• Fall 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
Menu

Avant-Guardian Musings

  • Fall 2025
  • Blog
  • Resources
  • Field School
  • Students
  • Feedly
  • About
large monogram_2018-02-01_22-31-07.v1 (1).png
“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

Blog RSS

Screenshot 2018-02-05 20.56.45.png
Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 5 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 7 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

Screenshot 2018-02-05 20.56.51.png
May 2, 2026 🔥✨💃🏼🏍️💨 marks the 20th year of International Female Ride Day and the celebration of women in motorsports! Licensed women motorcyclists constitute only 15-16% of all riders in Canada, and while that number is growing, the reality is t
May 2, 2026 🔥✨💃🏼🏍️💨 marks the 20th year of International Female Ride Day and the celebration of women in motorsports! Licensed women motorcyclists constitute only 15-16% of all riders in Canada, and while that number is growing, the reality is that women face a great deal of intimidation, stereotypes, and obstacles on their path to acceptance in the masculine coded motorcycle community. I am on a personal mission to help change these outdated misconceptions and help promote motorcycling as a path to greater confidence, control, identity, and feelings of mastery in women’s lives. Check out my pinned post if you are interested in starting down this path. As one of my favourite female ride day quotes goes: “Don’t call her brave because she rides. Call her a motorcyclist because she earned it.” Ride safe my badass sisters and remember that you are in a rare community of women who dare to rewrite the rules, defy limitation, and refuse to be underestimated! . . . #motogirl #womenwhoride #internationalfemalerideday #motorcycle #vancouver
A girl can dream…🤔❤️😬🔥✨💃🏼…grades are in, sun is shining, time for an upgrade? 
.
.
.
#apriliatuonofactory #motorcycle #motorcyclesofinstagram #motogirl
A girl can dream…🤔❤️😬🔥✨💃🏼…grades are in, sun is shining, time for an upgrade? . . . #apriliatuonofactory #motorcycle #motorcyclesofinstagram #motogirl
Saturday night at Tate Modern ⭐️🌚🌛🔥We returned to take in the contemporary exhibition spaces and to enjoy London after hours. . . . #london #tatemodern #arthistory #contemporaryart
What an absolute gem of an art museum in the heart of Cambridge! We visited the Fitzwilliam and enjoyed the collection and excellent curation. I wish more museums would juxtapose traditional and modern/contemporary works— this is the best way t
What an absolute gem of an art museum in the heart of Cambridge! We visited the Fitzwilliam and enjoyed the collection and excellent curation. I wish more museums would juxtapose traditional and modern/contemporary works— this is the best way to elevate all art, create new conversations, and educate all at once ✨ . . . #cambridge #arthistory #fitzwilliammuseum
High meets low ✨ I’m at @forarthistory preparing to give a talk at the University of Cambridge titled “Fashion Victim: Kitsch Culture, Art Collecting, and the Tech Billionaire Class.” There will be references to AI, crypto, discorda
High meets low ✨ I’m at @forarthistory preparing to give a talk at the University of Cambridge titled “Fashion Victim: Kitsch Culture, Art Collecting, and the Tech Billionaire Class.” There will be references to AI, crypto, discordant masculinity, Jeff Koons, Beeple, Tyler Hobbs, MSCHF, Elon Musk, Peter Thiel, MAGA, and much much more. What a time to be alive, and what a historic and beautiful place to be invited to speak about my research! . . . #cambridge #universityofcambridge #arthistory #arthistorian

