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Avant-Guardian Musings

  • Spring 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 8 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
about 2 years ago

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Summer freedom vibes ✨💃🏼☀️🕶️🍓✨more than ever, not taking it for granted.
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#shamelessselefie #summer #stressfree #freedom
Summer freedom vibes ✨💃🏼☀️🕶️🍓✨more than ever, not taking it for granted. . . . #shamelessselefie #summer #stressfree #freedom
Going into June like… 💃🏼✨💋🏍️💨
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#startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Going into June like… 💃🏼✨💋🏍️💨 . . . #startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to C
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to Central Paris 👀✨💙 . . . #paris #streetart #urbanart #arthistory #graffiti
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the T
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the Tuileries, and explore the street art in Belleville. And tonight, we will dine and celebrate at your favourite restaurant. You know there is no one else with whom I would rather spend a day chilling, wandering the streets, and laughing. “You and me and five bucks.” I love you forever, and I hope this next year brings you more of what you’ve been dreaming about❤️
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its mos
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its most rebellious women, the gown is designed with partial armour and creates this beautiful tension, movement, and awe that is hard to express. Simply put, Galliano is a true artist and this dress is a masterpiece. . . . #louvre #paris #louvrecouture #johngalliano #hautecouture #fashion #arthistory

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 J…

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 John Cage Trust

Throwback Thursday: John Cage's 4'33" (1952) Immortalized

April 24, 2014

In 1952, American experimental composer and artist John Cage composed a score in three movements that instructed musicians not to play their instruments for a duration of four minutes and thirty-three seconds. The piece was to consist of whatever ambient sounds occurred in the time frame designated for the score, and the radical gesture resulted in moving attention and focus away from the musicians, the "artists" performing the piece, to the world of the audience. Over sixty years later, 4'33" is still regarded as one of the watershed acts or episodes in the history of twentieth century art-- a work that creates a space for people to consider the notion of "silence" and the active and unfolding present moment as unique and open to chance. In a 1991 interview (see YouTube clip above), Cage reflects on "silence" as a far reaching concept that encompasses most of the ambient and everyday sounds around any one of us-- sounds, that when paid attention to, create the possibility for a powerful kind of lived and spatially experienced art. Over the years, many famous performances of 4'33" have punctuated how quickly the concept of space and time can be transformed through the process of active listening. 

The Museum of Modern Art in New York is currently featuring an exhibition about John Cage's famous composition titled "There Will Never Be Silence: Scoring John Cage's 4'33." As part of the show, people are being encouraged to visit the MoMA website and upload their own soundscapes as a way to share the experience of personal silence. After visiting this site a number of times in the past week, I must admit here is something oddly hypnotic and peaceful about listening to these shared "silences" from around the world. It also reminds us how little time is actually spent focusing and truly listening in the way Cage encouraged. 

For more information about Cage's composition, I recommend Kyle Gann's book No Such Thing As Silence: John Cage's 4'33" and Dieter Daniel's and Inke Arns' Sounds Like Silence, John Cage 4'33": Silence Today.

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

Tags: Throwback Thursday
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© Dorothy Barenscott, 2010-2025