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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about a month ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a month ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Classic lines and navy blues feed my sartorial soul 💙✨
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#dopaminedressing #whatiwore #ootd #arthistorianlife #citizensofhumanity #ralphlauren  #celine
Classic lines and navy blues feed my sartorial soul 💙✨ . . . #dopaminedressing #whatiwore #ootd #arthistorianlife #citizensofhumanity #ralphlauren #celine
Perfect Vancouver day!👌🏻🍃🌊✨Autumn rides are my favourite as we take advantage of every opportunity to get out there on the Aprilias ahead of the rain and coming cold.
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#motorcycle #motorcycleofinstagram #sportbike #sportbikelife #apriliatuon
Perfect Vancouver day!👌🏻🍃🌊✨Autumn rides are my favourite as we take advantage of every opportunity to get out there on the Aprilias ahead of the rain and coming cold. . . . #motorcycle #motorcycleofinstagram #sportbike #sportbikelife #apriliatuono #apriliatuonofactory #motogirl #motogirls #vancouver
Returning home from Palermo, Sicity this week, I have been reflecting on the research I presented at a roundtable discussion at the AISU (L’Associazione promuove e diffonde lo studio della storia urbana) biennial congress centered on “The
Returning home from Palermo, Sicity this week, I have been reflecting on the research I presented at a roundtable discussion at the AISU (L’Associazione promuove e diffonde lo studio della storia urbana) biennial congress centered on “The Crossroad City.” My contribution to the presentation focused on Vancouver and my exploration of the “No Fun City” label that has emerged over the past decade or more in local discourse and popular culture. Whenever I talk to Vancouverites about this concept, there is an immediate understanding about what it is I am trying to evoke in my research. In my blog this week (link in bio), I have excerpted some parts of my talk to provide a taste of how I am connecting the emotion of detachment to this hard to language dynamic while bringing in the important element of visual representation that shapes and is shaped through the many contradictions of the city. Perhaps most striking to me as I continue probing these questions in a post-pandemic world, increasingly impacted by machine learning and democratic backsliding, is how much discussions around emotions and our collective humanity matter today more than ever. . . . #arthistory #urban #urbanemotion #architecture #palermo #vancouver
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Barry Feinstein, Bob Dylan Birmingham England 1966 

Barry Feinstein, Bob Dylan Birmingham England 1966 

Weekly Flipboard Links and Media Round Up

October 23, 2016

After a VERY busy past couple of weeks, I am glad to be getting back to the round up once again. Midterms are stacked high on my desk and many emails need answering, but I wanted to post some great links to material that has been getting my attention the past week or more in my feeds.

First, there is a great deal of conversation and debate in my particular discipline the past several days regarding the UK's decision to remove art history as a subject from the secondary school A-Level exams (equivalent to the Advanced Placement courses in North America). Many prominent art historians, art critics, artists, and others in the art world have come forward since the news broke to share their thoughts on the importance of the field, and art history's many connections to cultural understanding and the current creative economy. It reminds me of the firestorm a few years back when Barack Obama used an analogy about trades training, and questioned the relevance of an art history degree for the job market. So many people ended up writing, tweeting, and speaking up about the value of the discipline that Obama ended up retracting and apologizing for the comment. If you go to Twitter and check out the hashtag #whyarthistorymatters, you will see many fantastic reasons!

The second story that had everyone talking this week was the awarding of the Nobel Prize for literature to Bob Dylan. First, there was the outrage voiced from many in the elite literary community that Dylan simply did not qualify for the award (as a popular musician) and was a poor choice, and then there was the lack of response from Dylan himself upon being notified by the Nobel committee of the award. What I love about this development is how much it reveals about the gap that still exists between what is characterized as "high" and "low" art in the literary world-- something that the art world also likes to pretend doesn't exist as much as it clearly does. Dylan's silence (a radical gesture in and of itself) is not at all a surprise to me. In fact, I kind of love it.

"Lost in an Art Historian’s Annals of 1960s–70s NYC"
"Lost in an Art Historian’s Annals of 1960s–70s NYC"

hyperallergic.com

" Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)"
" Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)"

openculture.com

"UNESCO Report Says Culture Makes Cities Safer"
"UNESCO Report Says Culture Makes Cities Safer"

blouinartinfo.com

"A Fictional Photographer Chronicles A Changing City"
"A Fictional Photographer Chronicles A Changing City"

hyperallergic.com

"On Inventing Women Artists in a Post-Truth Era"
"On Inventing Women Artists in a Post-Truth Era"

canadianart.ca

"Axing A-Level Art History Only Amplifies Class Divides"
"Axing A-Level Art History Only Amplifies Class Divides"

theconversation.com

"The Middle Market Squeeze, Part II: Galleries Get a Reality Check"
"The Middle Market Squeeze, Part II: Galleries Get a Reality Check"

artnet.com

"Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance"
"Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance"

artsy.net

"An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)"
"An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)"

moma.org

"What Protest Looks Like"
"What Protest Looks Like"

nybooks.com

"Lost in an Art Historian’s Annals of 1960s–70s NYC" " Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)" "UNESCO Report Says Culture Makes Cities Safer" "A Fictional Photographer Chronicles A Changing City" "On Inventing Women Artists in a Post-Truth Era" "Axing A-Level Art History Only Amplifies Class Divides" "The Middle Market Squeeze, Part II: Galleries Get a Reality Check" "Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance" "An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)" "What Protest Looks Like"
  • Lost in an Art Historian’s Annals of 1960s–70s NYC
  • Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)
  • UNESCO Report Says Culture Makes Cities Safer
  • A Fictional Photographer Chronicles A Changing City
  • On Inventing Women Artists in a Post-Truth Era
  • Axing A-Level Art History Only Amplifies Class Divides
  • The Middle Market Squeeze, Part II: Galleries Get a Reality Check
  • Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance
  • An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)
  • What Protest Looks Like

 

 

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© Dorothy Barenscott, 2010-2025