Screenshot 2018-02-05 20.57.02.png
  • November 2025 (1)
  • September 2025 (1)
  • August 2025 (1)
  • September 2024 (1)
  • February 2023 (1)
  • January 2023 (3)
  • August 2022 (1)
  • March 2022 (1)
  • February 2022 (3)
  • January 2022 (4)
  • November 2021 (2)
  • October 2021 (3)
  • September 2021 (3)
  • July 2021 (2)
  • June 2021 (1)
  • May 2021 (3)
  • April 2021 (3)
  • March 2021 (3)
  • February 2021 (4)
  • January 2021 (5)
  • December 2020 (3)
  • November 2020 (6)
  • October 2020 (4)
  • September 2020 (1)
  • July 2020 (1)
  • June 2020 (4)
  • May 2020 (9)
  • April 2020 (5)
  • December 2019 (2)
  • November 2019 (5)
  • October 2019 (3)
  • September 2019 (1)
  • July 2019 (6)
  • June 2019 (19)
  • April 2019 (2)
  • March 2019 (5)
  • September 2018 (2)
  • July 2018 (1)
  • June 2018 (4)
  • May 2018 (2)
  • April 2018 (5)
  • March 2018 (5)
  • February 2018 (8)
  • January 2018 (3)
  • December 2017 (4)
  • November 2017 (5)
  • October 2017 (7)
  • September 2017 (3)
  • July 2017 (6)
  • June 2017 (15)
  • April 2017 (2)
  • March 2017 (3)
  • February 2017 (1)
  • January 2017 (2)
  • November 2016 (2)
  • October 2016 (1)
  • September 2016 (3)
  • August 2016 (1)
  • June 2016 (2)
  • May 2016 (3)
  • April 2016 (2)
  • March 2016 (5)
  • February 2016 (7)
  • January 2016 (9)
  • November 2015 (1)
  • October 2015 (2)
  • September 2015 (3)
  • August 2015 (3)
  • July 2015 (1)
  • June 2015 (20)
  • May 2015 (4)
  • March 2015 (2)
  • January 2015 (1)
  • November 2014 (1)
  • October 2014 (2)
  • June 2014 (1)
  • May 2014 (4)
  • April 2014 (6)
  • February 2014 (1)
  • January 2014 (2)
  • November 2013 (1)
  • September 2013 (1)
  • July 2013 (3)
  • June 2013 (10)
  • December 2012 (1)
  • November 2012 (3)
  • October 2012 (6)
  • September 2012 (3)
  • August 2012 (1)
  • July 2012 (1)
  • June 2012 (25)
  • May 2012 (5)
  • April 2012 (4)
  • March 2012 (7)
  • February 2012 (11)
  • January 2012 (6)
  • December 2011 (5)
  • November 2011 (11)
  • October 2011 (11)
  • September 2011 (8)
  • June 2011 (9)
  • May 2011 (15)
  • April 2011 (9)
  • March 2011 (14)
  • February 2011 (17)
  • January 2011 (16)
  • December 2010 (11)
  • November 2010 (18)
  • October 2010 (24)
  • September 2010 (30)

Screenshot 2018-02-05 20.57.07.png

© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Following up on PART 1 of my selections, I continue with 10 more picks from this year's Vancouver International Film Festival.

Following up on PART 1 of my selections, I continue with 10 more picks from this year's Vancouver International Film Festival.

Vancouver International Film Festival 2015 Selections: PART 2

September 28, 2015

As promised, I have added another ten selections to PART ONE of my VIFF Selections blog post from last week. These are once again presented in no particular order, but this time I am bringing attention to selections that struck my curiosity and stood out for me when leafing through this year's guide. I know some of these will likely appear in later iterations on a screen near you, but several of them will be the kind of one-shot viewing experience that makes VIFF such a special festival. Happy viewing! 

 

NO MEN BEYOND THIS POINT directed by Mark Sawers (CANADA)

What happens in a world where men are no longer needed? That is the premise of this Canadian mockumentary (one of my favourite genres) that follows the youngest man still alive in a sea of women reproducing asexually. The film is set in West Vancouver, so how could you not be curious about how this will all look on the screen?

This wry mockumentary from Vancouver director Mark Sawers envisions a world where women have become asexual and are no longer giving birth to males, and where the dwindling population of men are desperate to reclaim their place in the sun. http://tiff.net/festivals/festival15/vanguard/no-men-beyond-this-point

EXPERIMENTER directed by Michael Almereyda (USA)

As a Gen-Xer, I adore Winona Ryder (Reality Bites was one of my favourite films as an angst ridden undergrad), and I am curious how she is cast in this film set during the infamous “social-obedience experiments” at Yale during the 1960s. This is more of a mainstream commercial film pick for VIFF, but the subject matter is both intriguing and timely.

Experimenter Trailer 1 (2015) Winona Ryder, Peter Sarsgaard Drama Movie HD [Official Trailer]

LOVE AMONG THE RUINS directed by Massimo Ali Mohammad (USA/ITALY)

When The Artist came to VIFF a few years ago and then shocked many by winning best film at the Academy Award the following year, I felt vindicated for advocating the significance and relevance of the silent cinema—movies after all are first and foremost a visually driven medium. This film also promises to be a tribute to silent movie making through the creation of a combination mockumentary and mock silent movie that tells the story of the film’s discovery.

www.loveamongtheruinsmovie.com/ un film di / a film by Massimo Alì Mohammad Amore tra le rovine è la storia immaginaria della miracolosa scoperta di un film muto italiano, da lungo tempo creduto perso, e del suo restauro. Il film avvicina magicamente un regista contemporaneo alla genialità dei fratelli Lumini, icone cinematografiche quasi completamente trascurate nella storia del cinema.

