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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 J…

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 John Cage Trust

Throwback Thursday: John Cage's 4'33" (1952) Immortalized

April 24, 2014

In 1952, American experimental composer and artist John Cage composed a score in three movements that instructed musicians not to play their instruments for a duration of four minutes and thirty-three seconds. The piece was to consist of whatever ambient sounds occurred in the time frame designated for the score, and the radical gesture resulted in moving attention and focus away from the musicians, the "artists" performing the piece, to the world of the audience. Over sixty years later, 4'33" is still regarded as one of the watershed acts or episodes in the history of twentieth century art-- a work that creates a space for people to consider the notion of "silence" and the active and unfolding present moment as unique and open to chance. In a 1991 interview (see YouTube clip above), Cage reflects on "silence" as a far reaching concept that encompasses most of the ambient and everyday sounds around any one of us-- sounds, that when paid attention to, create the possibility for a powerful kind of lived and spatially experienced art. Over the years, many famous performances of 4'33" have punctuated how quickly the concept of space and time can be transformed through the process of active listening. 

The Museum of Modern Art in New York is currently featuring an exhibition about John Cage's famous composition titled "There Will Never Be Silence: Scoring John Cage's 4'33." As part of the show, people are being encouraged to visit the MoMA website and upload their own soundscapes as a way to share the experience of personal silence. After visiting this site a number of times in the past week, I must admit here is something oddly hypnotic and peaceful about listening to these shared "silences" from around the world. It also reminds us how little time is actually spent focusing and truly listening in the way Cage encouraged. 

For more information about Cage's composition, I recommend Kyle Gann's book No Such Thing As Silence: John Cage's 4'33" and Dieter Daniel's and Inke Arns' Sounds Like Silence, John Cage 4'33": Silence Today.

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

Tags: Throwback Thursday
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© Dorothy Barenscott, 2010-2025