way Sorokin is portrayed as gaining her curatorial talents through her impeccable personal taste and understanding of art as a kind of social lubricant that becomes the backdrop for exclusive and carefully managed social spaces that mingle the world of art and finance. Sorokin imagines an art space that will serve as a VIP refuge for only the most privileged members, leveraging the art world trend, even in public art galleries, museums, and art fairs, to create more and more exclusivity in the experience of art, along with meeting and getting to know the “chosen” artists of any given moment. In the Netflix version of the story, we see this come through in the discussion and display of today’s art world darlings, most notably Cindy Sherman. Artists and their art are reduced to brands and commodities, no different than the carefully chosen fashions, décor, and restaurants that are referred to directly and indirectly throughout the series. At many points in the Sorokin story, this is made unapologetically and even shockingly clear, along with the implication that any art world “expertise” is less a measure of actual education and experience, and more a measure of how well an individual can leverage their personal cultural capital.

All of this is endlessly fascinating to me and in last week’s post, I made mention of my current research interests exploring the symbolic capital around which the art world has operated in the past few decades. No doubt that the Anna Sorokin story and the filmic treatment created by Shonda Rhimes will serve as a rich reference point in my continued explorations. It should also prove eye-opening to artists, and to those who continue to be baffled by the current state of the art world.

"Walter Scott’s Sandy, the Most Unlikable Person Ever, Visits the Museum"
"Walter Scott’s Sandy, the Most Unlikable Person Ever, Visits the Museum"

moma.org

"Russian painting vandalised by ‘bored’ gallery guard who drew eyes on it"
"Russian painting vandalised by ‘bored’ gallery guard who drew eyes on it"

theguardian.com

"Grey Organization"
"Grey Organization"

artforum.com

"The Art Angle Podcast: How Lucy Lippard and a Band of Artists Fought U.S. Imperialism (PODCAST)"
"The Art Angle Podcast: How Lucy Lippard and a Band of Artists Fought U.S. Imperialism (PODCAST)"

artnet.com

"Beeple Is Probably Right That NFTs Will Change Politics. So Far, That Change Is for the Worse"
"Beeple Is Probably Right That NFTs Will Change Politics. So Far, That Change Is for the Worse"

artnet.com

"Netflix’s ‘Inventing Anna’ Goes for Broke in Its Sleek Retelling of the Fake German Heiress Who Scammed New York’s Art World"
"Netflix’s ‘Inventing Anna’ Goes for Broke in Its Sleek Retelling of the Fake German Heiress Who Scammed New York’s Art World"

artnews.com

"The Invasion of New York’s Chinatown"
"The Invasion of New York’s Chinatown"

elephant.art

"The Most Hilarious Memes About Putin and Macron’s Bizarre Kremlin Meeting"
"The Most Hilarious Memes About Putin and Macron’s Bizarre Kremlin Meeting"

hyperallergic.com

"National Gallery of Canada launches an Indigenous ways and decolonisation department"
"National Gallery of Canada launches an Indigenous ways and decolonisation department"

theartnewspaper.com

"Whitney Biennial 2022: Quiet as It's Kept (VIDEO)"
"Whitney Biennial 2022: Quiet as It's Kept (VIDEO)"

whitneymuseum

"Walter Scott’s Sandy, the Most Unlikable Person Ever, Visits the Museum" "Russian painting vandalised by ‘bored’ gallery guard who drew eyes on it" "Grey Organization" "The Art Angle Podcast: How Lucy Lippard and a Band of Artists Fought U.S. Imperialism (PODCAST)" "Beeple Is Probably Right That NFTs Will Change Politics. So Far, That Change Is for the Worse" "Netflix’s ‘Inventing Anna’ Goes for Broke in Its Sleek Retelling of the Fake German Heiress Who Scammed New York’s Art World" "The Invasion of New York’s Chinatown" "The Most Hilarious Memes About Putin and Macron’s Bizarre Kremlin Meeting" "National Gallery of Canada launches an Indigenous ways and decolonisation department" "Whitney Biennial 2022: Quiet as It's Kept (VIDEO)"
  • Walter Scott’s Sandy, the Most Unlikable Person Ever, Visits the Museum

