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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 J…

John Cage. 4'33" (In Proportional Notation). 1952/53. Ink on paper, each page: 11 x 8 1/2" (27.9 x 21.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Henry Kravis in honor of Marie-Josée Kravis, 2012. © 2013 John Cage Trust

Throwback Thursday: John Cage's 4'33" (1952) Immortalized

April 24, 2014

In 1952, American experimental composer and artist John Cage composed a score in three movements that instructed musicians not to play their instruments for a duration of four minutes and thirty-three seconds. The piece was to consist of whatever ambient sounds occurred in the time frame designated for the score, and the radical gesture resulted in moving attention and focus away from the musicians, the "artists" performing the piece, to the world of the audience. Over sixty years later, 4'33" is still regarded as one of the watershed acts or episodes in the history of twentieth century art-- a work that creates a space for people to consider the notion of "silence" and the active and unfolding present moment as unique and open to chance. In a 1991 interview (see YouTube clip above), Cage reflects on "silence" as a far reaching concept that encompasses most of the ambient and everyday sounds around any one of us-- sounds, that when paid attention to, create the possibility for a powerful kind of lived and spatially experienced art. Over the years, many famous performances of 4'33" have punctuated how quickly the concept of space and time can be transformed through the process of active listening. 

The Museum of Modern Art in New York is currently featuring an exhibition about John Cage's famous composition titled "There Will Never Be Silence: Scoring John Cage's 4'33." As part of the show, people are being encouraged to visit the MoMA website and upload their own soundscapes as a way to share the experience of personal silence. After visiting this site a number of times in the past week, I must admit here is something oddly hypnotic and peaceful about listening to these shared "silences" from around the world. It also reminds us how little time is actually spent focusing and truly listening in the way Cage encouraged. 

For more information about Cage's composition, I recommend Kyle Gann's book No Such Thing As Silence: John Cage's 4'33" and Dieter Daniel's and Inke Arns' Sounds Like Silence, John Cage 4'33": Silence Today.

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

MoMA's "Share Your Silence" project allows people around the world to use their mobile device to upload soundscapes around them for inclusion on this crowd sourced map. 

Tags: Throwback Thursday
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© Dorothy Barenscott, 2010-2025