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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 4 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 5 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 6 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨

“We need a miracle to get out of here. And m
Sending love, energy, and resilience to all bad ass women everywhere on this International Women’s Day. Now, perhaps more then ever, be the light, be the change, be your authentic self ❤️🌹🔥✨ “We need a miracle to get out of here. And miracles are real; they have happened before. Unconditional love, for example, or solidarity, or courageous collective action. Miracles always happen at the right moment in the lives of those with a childlike faith in the triumph of truth over falsehood, of those who believe in mutual aid and live in keeping with the gift economy. You cannot buy the revolution, you can only be the revolution.” ― Nadya Tolokonnikova, Read & Riot: A Pussy Riot Guide to Activism @pussyriot . . . #internationalwomensday #womensupportingwomen #motogirl #vancouver
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up
Glimpsing changes, abstractions, experimentation, social transformation, and political will on the road to modernism and the avant-garde— Delacroix, Gericault, David, Goya, Turner, Daumier, Manet, Degas. Looking at the works in person, close up, and with knowledge transforms critical understanding and connections to our present moment. The first extraordinarily image is a prepatory painting for Delacroix’s Liberty Leading the People (1830)— something I’ve not seen before and I was captivated. I wonder if he would have wanted this to be closer to the finished work. . . . #arthistory #artinstitutechicago #modernism #modernart #chicago
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨
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#chicago #cloudgate #anishkapoor #publicart
Cloud Gate ☁️🩶✨📸 Anish Kapoor couldn’t have predicted how selfie and social media culture would totally activate this public art. It brings so much fun, play, and delight ✨ . . . #chicago #cloudgate #anishkapoor #publicart
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incre
Firelei Baez @fireleibaez omg, just WOW!🤩🔥 Having missed the @vanartgallery show last year, I am awestruck with this exhibition in Chicago and Baez’s use of colour and materials and the historical references that whisper and haunt. Just incredible. From the catalogue: “In her monumental paintings and installations, Báez creates fictional worlds that explore the legacies of colonial rule across the Americas and the African diaspora, in the Caribbean, and beyond. Her exuberant, colorful artworks contain complex and layered uses of pattern, decoration, and abstract gestures alongside symbols rooted in Afro-Caribbean cultures. Drawing on folklore, fantasy, science fiction, and mythology, she often works on top of visual references from the past, such as colonial maps and architectural plans, to challenge our understanding of acknowledged power, suggest alternative histories, and unsettle the often-fixed categories of race, gender, and nationality. Her works are at once fantastical, multilayered, and immersive, inviting viewers into her mythological narratives of struggle and resistance.” . . . #fireleibáez #mca #chicago #contemporaryart
Growing up, Double Fantasy played on repeat in my house, and I memorized all of the lyrics to the songs, hoping one day to experience a love like Yoko Ono and John Lennon. Later, when I became an art historian and understood the profound influence Yoko Ono had on expanding what art can be and what it can do to bring people together, she became someone I looked up to as a feminist trailblazer and avant-grade artist. So glad to have caught this show in Chicago as Ono turned 93 only a few days ago. A remarkable life and legacy— Yoko Ono has always understood the power of art and she will be remembered as truly one of a kind ❤️ #yokoono #contemporaryart #chicago #avantgarde

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Lawrence Weiner, Bits And Pieces Put Together To Present A Semblance Of A Whole (1991)

Lawrence Weiner, Bits And Pieces Put Together To Present A Semblance Of A Whole (1991)

Weekly Flipboard Links and Media Round Up

September 25, 2016

Treading water a bit this week.... how about you? I have barely had time to look at my media feeds, but it was hard not to notice all of the Brangelina news mixed in with a million pundits speculating about the big US presidential debate tomorrow night (yes, I will be watching!). I did get out at the beginning of last week to see Oliver Stone's Snowden and I spent most of the film, which in true Oliver Stone style delivered on many visual techniques that incorporated multiple film stocks, odd angles, and genius editing, trying to figure out how he was able to get  the film financed and made (researching later, I learned that he had received funding through French and German production companies). Looking ahead next week to the opening of the Vancouver International Film Festival, I am excited once again to note the diversity of filmmakers and controversial topics and themes that will be featured. Whether I have any time to attend more than a few screenings is another question, but I am offering all of my students a bonus assignment to attend and report back to me on what they have seen. Reading these reports is honestly one of the highlights of my fall semester-- the power of film cannot be underestimated, ever. Happy reading and linking!