  • Russian painting vandalised by ‘bored’ gallery guard who drew eyes on it

  • Grey Organization

  • The Art Angle Podcast: How Lucy Lippard and a Band of Artists Fought U.S. Imperialism (PODCAST)

  • Beeple Is Probably Right That NFTs Will Change Politics. So Far, That Change Is for the Worse

  • Netflix’s ‘Inventing Anna’ Goes for Broke in Its Sleek Retelling of the Fake German Heiress Who Scammed New York’s Art World

  • The Invasion of New York’s Chinatown

  • The Most Hilarious Memes About Putin and Macron’s Bizarre Kremlin Meeting

  • National Gallery of Canada launches an Indigenous ways and decolonisation department

  • Whitney Biennial 2022: Quiet as It's Kept (VIDEO)

Comment

Andy Warhol’s Ethel Skull 26 Times (1963) is the cover art for a fascinating book I am currently reading titled Social Appearances: A Philosophy of Display and Prestige (2020) by philosopher and literary scholar Barbara Carnevali.

Weekly Musings + Round Up.... And A Few More Things

February 06, 2022

One of the things I love about being back on my university campus is the hallway chats I am having with students and colleagues about all things art and culture. Everyone seems to be sharing what they are reading, watching, and listening to, so I thought I would add my own list to this week's round up. I have also collected thumbnail images of each pick and added them to the images below—clicking on the pictures will send you to the source.

First up are books I am reading for my research. Currently, I am working on a manuscript proposal exploring the symbolic capital around which the art world has operated in the past few decades, and this has led me in many different directions. In particular, I have become very interested in the rise of income inequality globally in the past two decades and the art collecting practices of the ultra-rich, along with recent theories of display and prestige. Two books that have helped my understand these areas are Barbara Carnevali’s Social Appearances: A Philosophy of Display and Prestige (2020) and Michael Mechanic’s Jackpot: how the Super-Rich Really Live, and How Their Wealth Harms Us (2021).

Next up, television. I have far less time these days to watch all the excellent shows that are popping up on the ever-growing cable and streaming services, but two that I am making time for are Call My Agent on Netflix and Euphoria on HBO. The first show is a French dramedy series that follows agents working in a top Paris talent and PR firm. Now in its fourth season, this is a show that combines two things I love, on-location shooting in Paris (forget about Emily in Paris—this is far closer to an authentic Paris experience), and a set of strong and likeable female characters, especially the wonderful actress Camille Cottin! The second show is probably the most talked about tv show on the Internet right now, but the hype is very real. What I love about Euphoria (usually described as a show about the lives of teenagers) beyond all the amazing cinematography, music, and experimental elements, is how successfully the inner lives of the parents (Gen Xers like me) are also explored. If you watched the most recent episode examining Cal Jacobs’ backstory and confrontation with his family, you will know what I mean.

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Finally, what I am reading and looking at/listening to in my leisure time. Over the Christmas holidays, I finished Ladyparts (2021), a much-anticipated follow-up memoir by photographer and journalist Deborah Copaken, the author of the much loved memoir Shutterbabe (2021) from two decades ago. What people may not know is that Copaken was also the muse for the real Emily in Emily in Paris, and her memoir captures stories from her life as she navigates midlife, sexism in the publishing industry (including being shafted on the making of Emily In Paris), and making peace with her body. In a very similar vein, Meghan Daum’s short essays in The Problem with Everything: My Journey Through the New Culture Wars (2019) interrogate how ideas around feminism and identity politics have been transformed in light of Trump’s presidency and the #MeToo movement.

Two last mentions are first, an Instagram account I am absolutely loving called “90s Art School” that aptly describes what it presents in the form of nostalgic photos of art school antics of the 1990s-- “Out of the shoebox and into our shared memory.” Second, I was obsessed this past fall with the tv series Succession and am now listening to the official “HBO Succession Podcast”with host Kara Swisher. Each episode of the show is carefully and thoughtfully dissected on the podcast with special guests (the one with Anthony Scaramucci discussing the realistic portrayal of power politics and the corporate elite was a favourite!). I cannot recommend highly enough the delight of simultaneously listening to a well-done podcast while watching an excellent television series. I just wish I had discovered the podcast sooner to listen when I first watched season 3 of Succession.

