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Avant-Guardian Musings

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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about a month ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 2 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 3 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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The CEO of our household reflecting on his year 🐈✨🎄
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#caturday #banksycat #endofyear #holidayseason
The CEO of our household reflecting on his year 🐈✨🎄 . . . #caturday #banksycat #endofyear #holidayseason
Frank Gehry’s passing today at 96 years old marks the remembrance of a daring, risk-taking artistic visionary. Gehry’s aesthetics, process, and design philosophy have always resonated deeply with me as an art historian invested in the stu
Frank Gehry’s passing today at 96 years old marks the remembrance of a daring, risk-taking artistic visionary. Gehry’s aesthetics, process, and design philosophy have always resonated deeply with me as an art historian invested in the study of spatial disruption and urban space. One of my most prized possessions is a Gehry designed torque ring that I purchased in New York back in 2006 and wore religiously in the years I was completing my Ph.D. as a kind of talisman. My love of silver is Gehry inspired too 🩶 Over the years I have been fortunate to visit, teach, and share knowledge of his many amazing buildings all over the world, always telling students that architects are among the most powerful people in society. Frank Gehry was arguably one of the most risk-taking and dare I say avant-garde architects and artists of our generation. “It’s not new that architecture can profoundly affect a place, sometimes transform it. Architecture and any art can transform a person, even save someone.” Frank Gehry Photos (my own) from Las Vegas (Ruvo Building), Paris (Louis Vuitton Foundation), Chicago (Jay Pritzker Pavilion), Los Angeles (Walt Disney Concert Hall), and my much loved and worn Gehry torque ring he co-designed in a collection with Tiffany and Co. #frankgehry #architecture #urbanspace #urbanism #arthistory
Proof of life photo 📸 Taken on the last day of classes of the fall semester. I survived… barely 😥 Countdown to Christmas vacation!
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#arthistorianlife #endofsemester #ootd #iykyk
Proof of life photo 📸 Taken on the last day of classes of the fall semester. I survived… barely 😥 Countdown to Christmas vacation! . . . #arthistorianlife #endofsemester #ootd #iykyk
Aren’t we all tho? 🤔

#christmasshopping #literaryfiction
Aren’t we all tho? 🤔 #christmasshopping #literaryfiction
“Knitting is the saving of life”— Virginia Woolf 🩶
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#knitterofinstagram #knitting #woolandthegang #knittersgonnaknit
“Knitting is the saving of life”— Virginia Woolf 🩶 . . . #knitterofinstagram #knitting #woolandthegang #knittersgonnaknit

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Carolee Schneemann, Nude on Tracks (1962-77). Hand-tinted chromogenic color prints of photographs on archival paper. image exhibited as part of Kinetic Painting, a retrospective exhibition held just last year at MoMA PS1 (organized by the Museum der…

Carolee Schneemann, Nude on Tracks (1962-77). Hand-tinted chromogenic color prints of photographs on archival paper. image exhibited as part of Kinetic Painting, a retrospective exhibition held just last year at MoMA PS1 (organized by the Museum der Moderne Salzburg in Austria). As the catalogue accompanying the show describes, “Schneemann’s pioneering investigations into subjectivity, the social construction of the female body, and the cultural biases of art history have had significant influence on subsequent generations of artists.”

Weekly Flipboard Links and Media Roundup

March 10, 2019

This past week the art world lost Carolee Schneemann, a true avant-garde legend and artist provocateur, at the age of 79. Schneemann has long been featured prominently in all of my modern and contemporary art history courses as an artist who both experimented in multiple media forms, but also never quite fit comfortably in her role as a “performance” or a “feminist” artist. In fact, it has only really been in the last decade and a half or so that the mainstream of the art world has fully recognized Schneemann’s importance in bridging the world of painting, installation, and body art. Perhaps more significantly, Schneemann’s art has long confronted issues related to women’s pleasure and sexuality in novel and subversive ways, and not always comfortably or without controversy. She will be missed.