PARADISE directed by Sina Ataeian Dena (IRAN/GERMANY)

Films from Iran are always a favourite at VIFF, and this year proves no exception with this selection shot clandestinely in Tehran. Following a mostly female cast through what is described as current-day existence in Iran, the movie promises to “reveal the role of women in contemporary Iranian society.”

Trailer de Paradise, por Sina Ataeian Dena. Más información en http://www.cinemaldito.com

SOUND + IMAGE SHORTS directed by various (CANADA)

This anthology of nine films showcases Canadian filmmaking talent at its most immediate and focused through the use of the short film format. Some of the most memorable films I have seen at VIFF over the years have been those under 10 minutes. Remember always, it is about quality not quantity in filmmaking as many other media forms.

PORT OF CALL directed by Philip Yung (HONG KONG)

The “Dragons and Tigers” section at VIFF showcasing films from East Asia grows exponentially every year, and I always eager to discover something new that I know I will not likely see again. This year, I was struck by the synopsis of a Hong Kong film that delves into the world of modern policing in Chinese society. With all of the social upheaval in Hong Kong in the last year, I am curious to see how this film tackles the subject.

踏血尋梅] 預告片

A FLICKERING TRUTH directed by Pietra Brettkelly (AFGHANISTAN/NEW ZEALAND)

Some years ago, film director Pietra Brettkelly blew the lid off of the contemporary art world with a documentary examining and exposing the world of high stakes art making and selling at the Venice Biennale (if you haven’t seen The Art Star and the Sudanese Twins about Italian artist Vanessa Beecroft—most recently, art director to Kanye West—make sure to check it out). In this new documentary, Brettkelly travels to Afghanistan where she follows a group of Afghan cinephiles trying to preserve and protect their culture’s films from destruction by the Taliban regime.  

Director Pietra Brettkelly (The Art Star and the Sudanese Twins) follows a group of dedicated Afghan cinephiles who are literally excavating their country's cinematic past, as they seek to retrieve over 8,000 hours of film footage that they risked their lives to conceal during the Taliban era. http://tiff.net/festivals/festival15/tiffdocs/a-flickering-truth

HOCKNEY directed by Randall Wright (UK/USA)

Although I am not a huge fan of artist psychobiography or this artist in particular, the film Hockney came recommended from a trusted colleague and promises not to be just a celebratory portrayal, but instead a documentary that delves more critically into the life and context of famed British artist David Hockney. We shall see….

Watch the exclusive trailer for a new documentary about artist David Hockney. https://www.facebook.com/hockneyfilm

DEATHGASM directed by Jason Lei Howden (NEW ZEALAND)

Many of my students accuse me of not having an open enough mind when it comes to the horror and gore-porn genres, so this selection is dedicated to them! The name of the film is intriguing enough to check out, and I will make sure to go see this movie on an empty stomach.

http://deathgasmthemovie.com/ Tötal Brütal. High School is Hell! Metal-thrashing Brodie is an outcast in a sea of jocks and cheerleaders until he meets a kindred spirit in fellow metalhead Zakk. After starting their own band, Brodie and Zakk's resentment of the suburban wasteland leads them to a mysterious piece of sheet music said to grant Ultimate Power to whoever plays it.

ORIGINAL COPY directed by Florian Heinzen-Ziob (GERMANY)

Following the lives of Bollywood film poster designers and painters, this film caught my eye right away for both the art form of the public movie poster (which as the film synopsis notes is today in the final stages of dying out) and the cultural context of the Indian film industry, within which this story plays out.

Hot Docs has received filmmaker permission to upload this trailer to the HotDocsFest YouTube channel.


← CALL FOR PAPERS: Canadian Culinary Imaginations, A Symposium of Literary and Visual Fare Vancouver International Film Festival 2015 Selections: PART 1 →
Back to Top
Screenshot 2018-02-05 20.48.17.png

© Dorothy Barenscott, 2010-2025