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Avant-Guardian Musings

  • Fall 2025
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“Art is an outlet toward regions which are not ruled by time and space”
— Marcel Duchamp

Avant-Guardian Musings is a curated space of ideas and information, resources, reviews and readings for undergraduate and graduate students studying modern and contemporary art history and visual art theory, film and photography studies, and the expanding field of visual culture and screen studies. For students currently enrolled in my courses or the field school, the blog and associated social media links also serve as a place of reflection and an extension of the ideas and visual material raised in lecture and seminar discussion.

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Blog
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
KPU FINE ARTS PARIS + VENICE BIENNALE FIELD SCHOOL (MAY/JUNE 2026)
about 6 months ago
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
"No Fun City" Vancouver: Exploring Emotions of Detachment in Palermo, Sicily at AISU
about 8 months ago
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
Making Sense of Art in the Age of Machine Learning—A Suggested Reading List
about 8 months ago
From the Archives | How (And Why) To Take Excellent Lecture Notes
From the Archives | How (And Why) To Take Excellent Lecture Notes
about a year ago
Weekly Musings + Round Up... And A Few More Things
Weekly Musings + Round Up... And A Few More Things
about 3 years ago

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Hypermodern kitsch aesthetics in St. John’s Newfoundland ✨ #nofilterneeded I am here presenting research at The Film and Media Studies Association of Canada “Views From the Edge” conference at Memorial University. Maybe it’s t
Hypermodern kitsch aesthetics in St. John’s Newfoundland ✨ #nofilterneeded I am here presenting research at The Film and Media Studies Association of Canada “Views From the Edge” conference at Memorial University. Maybe it’s the 10 hours of flying, or my cumulative jet lag from multiple trips abroad, or my growing homesickness, but I find St. John’s to be an exceptionally odd place— the streets are mostly empty, there is an imposing Catholic Church on every other street, and the silence is eery. Every young person I’ve spoken with wants to leave. The one thing animating the streets are all of these colourful homes (I’m staying in one that is from the mid-19th century), though these too are somewhat creepy in their uniformity. I do not feel at home here at all, aesthetically or spatially, though the people are very friendly. It is places like this that remind me how much they I belong in my modern Westcoast city. Travel teaches us to value what we have, but I might have to give Newfoundland another chance in the future. . . . #architecture #stjohns #newfoundland #academia
Venice Day 4: Among other peripheral events, I made my way over to Foundation Prada to see “Helter Skelter” a conversation between Arthur Jafa and Richard Prince. I was blown away by the curation and disturbing, moving imagery. This was also a very strong and timely show given the shit show we are currently witnessing in the US. From the catalogue: “Underlying the elective affinities between their artistic projects, “Helter Skelter” reveals a certain vernacular edge in the U.S., where both artists live and work: “A country forever tarnished by its history of slavery; a country defined by its remarkable musical traditions rooted in Black culture; a country of doing without, but making good; a country of spirit and prayer and freedom of expression; a country of protest and subcultures and humor and celebrity,” according to curator Nancy Spector. As clarified by Spector, “Both artists have cited Marcel Duchamp’s readymade, a radical transposition of objects from the real world into an art context, as a source of inspiration or, at least, a reference point for their respective practices.” I added the Beatles 1968 Helter Skelter track to the reel to punctuate the direct reference to the exhibition title— it truly captures the vibe! . . . #venice #venicebiennale #contemporaryart #pradafoundation
Venice Biennale Day 3: “In Minor Keys” Arsenale 💙 What can I say? So. Much. To. See. Easily the best edition of the Biennale in a decade. This is just a taste of what caught my eye. I just let the Arsenale exhibition wash over me… and yes, if you can get to Venice, GO! . . . #venice #venicebiennale #contemporaryart #inminorkeys
Venice Biennal Day 2: “In Minor Keys” Giardini 💚 Highlights include adopting a baby in Japan, being zen in Canada, enjoying massive sculptures from Scandinavia, visiting Plato’s cave in Greece, chilling to the sound of haunting voices in Poland, watching a human bell in Austria, experiencing silence in Egypt, and seeing so much diversity in form, content, and context in the main exhibition that it made my head spin. I have enjoyed every moment, and much more than the last edition two years ago. This exhibition is more open, inclusive, bodily, human centered, and diverse in media. . . . #venice #venicebiennale #contemporaryart #inminorkeys
Unapologetically, I started out with Marina Abramovic on Day 1 in Venice because she is bigger than the Biennale and she is the first living woman artist to be honored with a major exhibition at the Gallerie dell’Accademia. Immediately, I knew that I would love the main exhibition when we were told that a timed entrance, a requirement to wear noise reducing headphones, and no photography/smartphones permitted meant that this exhibition was curated by the artist to be fully participatory with complete attention from the audience. Abramovic also trained performance artists for the piece to take audience members by the hand and lead them to many of these encounters. They wore white lab coats like the one Abramovic wears in Balkan Baroque, and it was an incredible thing to see people being led by the hand with such gentleness and care to experience something unexpected. As the catalogue explains, “Transforming Energy is an encounter between past and present, material and immaterial, body and spirit. Visitors are invited to experience a series of interactive Transitory Objects — stone beds and structures embedded with crystals — by lying, sitting, or standing upon them, activating what Abramović calls “energy transmission.” I actually ended up buying a beautiful ring made from blown glass in the gift shop that reminded me of the experience and was merchandised with the exhibition. I can’t fully explain what I experienced, but it involved lots of huge beautiful crystals, invitations to go inwards body and soul, and was very close to spiritual. Because I am still a bit jet lagged, I appreciated an opportunity to relax, close my eyes, reflect, and rest. Most of the images in this reel are from a series of interventions apart from the main exhibition around the main museum. My favourite was the presentation of Pietà (with Ulay) (1983), placed in direct dialogue with Titian’s Pietà (c. 1575-76). Very very powerful and it was fascinating watching all these contemporary art people, like me, reconsidering and spending time with the old Italian masters that make up most of the collection in this space. . . . #marinaabramović #venice #galleriedellaccademia

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© Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com, 2010-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Dorothy Barenscott, Avant-Guardian Musings, and dorothybarenscott.com with appropriate and specific direction to the original content.

Focus on Research| Term Paper Survival Guide

October 26, 2011 in "Focus on Research"

Now that midterms are well underway and will be over soon, many students are beginning to turn their attention to their research paper assignments. In courses and seminars that I teach, the research paper is often worth at least 30% of the final grade, and so it is imperative that research and preparation starts early. Over the past year, I have blogged on a number of topic areas related to planning and executing a well organized research paper, and so I thought it might be useful to collect some of those posts here for the fall semester:

  • First, it is useful to plan how you will manage writing your papers using an assignment calculator.
  • Second, you will want to review how to begin researching a topic (Part One and Part Two)
  • Third, you need to make sure that you know how to create a strong thesis statement
  • Fourth, plan an outline for your essay
  • Fifth, make sure you learn the art of paraphrasing
  • Finally, give yourself time before handing in your paper and review the "Top 10 Mistakes" students make when completing a research paper (Part One and Part Two).

For an even more detailed approach to writing a research paper (especially if you are new to university), see my previous post "Research Paper Season: Are You Prepared?" that breaks down the steps above to an even greater degree. Good luck and remember that the best research papers are ones that set out a clearly established argument (thesis) and make direct references to your sources. We don't necessarily expect original research from undergraduates, but we do expect to see a framework for how you arrived at your final conclusions. 

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© Dorothy Barenscott, 2010-2025