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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 2 weeks ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about 11 months ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
about 2 years ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 2 years ago

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Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the
Today, I visited Sicily’s contemporary art museum in Palazzo Riso, another converted baroque palace that was heavily bombed during WWII after local fascists made it their headquarters. I love thinking how much those people would have hated the kind of art that occupies this space and lives on its walls. This art does not celebrate beauty, nor does it tell audiences what to think, who to love, or what rules or political leaders to follow— it is art that deliberately creates questions, discomfort, and provocation while asking audiences to shape the final meaning. Even today, here in Palermo, I discovered through conversation with locals that there are many who criticize and attack the works (artworks by non-Italians, women, people of colour, gay people, and those who use unconventional materials and approaches to art-making) exhibited in the space. It appears the culture wars are again reshaping Italy as they did 80 years ago. History does not repeat itself, as the Mark Twain saying goes, but it does rhyme. Pay attention. Among the artists pictured here: Vanessa Beecroft, Regina Jose Galindo, Herman Nitsch Christian Boltanski, Cesare Viel, Sergio Zavattieri, Loredana Longo, Carla Accardi, Richard Long, William Kentridge . . . #contemporyart #arthistory #sicily #palermo #italy #artwork #artmuseum
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renai
How to describe the Palazzo Butera in Sicily? Take a baroque palace on the edge of the Mediterranean Sea, restore it with great care, and then fill it with your collection of contemporary art, antiquities, ephemera, and a sprinkle of modern and Renaissance works. Add a beautiful cafe with a terrace facing the sea and invite the public to admire it all. This is the best of what a private collection can be— bravo to the curators and anyone who had a hand in planning this space. It is breathtaking! A must visit if you come to Sicily. . . . #palermo #sicily #arthistory #contemporaryart #artcollection #palazzobutera #modernart #artmuseum
A stroll through Palermo capturing colour, light, and mood 💙
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#sicily #italy #palermo #urban #architecture #arthistory #flaneur
A stroll through Palermo capturing colour, light, and mood 💙 . . . #sicily #italy #palermo #urban #architecture #arthistory #flaneur
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my
Buongiorno bella Sicilia! ✨I arrived in bustling Palermo after sunset last night just in time for a lovely al fresco dinner with my dynamic Urban Emotions research group, and awoke this morning to the beauty, light, and colour of Sicily, enjoying my coffee on my hotel’s rooftop terrace and strolling quiet streets as the city awoke. I will be here for the week participating in a round table discussion at the AISU Congress (Association of Italian Urban Historians) exploring the intersection of emotions, cities, and images with the wonderful individual researchers (from Italy, UK, Turkey, and the US) with whom I have been collaborating through online discussions and meetings for over a year. We first connected in Athens last summer at the EAHN European Architectural History Network Conference and have been working on a position paper that will be published later this year in the Architectural Histories journal expanding on our individual case studies to argue for the broader relevance of urban emotions as a multidisciplinary field of study. It is so wonderful to finally meet as a group and continue our conversations! . . . #urbanhistory #italy #palermo #sicily #arthistory #urbanemotions #contemporaryart
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that w
What are the books I would recommend to any artist, art historian, or curator if they wanted to get a critical handle on the state of art in the age of AI? I have some suggestions as I spent the past several months assembling a set of readings that will shape the core questions of a course I will be teaching on this topic come fall at @kwantlenu @kpuarts @kpufinearts . By request, I am sharing the reading list and core questions on my blog (check out top link in bio) in an effort to encourage the consideration of these ideas to a wider audience. I hope to report back at the end of the semester about what I learned teaching this course, and I will be on the lookout for others in my field taking on this topic as a much-needed addition to the art school curriculum in the years to come. IMAGE: Lev Manovich’s exploratory art work from 2013 is made up of 50,000 Instagram images shared in Tokyo that are visualized in his lab one year later. . . . #contemporaryart #machinelearning #ai #artificalintelligence #arthistory #newpost #avantguardianmusings

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

My "How to Outline an Essay" Recipe can be adapted to many different kinds of written assignments

My "How to Outline an Essay" Recipe can be adapted to many different kinds of written assignments

Focus on Research| How to Outline and Prepare an Essay: My Patented "Recipe"

November 09, 2010 in "Focus on Research"

While seemingly formulaic, the ability to outline an essay is critical to your success as a student. After researching and amassing a great deal of material, it becomes vital to organize your thoughts in some meaningful way. In fact, the hallmark of the best essay is one that establishes a thesis statement at the outset and leads the reader through a logical and sequential argument. While not the only method out there, this is the approach that I have used to draft 1000 word essays as an undergraduate, all the way up to entire book-length manuscripts of 300+ pages as a Ph.D. student. I have also shared this "recipe" with many students over the years taking my courses and have had great feedback about its usefulness and adaptation to a variety of assignments. 

