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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Nielsen enjoying the view of the Haussmannized streets from the Paris Opera House.

Nielsen enjoying the view of the Haussmannized streets from the Paris Opera House.

Location| Paris: Meet Field School Blogger Nielsen Ming-Zhong Ruan

June 23, 2017

Tell us a little bit about yourself—your background, major program of study, reasons for taking this trip, and anything else interesting you want to share (maybe something people might not know about you).

I am a university undergraduate student at Kwantlen Polytechnic University studying Modern Languages. I have mostly taken foreign language classes, but I have not up until now taken Art History classes and have just started in the past year taking Fine Art courses. I also recently earned a Diploma in General Studies. My major program of study is still General Studies, but the main reason why I am taking this trip is that I want to explore French culture to gain more knowledge. I had thought that if I visited museums in France, I would be able to know much more about French art and artistic techniques. But unfortunately, I am still struggling to learn about the art and the art history as I am a beginner.  Something interesting I want to share is that I am glad that I am in France this year and I get to experience French culture directly, especially the wind touching me. So far this has been a good experience, but the hot weather sometimes bothers me and the costs (because of the Euro) are too high. Despite all this, I am willing to come back to France again.

Group picture at the Paris Opera House-- Nielsen at center in green plaid shirt. 

Group picture at the Paris Opera House-- Nielsen at center in green plaid shirt. 

Nielsen having a great time dancing at the group dinner in the Latin Quarter of Paris.

Nielsen having a great time dancing at the group dinner in the Latin Quarter of Paris.

What has met or exceeded ­your expectations or surprised you about Paris (or Kassel) so far?

What has met or exceeded my expectation is just how cultural Paris is-- it has so many good museums, and every district or area has a cultural venue to visit. Unlike Vancouver, where there are not many museums (and they are not especially good), Paris is such an attractive, incredible, and interesting city, which makes tourists desire to see every single landmark. What surprised me about Paris so far is that I see Paris is like Ho Chi Minh City, Vietnam, nicknamed "Paris of the Orient" based on the sight, smell, and sound.

Nielsen was assigned Paul Gauguin, Self Portrait With A Hat (1893-4) from the Orsay Museum.

Nielsen was assigned Paul Gauguin, Self Portrait With A Hat (1893-4) from the Orsay Museum.

Give us some insight into your assigned artwork from the Orsay Musuem. After seeing the work in person in Paris (and any other related art from the same artist or art movement associated with the assigned work), what struck you most about it and/or how did the artwork’s form, content, and context shift for you when seeing it.

I was not able to find my artwork in the Musee D’Orsay (as it was on loan), but I found another artwork that was similar to my assigned painting, Paul Gauguin, Self Portrait With A Hat (1893-4), because it too is a self-portrait by the same artist. After I see the work in the Musee D’Orsay, what struck me most about the  artwork is that the formal qualities of the painting are very different in person. For example, it looks more realistic and I see lighter colour when I look at it in the museum. When I originally saw my assigned painting in the computer and the printed version one, I felt like I was staring more at a cartoon character. What shifted for me when seeing the painting in real life is that my assigned painting has a very specific background. 

Nielsen's final studio project in conversation with Gauguin.

Nielsen's final studio project in conversation with Gauguin.

How did you approach the creative task of responding to this assigned work in studio? What were your challenges as an artist to be in dialogue with the artwork and artist? Would you do anything differently now that you have seen the work in person?

The way I approached the creative task of responding to my artwork was to make a self-portrait, so I placed my likeness into the self-portrait to tell something about myself. It feels like I am playing a special type of character in the portrait, but it still represents my realities. Also, the background of my design is something that represents my life. My challenges are that I did not have the proper skills to design in the higher level I wanted to, although I attempted to follow the same techniques that Gauguin used to produce his work. Also, I do not usually like making art with classmates because I can get pretty distracted. I feel better to work individually unless I need help with my design. Right now, I would not do anything different because I am not an artist-- I am treating this program as a beginner, so I need to take things simply for now.

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Today’s activity was a sunset bike tour through Paris. What were your impressions? What will you take away of the experiences of this day?  What are the most memorable moments for you?

The bike tour allowed me to see Paris in a different way. During the last week in Paris, I had seen Paris as a pedestrian, so I observed the view slowly. During the tour, I observed Paris by bike riding and hopping on a boat down the Seine. My impressions were incredible, and it made me feel like I was living a Parisian life. What will I take away of the biking experiences? When I return to Vancouver, I will use this experience to bike in Downtown Vancouver or other cities of the world. Besides gaining this experience, I wish I could in the future be the leader of such a tour, which is leading and teaching the group to ride around the city. The most memorable moments for me in this activity were taking photograph when I was on the boat. I was so surprised that I saw a lot of the landmarks of Paris and also it was nice that the leader of the bike tour provided us with beverages and told us about the city. I was so interested to learn from the bike tour leader about the history of Paris while I was on the boat.

To see more photos and impressions of Paris and Kassel as the field school continues, check out our Instagram feed #kpuparis

← Location| Paris: Meet Field School Blogger Tiffany HuangLocation| Paris: Meet Field School Blogger Zoe Leung →
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© Dorothy Barenscott, 2010-2025