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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Meet Jenny, posing here in the grand hall of the Orsay Museum in Paris.

Meet Jenny, posing here in the grand hall of the Orsay Museum in Paris.

Location| Kassel: Meet Field School Blogger Jenny Yu

June 29, 2017

Tell us a little bit about yourself—your background, major program of study, reasons for taking this trip, and anything else interesting you want to share (maybe something people might not know about you).

I am a first year Fine Arts student at Kwantlen Polytechnic University. I have taken drawing classes since I was ten years old and I have fallen in love with crafts since I was five. I recently learned how to paint while taking classes at Kwantlen and I highly enjoy it. My strengths in art usually gravitate toward colours. The thing I love most about art is the emotive quality. I love how I am able to express how I feel in a safe place where everyone is supportive. Another artistic hobby I am very fond of is acting; I have been acting ever since I was thirteen when I stumbled upon a class by accident. Acting has taught me a lot of things: to never be afraid of failure, to just be yourself, and to try to strive for perfection, knowing that perfection is not attainable but if we chase it, we can catch excellence.

Jenny standing in front of human skulls and bones found in the Paris catacombs.

Jenny standing in front of human skulls and bones found in the Paris catacombs.

Jenny, Zoe, Alice, and Ashley enjoying on-the-go sandwiches while waiting on the Metro.

Jenny, Zoe, Alice, and Ashley enjoying on-the-go sandwiches while waiting on the Metro.

What has met or exceeded your expectations or surprised you about Paris (or Kassel) so far?

Before coming to Paris, I never thought that I would love the “pretentious” part of Paris. I felt that perfect things were far too artificial for my liking, but when I got here I ended up loving this part of Paris. Because of the rich history and culture Paris exhibits, the city speaks to what I love about travelling. My thirst for antiques has been quenched by all the vastly educational and lovely museums. The architectural details on the buildings baffled me. I had goosebumps just looking at the beautiful sculptures adorning the building of the Louvre. I love the adorable qualities of all the old pastel coloured apartments. The random graffiti also enhanced the artsy feeling of Paris. What surprised me the most was how important the café culture here is. It is extremely different than what I am used to in Vancouver. In Vancouver, there is a large take-out culture, whereas in Paris people stay at least an hour in cafés.

Pierre-Auguste Renoir, The Swing (1876) was Jenny's assigned artwork from the Orsay Museum.

Pierre-Auguste Renoir, The Swing (1876) was Jenny's assigned artwork from the Orsay Museum.

Give us some insight into your assigned artwork from the Orsay Musuem. After seeing the work in person in Paris (and any other related art from the same artist or art movement associated with the assigned work), what struck you most about it and/or how did the artwork’s form, content, and context shift for you when seeing it.

The painting that was chosen for me was Renoir’s The Swing (1876). Renoir was known as an artist with impeccable talent and painted scenes that encompassed a happy feeling. The figures and background for The Swing were loosely painted – giving an Impressionist feel. Renoir beautifully captures the afternoon sunlight shining on the leaves and forest floor. The male figure facing away from the audience can be seen speaking with the women on the swing. The woman on the swing is looking away with a flushed face. On the left, there is a gentlemen and young adolescent, lovingly looking at the two other figures’ interaction. When I finally got to see the work in person at the Orsay with the other Impressionist works, I realized how Renoir was different from the rest. He made the figures more life-like compared to other artists, but was still able to incorporate the Impressionist brushwork and context into his work.

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Today’s activity was the trip from Paris to Kassel, Germany by train. What were your impressions? What will you take away of the experiences of this day?  What are the most memorable moments for you?

Today the group and I took a 5-hour trip by train to Kassel, Germany. Since I have never been on a train before and did not know what to expect, the ride was surprisingly very pleasant. When we got to Kassel, we were able to have a traditional German meal for dinner. I got to eat Schnitzel, bratwurst, and -of course- beer. Everything was very delicious and for a cheap price. The things I remembered doing before I left Paris were the Les 4 Temps department store and the catacombs of Paris. At the department store in the newer part of Paris, La Defense, I was surprised to see a gigantic glass arch right in front of the metro exit. Later, I was told that the arch was built in relationship to the Arc de Triomphe, the Place de la Concorde, and the Louvre. The placement and alignment of all the buildings surprised me a lot. I realize now through my field school coursework that the French really prioritize their appearance of Paris. Later that day, I went to the catacombs of Paris. I was able to get into the express line because I paid the twenty-seven-euro fee beforehand. The trip toward the underground grave was well worth the money. I have never seen so many human bones stacked in a particular way before. The audio guide also really helped guide me through and understand the necessity of the catacombs.

To see more photos and impressions of Paris and Kassel as the field school continues, check out our Instagram feed #kpuparis

← Location| Kassel: Meet Field School Blogger Dorothy DohertyLocation| Paris: Meet Field School Blogger Josie Robinson →
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© Dorothy Barenscott, 2010-2025