Enjoy the round up below and I hope some of my suggestions above prove interesting and useful! Again, find all links in the gallery above.

"Venice Biennale Reveals Artists for 2022 Edition"
"Venice Biennale Reveals Artists for 2022 Edition"
"Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) "
"Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) "
"The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?"
"The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?"
"Why the Internet Loves Euphoria but Hates the Man Who Made It"
"Why the Internet Loves Euphoria but Hates the Man Who Made It"
"Do We Really Need a Mona Lisa Immersive Experience?"
"Do We Really Need a Mona Lisa Immersive Experience?"
"Episode XII. NFTs: Art After Copyright? "
"Episode XII. NFTs: Art After Copyright? "
"5 Artists Capturing the Spirit of Nightlife"
"5 Artists Capturing the Spirit of Nightlife"
"Spotify Has Convinced Everyone to Debate the Wrong Issue"
"Spotify Has Convinced Everyone to Debate the Wrong Issue"
"The Problem With the Genius Myth"
"The Problem With the Genius Myth"
"What Is An Art Collective? | Tate (VIDEO)"
"What Is An Art Collective? | Tate (VIDEO)"
"Venice Biennale Reveals Artists for 2022 Edition" "Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST) " "The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?" "Why the Internet Loves Euphoria but Hates the Man Who Made It" "Do We Really Need a Mona Lisa Immersive Experience?" "Episode XII. NFTs: Art After Copyright? " "5 Artists Capturing the Spirit of Nightlife" "Spotify Has Convinced Everyone to Debate the Wrong Issue" "The Problem With the Genius Myth" "What Is An Art Collective? | Tate (VIDEO)"

 

  • Venice Biennale Reveals Artists for 2022 Edition

  • Women to dominate the Venice Biennale: curator Cecilia Alemani on what we can expect this year (PODCAST)

  • The Parthenon marbles belong in Greece – so why is restitution so hard to swallow?

  • Why the Internet Loves Euphoria but Hates the Man Who Made It

  • Do We Really Need a Mona Lisa Immersive Experience?

  • Episode XII. NFTs: Art After Copyright?

  • 5 Artists Capturing the Spirit of Nightlife

  • Spotify Has Convinced Everyone to Debate the Wrong Issue

  • The Problem With the Genius Myth

  • What Is An Art Collective? | Tate (VIDEO)

Comment

Street artist Banksy created this work, sometimes called the Bronx Leopard or Bronx Tiger at Yankee Stadium in New York on the last day of his infamous residency in 2013.

Weekly Musings + Round Up... And A Few More Things

January 30, 2022

With the Lunar New Year being celebrated this week, I find it somewhat amusing that we started the pandemic two years ago with lock-down phenomenon of Tiger King, and we now find ourselves entering the third year of Covid celebrating the Year of the Tiger.

From what I understand, the tiger symbolizes recovery, growth, and family in Chinese astrology, and 2022 will bring the year of the Water Tiger, which promises great drama and a turn to re-strengthening and revitalization after a “tiring 2021 (year of metal ox).

The tiger also happens to be my favourite animal since childhood, and all of this talk of a new year sent me down a rabbit hole exploring how modern artists in particular chose to represent the majestic cat. Below you will find a gallery I wanted to share of some of my favourites, including works by: Kunii Ōbun, Henri Rousseau, Eugene Delacroix, Franz Marc, Andy Warhol, and Morris Hirshfield. Clicking on the image will send you to more information about the artist and art works.

Enjoy the links, Happy Lunar New Year, and sending big tiger energy into 2022!