The core principal of the formula is incredibly pragmatic-- you are budgeted a specific amount of words that have to be managed and allocated. By applying a little logic, you can take the mystique out of how written work gets completed by making a common sense plan to engage with the finite limits of your assignment-- just do it. In fact, I firmly believe that 75% of your effort should go into an outline or plan for the paper, and only the remaining last 25% spent actually writing. If you do it the other way around, you will likely find yourself both frustrated and wasting precious time. You will find instead that once you have a solid outline or road map of how to proceed, the paralysis and procrastination many students bring to the writing process recedes (it never fully goes away I am afraid) and you can actually begin to enjoy (gasp!) the process of producing solidly constructed written assignments.

Here is my method or “recipe” adapted to a 2000 word assignment (but can be easily used for assignments of virtually any length) :

  1. Determine the number of words that you are required to produce for the assignment (i.e. @2000 words for this example)
  2. Subtract 200-250 words for an Introduction, and 150 words for a conclusion (this would be more in a paper over 4000 words, but is adequate for a paper of this length). This leaves you with approximately 1600 words for the body of your paper.
  3. Keeping in mind your thesis statement and intended argument, figure out how many topic areas you want to discuss. Here you will also consult the instructions given to you for the essay and make sure each area is also covered somewhere in your outline.
  4. Once you have figured out how many areas you have, divide your remaining 1600 words into that number (i.e. I have chosen 3 themes that work out to about 530 words).
  5. Keeping in mind that most of us write 150-200 word paragraphs, each of your three sections will now have approximately 2-3 paragraphs (you do not have to be completely anal about the numbers, just use as a guideline since you may say slightly more or less in each section).
  6. Once you have established the number of paragraphs for each of your three sections, you can now sketch out your preliminary outline.
  7. Go back to your research and sources and look carefully at your topic question and begin to think about what you will say in each paragraph to discuss your topic and prove your argument (keep track too of where you will raise and discuss works of art if needed). Take notes about which page numbers from your sources you will cite, and at what point in your essay you will raise them. Write these notes directly onto your outline.You may find that through this process that you will have to revise the outline to accommodate your argument, and this is fine. But keep in mind the limitations for space that you must abide by for each section.
  8. Once you are satisfied that you have a good outline, start writing, preferably write one section at a time (one a day over three days in this example). Keep your thesis statement only as your Introduction through this process and importantly, avoid writing the complete Introduction until the end of the process. You will only frustrate yourself and waste time. Chances are that you will only really know what you are arguing in detail once you finish writing (this is really what no one tells you directly).
  9. After finishing the essay draft, write the Introduction. Make sure your thesis statement is clearly stated and describe what you will set out in your argument (think of the Introduction as a movie trailer with the “highlights” of your argument). Do not be afraid to use the first person “I” when writing—in fact, I strongly suggest you do for any written assignment where you are asked to critically assess a topic area.
  10. Your Conclusion should be a statement that summarizes what your main findings were in the essay. It is similar to the Introduction, only you now can make more specific statements about what you actually found in your research. Here, you can also make comments about what you think is most important about your findings, and why you think the topic area should be of interest to readers. 
  11. Read, read, and re-read the essay (both silently and aloud) to make sure your argument and ideas flow from one section to the next. This is where careful editing, planning ahead, and attention to mistakes will pay off in your final mark (who has the time to implement this important step if they are writing the paper the night before it is due?)
  12. Finally, create a great title for the project as the icing on the cake! Great titles invite the reader and distinguish your paper from the rest of the pile-- it might just earn you a few extra marks as well.
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© Dorothy Barenscott, 2010-2025