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Avant-Guardian Musings

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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about a week ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings
Celebrating Virgo season and another successful trip around the sun!☀️♍️✨🎂💃🏼Every year I add to this life is its own little miracle. And in a world unforgiving of women getting older, being able to age with health, strength, high energy, peace of
Celebrating Virgo season and another successful trip around the sun!☀️♍️✨🎂💃🏼Every year I add to this life is its own little miracle. And in a world unforgiving of women getting older, being able to age with health, strength, high energy, peace of mind, and eyes wide open is a huge flex. It is a gift I do not take for granted. . . . #happybirthday #virgoseason #genx #motorcyclelife #aprilua #apriliatuonofactory #motogirl #motogirls

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Meet field school blogger Lily, spotted here enjoying her first engagement with one of her assigned artists, Bridget Riley, at the Tate Britain.

Meet field school blogger Lily, spotted here enjoying her first engagement with one of her assigned artists, Bridget Riley, at the Tate Britain.

Location | London: Meet Field School Blogger Lily Saghar

June 24, 2019

Tell us a little bit about yourself—your background, major program of study, reasons for taking this trip, and anything else interesting you want to share (maybe something people might not know about you).

Hello! I’m Lily and I am an international student from Iran. I came to Canada in 2018 to study fine arts and to experience living and studying abroad. At the beginning it was quite challenging to live all alone far from my family and home, but after a while it became easier and more interesting and I fell in love with Vancouver and its people, and now I am even thinking to stay there even when I finish my studies. As you can guess, I like to travel and study in different countries and get familiar with new cultures and their art, so as soon as I heard about the field school, I applied for it even though I knew it would be even more challenging for me regarding getting the VISA (which was not the easiest thing to do due to political conflictions between Iran and other countries) and also taking third year courses for the first time in second language. I am mostly focusing on painting and would like to become a painter but I also enjoy studying psychology and I am planning to get a minor in psychology after I finish my BFA program.

Lily, an international student from Iran, is seen here third from the left along with Shonel, Angela, Celesta, Leah, and Allison, down along the Thames River.

Lily, an international student from Iran, is seen here third from the left along with Shonel, Angela, Celesta, Leah, and Allison, down along the Thames River.

What has met or exceeded your expectations or surprised you about London (or Venice) so far?

I am really surprised by the art world and galleries in London. I knew London is a great city for studying and seeing art but I am still surprised by the fact that you can see any type of art anywhere here whether it is in an art gallery or a street or a café, and I think people in London try to engage themselves with art and it seems like they like to know and study about it. I also like that many of museums and art galleries are admission free in London and I believe this leads people to see art more often and to know more about artists and artworks. I’m also enjoying all the cute and cozy coffee shops and love spending hours at these places to have a tea and do my journals. And one more thing that I would never forget about London is its historical and beautiful architecture that you can see all over the city.

Lily posing by St. Paul’s Cathedral.

Lily posing by St. Paul’s Cathedral.

Give us some insight into your assigned artwork from the Tate Modern. After seeing the work in person in London (and any other related art from the same artist or art movement associated with the assigned work), what struck you most about it and/or how did the artwork’s form, content, and context shift for you when seeing it.

My assigned artwork from the Tate Modern is Skull Snap by James Rosenquist (1989). This piece is created by acrylic paint, dye and lithograph on paper and also collaged elements and it is mainly about the power of money and more specifically the dollar. By reading and searching about this artwork I knew that the scale should be big but I still got a new and different type of feeling once that I saw it at Tate Modern. For me, seeing it in person was very different than seeing it on the screen. Just the same as this artwork I was quite surprised by seeing Bridget Riley’s artwork, my other assigned artist, too. I can even say that seeing Riley’s work in person made me way more excited and surprised compared to Rosenquist’s art piece. Every time that I looked at Riley’s art, it felt like it was the first time that I’m seeing it and I could look at it for a long time.

How did you approach the creative task of responding to your assigned artists in studio? What were your challenges as an artist to be in dialogue with the artwork and artist? Would you do anything differently now that you have seen the work in person?

To me responding to Bridget Riley’s artwork was more interesting and easier because I would personally rather paint or draw when it comes to choosing my mediums. Even though I never tried to create an art in op art style before, I always enjoyed looking at this type of art. For Rosenquist’s work I enjoyed that I could convey a meaning behind my work but I found using collaged elements a little bit more challenging than what I expected (see art projects by Lily below, first one responding to Riley and the second to Rosenquist). By seeing the artworks in person there is not really something specific that I might want to change in my projects but I would definitely continue knowing more about op art and I’ll try to do more of this type of artwork.

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Today’s activity was a free day to yourself in London. What were your impressions? What will you take away of the experiences of this day?  What are the most memorable moments for you?

Today was a free day except that we had to go to an art gallery and choose two artworks to write about that we at first did not like and/or liked. In order to complete my journal I went to both Tate Modern and Victoria and Albert Museum (often abbreviated as V&A), and I mostly spent my time at V&A since it was my most favorite museum among all the art galleries and museums that we visited during the time that we were in London. What I really liked about V&A was that it had lots of different artworks from all around the world and from ancient times to present. The museum also owned a very large collection of sculptures that were made during Renaissance in Italy but most of them were casts of the original ones. Still, I got excited that I could see some artworks and sculptures that I’ve studied about before and got some information about. V&A was also the only museum that I could find artworks from my country and middle east; looking at those artworks and seeing familiar names was quite enjoyable for me because it made me feel like I’m back at home, so I can say that was one of the most memorable moments for me on that day.

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To see more photos and impressions of London and Venice as the field school continues, check out our Instagram feed and follow us at #kpulondonvenice

 

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© Dorothy Barenscott, 2010-2025