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Avant-Guardian Musings

  • Fall 2025
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β€œArt is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 2 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 4 months ago
Making Sense of Art in the Age of Machine Learningβ€”A Suggested Reading List
Making Sense of Art in the Age of Machine Learningβ€”A Suggested Reading List
about 5 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩢— “done with purpose, willingness, deliberation, and consciousness.” I see this word represe
As we start the week in a storm of activity, new beginnings, and global uncertainty, I am grounded in my word for 2026– INTENTIONAL 🩢— “done with purpose, willingness, deliberation, and consciousness.” I see this word represented in the symbol of the heart, and for this reason and many others both personal and professional, I will be bringing this much needed energy to my year. The power of a yearly word is transformative. I started in 2019 and my words have guided and carried me through some important moments and life decisions. If you haven’t already, give it a try, but remember to choose very wisely ☺️ “Radiate” 2025 ✨ “Maintain” 2024 πŸ’ͺ🏻 “Refine“ 2023 πŸ™ŒπŸ» “Acta non verba” 2022 🀐 “Audacious” 2021 πŸ’ƒπŸΌ “Fearless” 2020 πŸ˜› “Unapologetic” 2019 πŸ’…πŸ» #happynewyear #wordoftheyear #intentional #monicavinader @monicavinader
Polar bear ride! 🐻‍β„οΈπŸοΈπŸ’¨πŸοΈ First motorcycle outing of 2026 in the books. A balmy 4C πŸ₯ΆWe love you Vancouver— good to be home πŸ’™πŸ˜ŠWishing everyone a very Happy New Year! πŸ₯³ 
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#happynewyear #vancouver #motorcycle #motorcyclesofinstag
Polar bear ride! 🐻‍β„οΈπŸοΈπŸ’¨πŸοΈ First motorcycle outing of 2026 in the books. A balmy 4C πŸ₯ΆWe love you Vancouver— good to be home πŸ’™πŸ˜ŠWishing everyone a very Happy New Year! πŸ₯³ . . . #happynewyear #vancouver #motorcycle #motorcyclesofinstagram #motocouple #husqvarna #vitpilen401 #svartpilen401 #motogirl #motogirls
2025... where did it go?! πŸ˜‚ Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas an
2025... where did it go?! πŸ˜‚ Like a ray of light, I was very much guided by my chosen word of the year “radiate”— to shine and send out beams of energy— and this allowed for a great deal of adventure, new experiences, ideas and people and opportunities to flow back into my life. Above all else, I found myself very much on the move all year! Travel took me from New York to Lausanne, Paris to Seoul, and Palermo to Maui, while my motorcycling stayed more on the road and less on the track as Brian and I balanced our time, energy, and commitments. But as always, we found every spare moment to prioritize this shared passion and we hope to find a way back to the track in 2026. Professionally, the year was... A LOT... and highlighted by many new research partnerships, conferences, workshops, writing projects, some failed plans and sharp detours, but also the planting of new seeds for future ventures. In the classroom, AI brought many new challenges and opportunities to rethink the purpose of my teaching and courses, but overall I was inspired and at times surprised by what my students were able to accomplish with the new assessment models I put into place. All of this technological change remains very much a work in progress for academics, and I prefer to remain optimistic that the artists I work with will find a way to maintain their voice and vision in it all. The historian in me knows this to be true. Personally, I connected more to my heart and intuition in 2025, listening to that inner voice to guide many key decisions. Brian and I also kept up a decent health and fitness regime that had us energized and aiming for consistency to match our midlife pace. Use it or lose it is a reality in your 50s!!! Sending wishes of peace and love and a very Happy New Year to all! May your 2026 be filled with fun, awe, purpose, and good health and much happiness. Remember to be good to yourself so you can be good to others. I’m still working carefully on my 2026 word… but whatever it is, I know it will be the right one ❀️ . . . #happynewyear #yearinreview2025 #wordoftheyear #motorcyclelife #arthistorianlife
Resting, dreaming, and plotting the year ahead πŸ’™βœ¨πŸ˜˜
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#maui #hawaii #vacationmode #newyear #planning
Resting, dreaming, and plotting the year ahead πŸ’™βœ¨πŸ˜˜ . . . #maui #hawaii #vacationmode #newyear #planning
Riding and chasing sunsets across Maui βœ¨πŸ’™πŸŒΊπŸŒ΄πŸ§‘
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#maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets
Riding and chasing sunsets across Maui βœ¨πŸ’™πŸŒΊπŸŒ΄πŸ§‘ . . . #maui #hawaii #motorcycle #motorcyclesofinstagram #motogirl #vacationmode #sunsets

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Β© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-JosΓ©e Kravis, 2012. Β© 2013 J…

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-JosΓ©e Kravis, 2012. Β© 2013 John Cage Trust

Throwback Thursday: John Cage's 4'33" (1952) Immortalized

April 24, 2014

In 1952, American experimental composer and artist John Cage composed a score in three movements that instructed musicians not to play their instruments for a duration of four minutes and thirty-three seconds. The piece was to consist of whatever ambient sounds occurred in the time frame designated for the score, and the radical gesture resulted in moving attention and focus away from the musicians, the "artists" performing the piece, to the world of the audience. Over sixty years later, 4'33" is still regarded as one of the watershed acts or episodes in the history of twentieth century art-- a work that creates a space for people to consider the notion of "silence" and the active and unfolding present moment as unique and open to chance. In a 1991 interview (see YouTube clip above), Cage reflects on "silence" as a far reaching concept that encompasses most of the ambient and everyday sounds around any one of us-- sounds, that when paid attention to, create the possibility for a powerful kind of lived and spatially experienced art. Over the years, many famous performances of 4'33" have punctuated how quickly the concept of space and time can be transformed through the process of active listening. 

The Museum of Modern Art in New York is currently featuring an exhibition about John Cage's famous composition titled "There Will Never Be Silence: Scoring John Cage's 4'33." As part of the show, people are being encouraged to visit the MoMA website and upload their own soundscapes as a way to share the experience of personal silence. After visiting this site a number of times in the past week, I must admit here is something oddly hypnotic and peaceful about listening to these shared "silences" from around the world. It also reminds us how little time is actually spent focusing and truly listening in the way Cage encouraged. 

For more information about Cage's composition, I recommend Kyle Gann's book No Such Thing As Silence: John Cage's 4'33" and Dieter Daniel's and Inke Arns' Sounds Like Silence, John Cage 4'33": Silence Today.

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

Tags: Throwback Thursday
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Β© Dorothy Barenscott, 2010-2025