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Surprised-Rousseau.jpeg
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tiger.jpeg
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W1siZiIsIjE1ODEzMiJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpeg
"When We Confuse the Artist’s Muse with the Artist’s Model"
"When We Confuse the Artist’s Muse with the Artist’s Model"

hyperallergic.com

"Pure Meshuggah: Anti-Semitism Invades Art History"
"Pure Meshuggah: Anti-Semitism Invades Art History"

brooklynrail.com

"Bitter Fruit: Marshall McLuhan and the Rise of Fake News"
"Bitter Fruit: Marshall McLuhan and the Rise of Fake News"

quillette.com

"The Anxious Nostalgia of Steven Shearer"
"The Anxious Nostalgia of Steven Shearer"

momus.ca

"The Godfather’s Startling Backstory Revealed in The Offer"
"The Godfather’s Startling Backstory Revealed in The Offer"

vanityfair.com

"Art Speigelman Denounces Tennessee School District’s Ban of His Graphic Novel ‘Maus’"
"Art Speigelman Denounces Tennessee School District’s Ban of His Graphic Novel ‘Maus’"

artnet.com

"Pedagogy of the Depressed (PODCAST)"
"Pedagogy of the Depressed (PODCAST)"

teachinginhighered.com

"What’s the State of Free Expression on Campus?"
"What’s the State of Free Expression on Campus?"

chronicle.com

"When A Performer Runs Afoul Of TikTok’s Chinese Censors"
"When A Performer Runs Afoul Of TikTok’s Chinese Censors"

latimes.com

"Slay-sian Tiger Lunar New Year Calligraphy (VIDEO)"
"Slay-sian Tiger Lunar New Year Calligraphy (VIDEO)"

metmuseum

"When We Confuse the Artist’s Muse with the Artist’s Model" "Pure Meshuggah: Anti-Semitism Invades Art History" "Bitter Fruit: Marshall McLuhan and the Rise of Fake News" "The Anxious Nostalgia of Steven Shearer" "The Godfather’s Startling Backstory Revealed in The Offer" "Art Speigelman Denounces Tennessee School District’s Ban of His Graphic Novel ‘Maus’" "Pedagogy of the Depressed (PODCAST)" "What’s the State of Free Expression on Campus?" "When A Performer Runs Afoul Of TikTok’s Chinese Censors" "Slay-sian Tiger Lunar New Year Calligraphy (VIDEO)"
  • When We Confuse the Artist’s Muse with the Artist’s Model

  • Pure Meshuggah: Anti-Semitism Invades Art History

  • Bitter Fruit: Marshall McLuhan and the Rise of Fake News

  • The Anxious Nostalgia of Steven Shearer

  • The Godfather’s Startling Backstory Revealed in The Offer

  • Art Speigelman Denounces Tennessee School District’s Ban of His Graphic Novel ‘Maus’

  • Pedagogy of the Depressed (PODCAST)

  • What’s the State of Free Expression on Campus?

  • When A Performer Runs Afoul Of TikTok’s Chinese Censors

  • Slay-sian Tiger Lunar New Year Calligraphy (VIDEO)

Comment

Francis Picabia, Edtaonisl (Ecclesiastic) (1913) in the collection of the Chicago Art Institute.

Weekly Musings + Round Up... And a Few More Things

January 23, 2022

As I draft this post, I am getting set to return to in-person teaching after a two-week hiatus of remote university instruction because of the Omicron variant surge in Western Canada. I am unapologetically relieved to be going back into the classroom, not least of which because I notice a tremendous difference in student engagement, curiosity, and excitement when teaching students in-person versus online. To be sure, there is a time, place, and practicality for remote learning, and I have embraced the idea that some of my courses will move online in the future, but I will never buy into the idea that screen mediated learning can replace in-person engagement.

I last visited Picabia’s Edtaonisl (Ecclesiastic) (1913) in February 2020 only weeks before the Covid-19 pandemic began. Like all works of art I have encountered after learning about them, nothing could compare to experiencing Picabia’s incredible painting in-person.

