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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Barry Feinstein, Bob Dylan Birmingham England 1966 

Barry Feinstein, Bob Dylan Birmingham England 1966 

Weekly Flipboard Links and Media Round Up

October 23, 2016

After a VERY busy past couple of weeks, I am glad to be getting back to the round up once again. Midterms are stacked high on my desk and many emails need answering, but I wanted to post some great links to material that has been getting my attention the past week or more in my feeds.

First, there is a great deal of conversation and debate in my particular discipline the past several days regarding the UK's decision to remove art history as a subject from the secondary school A-Level exams (equivalent to the Advanced Placement courses in North America). Many prominent art historians, art critics, artists, and others in the art world have come forward since the news broke to share their thoughts on the importance of the field, and art history's many connections to cultural understanding and the current creative economy. It reminds me of the firestorm a few years back when Barack Obama used an analogy about trades training, and questioned the relevance of an art history degree for the job market. So many people ended up writing, tweeting, and speaking up about the value of the discipline that Obama ended up retracting and apologizing for the comment. If you go to Twitter and check out the hashtag #whyarthistorymatters, you will see many fantastic reasons!

The second story that had everyone talking this week was the awarding of the Nobel Prize for literature to Bob Dylan. First, there was the outrage voiced from many in the elite literary community that Dylan simply did not qualify for the award (as a popular musician) and was a poor choice, and then there was the lack of response from Dylan himself upon being notified by the Nobel committee of the award. What I love about this development is how much it reveals about the gap that still exists between what is characterized as "high" and "low" art in the literary world-- something that the art world also likes to pretend doesn't exist as much as it clearly does. Dylan's silence (a radical gesture in and of itself) is not at all a surprise to me. In fact, I kind of love it.

"Lost in an Art Historian’s Annals of 1960s–70s NYC"
"Lost in an Art Historian’s Annals of 1960s–70s NYC"

hyperallergic.com

" Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)"
" Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)"

openculture.com

"UNESCO Report Says Culture Makes Cities Safer"
"UNESCO Report Says Culture Makes Cities Safer"

blouinartinfo.com

"A Fictional Photographer Chronicles A Changing City"
"A Fictional Photographer Chronicles A Changing City"

hyperallergic.com

"On Inventing Women Artists in a Post-Truth Era"
"On Inventing Women Artists in a Post-Truth Era"

canadianart.ca

"Axing A-Level Art History Only Amplifies Class Divides"
"Axing A-Level Art History Only Amplifies Class Divides"

theconversation.com

"The Middle Market Squeeze, Part II: Galleries Get a Reality Check"
"The Middle Market Squeeze, Part II: Galleries Get a Reality Check"

artnet.com

"Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance"
"Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance"

artsy.net

"An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)"
"An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)"

moma.org

"What Protest Looks Like"
"What Protest Looks Like"

nybooks.com

"Lost in an Art Historian’s Annals of 1960s–70s NYC" " Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)" "UNESCO Report Says Culture Makes Cities Safer" "A Fictional Photographer Chronicles A Changing City" "On Inventing Women Artists in a Post-Truth Era" "Axing A-Level Art History Only Amplifies Class Divides" "The Middle Market Squeeze, Part II: Galleries Get a Reality Check" "Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance" "An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)" "What Protest Looks Like"
  • Lost in an Art Historian’s Annals of 1960s–70s NYC
  • Paul Klee’s Personal Notebooks Presenting His Bauhaus Teachings (1921-1931)
  • UNESCO Report Says Culture Makes Cities Safer
  • A Fictional Photographer Chronicles A Changing City
  • On Inventing Women Artists in a Post-Truth Era
  • Axing A-Level Art History Only Amplifies Class Divides
  • The Middle Market Squeeze, Part II: Galleries Get a Reality Check
  • Powerhouse Carolee Schneemann on Transcending Criticism and Male Dominance
  • An Evening with Patti Astor, Fab 5 Freddy, Glenn O'Brien, Johnny Dynell, and Michael Holman (VIDEO)
  • What Protest Looks Like

 

 

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© Dorothy Barenscott, 2010-2025