Also included in my round up this week are reactions to the television debut of Leaving Neverland, the HBO co-produced film by director Dan Reed. Having first heard of the movie as a Sundance Film Festival feature, I looked forward to watching it both for its narrative choices and cinematography (both of which have proved very controversial). I include a great article and podcast exploring many dimensions of the movie— both at the level of what is examined, but also how the film is put together formally. As a Gen-Xer I was also very sad to hear of the passing of Luke Perry of 90210 teen drama fame. Who could forget the enigmatic Dylan McKay? At the same time, I was made aware this week of the 25th anniversary of another Gen X classic—Reality Bites. Completing my roundup is a look at L.A.’s first art fair from a few weeks ago; a review of a Marina Abramovic mockumentary (!); a great TateShots video of the Guerilla Girls (Happy International Women’s Day!); a Dior tribute video to coincide with a new exhibition opening in London at the Victoria and Albert Museum celebrating the designer’s legacy and influence; and a compelling interview with Jiang Xue, an investigative journalist living and working in China who is enduring the latest crackdown on civil society and independent thinking in her country.

 Enjoy the links and cross your fingers that spring is actually coming! You can access by browsing the image thumbnails in the gallery below and clicking on what interests you, or scrolling to the bottom of the page and selecting the easy links.

Carolee Schneemann, Visionary Feminist Performance Artist, Dies at 79
Carolee Schneemann, Visionary Feminist Performance Artist, Dies at 79
Reality Bites Captured Gen X With Perfect Irony
Reality Bites Captured Gen X With Perfect Irony
Mockumentary Series Documentary Now! Makes a Brilliant Parody of Marina Abramović
Mockumentary Series Documentary Now! Makes a Brilliant Parody of Marina Abramović
It’s Too Late to Cancel Michael Jackson
It’s Too Late to Cancel Michael Jackson
The Culture Gabfest “Michael Jackson” Edition (PODCAST)
The Culture Gabfest “Michael Jackson” Edition (PODCAST)
An Art Fair Has Never Worked in Los Angeles. Why Did Frieze?
An Art Fair Has Never Worked in Los Angeles. Why Did Frieze?
‘It’s Hopeless But You Persist’: An Interview with Jiang Xue
‘It’s Hopeless But You Persist’: An Interview with Jiang Xue
Luke Perry’s Startling Vulnerability in the “Beverly Hills, 90210” Episode “The Dreams of Dylan McKay”
Luke Perry’s Startling Vulnerability in the “Beverly Hills, 90210” Episode “The Dreams of Dylan McKay”
Guerrilla Girls – 'You Have to Question What You See' | TateShots (VIDEO)
Guerrilla Girls – 'You Have to Question What You See' | TateShots (VIDEO)
Fashion in Motion / Inspired by Christian Dior (VIDEO)
Fashion in Motion / Inspired by Christian Dior (VIDEO)
Carolee Schneemann, Visionary Feminist Performance Artist, Dies at 79 Reality Bites Captured Gen X With Perfect Irony Mockumentary Series Documentary Now! Makes a Brilliant Parody of Marina Abramović It’s Too Late to Cancel Michael Jackson The Culture Gabfest “Michael Jackson” Edition (PODCAST) An Art Fair Has Never Worked in Los Angeles. Why Did Frieze? ‘It’s Hopeless But You Persist’: An Interview with Jiang Xue Luke Perry’s Startling Vulnerability in the “Beverly Hills, 90210” Episode “The Dreams of Dylan McKay” Guerrilla Girls – 'You Have to Question What You See' | TateShots (VIDEO) Fashion in Motion / Inspired by Christian Dior (VIDEO)
  • Carolee Schneemann, Visionary Feminist Performance Artist, Dies at 79

  • Reality Bites Captured Gen X With Perfect Irony

  • Mockumentary Series Documentary Now! Makes a Brilliant Parody of Marina Abramović

  • It’s Too Late to Cancel Michael Jackson

  • The Culture Gabfest “Michael Jackson” Edition (PODCAST)

  • An Art Fair Has Never Worked in Los Angeles. Why Did Frieze?

  • ‘It’s Hopeless But You Persist’: An Interview with Jiang Xue

  • Luke Perry’s Startling Vulnerability in the “Beverly Hills, 90210” Episode “The Dreams of Dylan McKay”

  • Guerrilla Girls – 'You Have to Question What You See' | TateShots (VIDEO)

  • Fashion in Motion / Inspired by Christian Dior (VIDEO)

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© Dorothy Barenscott, 2010-2025