"This 3D-Printed Top Can Tell When Someone Is Checking You Out"
"This 3D-Printed Top Can Tell When Someone Is Checking You Out"

motherboard.vice.com

"Who’s Afraid of Conceptual Art?"
"Who’s Afraid of Conceptual Art?"

telegraph.com

"Oliver Stone’s ‘Snowden’ Is a Horror Movie—and the Monster Is Our National Security State"
"Oliver Stone’s ‘Snowden’ Is a Horror Movie—and the Monster Is Our National Security State"

thenation.com

"Kanye West has joined Instagram, calls it his ‘art’"
"Kanye West has joined Instagram, calls it his ‘art’"

dazeddigital.com

"Games designer Ian Bogost: ‘Play is in everything’"
"Games designer Ian Bogost: ‘Play is in everything’"

theguardian.com

"How Artists Are Fighting Back against the Fashion Industry’s Plagiarism Problem"
"How Artists Are Fighting Back against the Fashion Industry’s Plagiarism Problem"

artsy.net

"An Appreciation for the Often Hilarious, Usually Horrible, World of Bad Graffiti"
"An Appreciation for the Often Hilarious, Usually Horrible, World of Bad Graffiti"

hyperallergic.com

"Six Degrees of Joan Crawford: Mommie Dearest (PODCAST)"
"Six Degrees of Joan Crawford: Mommie Dearest (PODCAST)"

youmustrememberthispodcast.com

"How ‘Brangelina’ Gave a Couple Its Mystique"
"How ‘Brangelina’ Gave a Couple Its Mystique"

atlantic.com

"Vito Acconci | Where We Are Now (Who Are We Anyway?)"
"Vito Acconci | Where We Are Now (Who Are We Anyway?)"

moma.com

"This 3D-Printed Top Can Tell When Someone Is Checking You Out" "Who’s Afraid of Conceptual Art?" "Oliver Stone’s ‘Snowden’ Is a Horror Movie—and the Monster Is Our National Security State" "Kanye West has joined Instagram, calls it his ‘art’" "Games designer Ian Bogost: ‘Play is in everything’" "How Artists Are Fighting Back against the Fashion Industry’s Plagiarism Problem" "An Appreciation for the Often Hilarious, Usually Horrible, World of Bad Graffiti" "Six Degrees of Joan Crawford: Mommie Dearest (PODCAST)" "How ‘Brangelina’ Gave a Couple Its Mystique" "Vito Acconci | Where We Are Now (Who Are We Anyway?)"
  • Who’s Afraid of Conceptual Art?
  • This 3D-Printed Top Can Tell When Someone Is Checking You Out
  • Oliver Stone’s ‘Snowden’ Is a Horror Movie—and the Monster Is Our National Security State
  • Kanye West has joined Instagram, calls it his ‘art’
  • Games designer Ian Bogost: ‘Play is in everything’
  • How Artists Are Fighting Back against the Fashion Industry’s Plagiarism Problem
  • An Appreciation for the Often Hilarious, Usually Horrible, World of Bad Graffiti
  • Six Degrees of Joan Crawford: Mommie Dearest (PODCAST)
  • How ‘Brangelina’ Gave a Couple Its Mystique
  • Vito Acconci | Where We Are Now (Who Are We Anyway?)

 

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© Dorothy Barenscott, 2010-2025