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Avant-Guardian Musings

  • Spring 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 8 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
Top 10 Modern and Contemporary Art Exhibitions Worth Visiting In 2023
about 2 years ago

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Going into June like… 💃🏼✨💋🏍️💨
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#startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Going into June like… 💃🏼✨💋🏍️💨 . . . #startofsummer #zerofucks #motorcycleofinstagram #motorcycle #sportbikelife #aprilia #apriliars660 #motogirl #whistler #seatosky
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to C
Today was all about urban, graffiti, and street art, and I am always struck by the range of materials, content, and creativity in Paris. Here’s a small survey of work that caught my eye as we made our way from Belleville through the Marais to Central Paris 👀✨💙 . . . #paris #streetart #urbanart #arthistory #graffiti
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the T
Happy Birthday Brian @barenscott 🎂🎉😘 Gemini season is here! And while we didn’t get to ride today, we did get to race bikes at the Louvre video arcade, see all the motorcycle shops in Paris, eat yummy pastries, drink wine and picnic in the Tuileries, and explore the street art in Belleville. And tonight, we will dine and celebrate at your favourite restaurant. You know there is no one else with whom I would rather spend a day chilling, wandering the streets, and laughing. “You and me and five bucks.” I love you forever, and I hope this next year brings you more of what you’ve been dreaming about❤️
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its mos
If I could pick one couture creation from the Louvre Couture exhibition I posted about earlier, this John Galliano for Christian Dior gown from his Fall 2006 haute couture collection would be it! Inspired by the court of Louis XIV and many of its most rebellious women, the gown is designed with partial armour and creates this beautiful tension, movement, and awe that is hard to express. Simply put, Galliano is a true artist and this dress is a masterpiece. . . . #louvre #paris #louvrecouture #johngalliano #hautecouture #fashion #arthistory
There are exhibitions that catch you by surprise and completely take your breath away. “Louvre Couture: Objects of Art” is beyond any description. It is easily the best fashion exhibition I’ve ever seen (even better than some of the
There are exhibitions that catch you by surprise and completely take your breath away. “Louvre Couture: Objects of Art” is beyond any description. It is easily the best fashion exhibition I’ve ever seen (even better than some of the V&A shows in London and the Met in New York), and while these photographs show some level of the pure beauty and vision of these masterpieces (pieces covering every major designer you can think of, from Chanel, Dior, Versace, Schiaparelli, Givenchy, Prada, McQueen, Yves Saint Laurent, to name a few) what’s harder to capture is the exceptional curation of the show— the way each object is in multiple conversations with other objects of art in the Louvre rooms. This is clearly a show for art lovers who also love fashion, and I cannot wait to teach this show in my Art and Fashion art history course. I photographed all 99 pieces in the show but could only choose 20 for this post, but this truly is one of those once in a lifetime exhibitions for fashion lovers that I highly recommend is worth a trip to Paris between now and the end of July. . . . #louvre #paris #louvrecouture #fashion #couture #arthistory

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Asger Jorn, L’avant-garde ne se rend pas (The Avant-Garde Won’t Give Up) (1962). Oil on found painting on canvas. Jorn was born on this day, March 3rd, 1914. As a founding member of COBRA and the Situationist International, Jorn was among one of the…

Asger Jorn, L’avant-garde ne se rend pas (The Avant-Garde Won’t Give Up) (1962). Oil on found painting on canvas. Jorn was born on this day, March 3rd, 1914. As a founding member of COBRA and the Situationist International, Jorn was among one of the first avant-garde artists of the 20th century fascinated by graffiti and mark-making, and would often incorporate references to it in his drawings, paintings, sculptures, collages, and other art compositions.

The Avant-Guardian Won't Give Up: A Short Statement of Reboot and Renewal

March 03, 2019

I find it almost too fitting to select an art work with the provocative title L’avant-garde ne se rend pas (The Avant-Garde Won’t Give Up) to breathe new life and energy into my blog. Ever since the end of my sabbatical last summer, I have waited for the right moment to recommit to my minimum weekly postings, fully aware that the health of any public blog relies upon two key elements— consistency and content. Life has indeed been hectic and in transformation the past year, professionally and personally, and with a range of writing and research projects coming to a close, or at least within a more manageable framework, I am excited to finally recommit to this labour of love that is my blog. Coincidentally, my reboot date, March 3rd, coincides with artist Asger Jorn’s birthday and the selection of this particular work of which art writer Rachel Wetzler has written:

“[as a] found flea-market canvases overlain with childlike doodles and gestural marks, it is a vulgarized portrait of a young girl, redolent of Biedermeier kitsch, to which Jorn has added slightly menacing stick figures and, in a pastiche of Duchamp, a moustache. The titular slogan, scrawled nearly illegibly across the canvas, is insistently ambiguous, ostensibly proclaiming a sincere, ongoing commitment to the avant-garde project while simultaneously mocking its failure to upend much of anything.”

I smiled from ear to ear when I read this description, for it speaks directly to the way I feel about this little corner of the internet that Avant-Guardian Musings has inhabited since September 2010. And here, I want to extend a special thanks to students, friends, and colleagues who have shown such enthusiasm and interest in my blog over the years. In the spirit of Jorn’s 1962 work, L’avant-garde ne se rend pas, an assemblage work that consists of placing markings on a found painting to spark a re-evaluation of its content, my blog has existed from the very beginning as a space of contemplation, of musings. It is my sincere commitment to the avant-garde project and its legacies, impacts, and possible futures that my project belongs. At the same time, I do not pretend that much is achieved through this blog’s existence (especially with respect to how academic ideas are officially valued and given circulation), but I am fully satisfied that this media format, and the content I offer to those who find and read this space, can perhaps inspire and spark a new way of seeing and thinking about the world around us.

In solidarity,

Dorothy Barenscott

Further Reading

Aagesen, Dorthe, and Helle Brøns, Asger Jorn: Restless Rebel. Coppenhagen: Statens Museum for Kunst, 2014.

Foster, Hal. "Creaturely Cobra." October 141, (2012): 4-21.





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© Dorothy Barenscott, 2010-2025