In many ways, the best analogy for this comes right out of my experiences leading field schools to art cities around the world. No amount of remote preparation, research, or looking at representations can prepare students for the magic, the incalculable frisson, of encountering a work of art in real life. In fact, one of the most fulfilling aspects of being an art historian is being able to witness students come into close contact with an art object they have long admired or studied. Almost every time, students are struck by how much is missed, assumed, and/or completely lost when attempting to understand a work of art at a distance. I was once that art history student, and it was, in fact, that experience that drove my interest in becoming an academic, researcher, and avid traveler.

In the classroom space, the same mechanisms are at work. There is no way to replace or duplicate the sense of multiple perspectives, encounter, dimensionality, nuance, non-verbal cues, proximities, and juxtapositions that we all take for granted with real time, in-person, engagement. In many ways, this is the difficult to describe kinetic and communal aspect of teaching and learning that is all but lost via the screen or remote teaching and learning. When people gather to learn together in one space, there is vulnerability, risk, anxiety, and even failure, but being able to overcome all those things leads to the confidence and wisdom that is the ultimate reward of an education. There is also nowhere to hide in the classroom-- we all come to face our worst fears and missteps, but survive and move forward. As my featured artist, Francis Picabia, so eloquently stated when describing the path to success: “The world is divided into two categories: failures and unknowns.”

So yes, I am very excited to be back to in-person learning, and trust that those who are still fearful of the return will weigh the educational, mental-health, and difficult to describe benefits of collective discovery that are the foundation of in-person instruction.

"A Historical Art of Dissent for the Digital Age"
"A Historical Art of Dissent for the Digital Age"

hyperallergic.com

"The 'most attended exhibition' ever? Kaws goes global with video game Fortnite"
"The 'most attended exhibition' ever? Kaws goes global with video game Fortnite"

theartnewspaper.com

The Art Angle: How the Met’s Astonishing Surrealism Show Rewrites Global Art History (PODCAST)
The Art Angle: How the Met’s Astonishing Surrealism Show Rewrites Global Art History (PODCAST)

artnet.com

"Commentary: LACMA, the corporate rent-a-museum"
"Commentary: LACMA, the corporate rent-a-museum"

latimes.com

"How Newly Recruited Native Curators Are Changing the Narrative of American Art"
"How Newly Recruited Native Curators Are Changing the Narrative of American Art"

artnet.com

"Audience hesitancy is Omicron’s new curse"
"Audience hesitancy is Omicron’s new curse"

artshub.com

"Language Is the Game in ‘Ted Lasso’"
"Language Is the Game in ‘Ted Lasso’"

nybooks.com

"We’re All in the Uncanny Now"
"We’re All in the Uncanny Now"

slate.com

"Andre Leon Talley Defined Style On His Own Terms"
"Andre Leon Talley Defined Style On His Own Terms"

theatlantic.com

"Kehinde Wiley, Rumors of War (VIDEO)"
"Kehinde Wiley, Rumors of War (VIDEO)"

smarthistory

"A Historical Art of Dissent for the Digital Age" "The 'most attended exhibition' ever? Kaws goes global with video game Fortnite" The Art Angle: How the Met’s Astonishing Surrealism Show Rewrites Global Art History (PODCAST) "Commentary: LACMA, the corporate rent-a-museum" "How Newly Recruited Native Curators Are Changing the Narrative of American Art" "Audience hesitancy is Omicron’s new curse" "Language Is the Game in ‘Ted Lasso’" "We’re All in the Uncanny Now" "Andre Leon Talley Defined Style On His Own Terms" "Kehinde Wiley, Rumors of War (VIDEO)"
  • A Historical Art of Dissent for the Digital Age

  • The 'most attended exhibition' ever? Kaws goes global with video game Fortnite

  • The Art Angle: How the Met’s Astonishing Surrealism Show Rewrites Global Art History (PODCAST)

  • Commentary: LACMA, the corporate rent-a-museum

  • How Newly Recruited Native Curators Are Changing the Narrative of American Art

  • Audience hesitancy is Omicron’s new curse

  • Language Is the Game in ‘Ted Lasso’

  • We’re All in the Uncanny Now

  • Andre Leon Talley Defined Style On His Own Terms

  • Kehinde Wiley, Rumors of War (VIDEO)

Comment
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© Dorothy Barenscott, 2010-2025